Results
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£144.99Scottish Dances - Peter Martin
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Estimated dispatch 7-14 working days
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£72.99Iditarod - Robert Buckley
The annual Iditarod Trail Dog Sled Race between the Alaskan cities of Anchorage and Nome covers 1,049 challenging miles of jagged mountain ranges, dense forests and windswept coastlines. This amazing feat of endurance was theinspiration for Iditarod. In cinematic fashion, the point of view cuts from long-shots to close-ups (from the dog's view to the eagle's), constantly moving forward with a relentless pulse. With a brief respite, a majestic,sweeping theme is introduced and develops. And then - back to the race! With renewed energy, the dogs race the final stretch: the music building and intensifying to the very end. Iditarod was commissioned by the West VancouverYouth Band to commemorate the band's 80th anniversary. Take your audience on this exhilarating ride! Dur: 5:35
Estimated dispatch 7-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts)) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£99.99Overture Con Spirito (Concert Band - Score and Parts) - Doss, Thomas
This work was commissioned by the Musikverein Prechtal e. V. (Germany) for its 100th anniversary in the year of 2021. The composition opens with a powerful rhythmic motif, which soon develops into the main theme of this brisk overture. The unwavering, joyful melodies and a positive atmosphere give the work a high-spirited energy. The strong pulse has the music firmly in its grasp and only quietens gradually in a pensive middle movement that seems to emanate from another world. This atmospheric passage can evoke dreamy thoughts and a variety of visions. But then the liveliness of the previous motifs returns, to take us back to the vivacious here and now, full of optimism and determination for the hundred years to come. On to a wonderful future! Duration: 8.45
Estimated dispatch 7-14 working days
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£149.99Southend Celebration (Concert Band - Score and Parts) - Sparke, Philip
The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true 'second subject' appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.Duration: 8:30
Estimated dispatch 7-14 working days
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£134.99Mountain Lake (Concert Band - Score and Parts) - Pallhuber, Hermann
Fantasy on a Wild and Romantic Alpine LandscapeWho among us hasn't experienced the great power that lies in the tranquillity and beauty of the mountains: wide meadows, rugged cliffs, wild, romantic gorges, thundering waterfalls and idyllic mountain lakes? Mountain Lake emphasizes particular aspects of this landscape: the calm, the majesty and depth of the water and all the dreamlike secrets of a mountain lake. Gentle melodies and mysterious sounds lead us to a powerful, peaceful mountain lake that shimmers in splendour the morning light. Its water glitters and sparkles, and you can hear the movement of the waves on the wind. A majestic chorale rises up from the depths of the lake and brings up unexpectedly seductive secrets to bear. The solo passages in saxophone, flute and trumpet are like water creatures dancing in pulsating rhythms that transport us to an alpine dream world. As if from afar, like a hymn to the beauty of the lake the chorale melody returns again and again with driving energy before it leads us back to the endless peace of the mountains and dissipates into silence.Duration: 8:00
Estimated dispatch 7-14 working days
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£72.99Iditarod (Dog Sled Race) (Concert Band - Score and Parts) - Buckley, Robert
3rd Movement of Portraits of the NorthThe annual Iditarod Trail Dog Sled Race between the Alaskan cities of Anchorage and Nome covers 1,049 challenging miles of jagged mountain ranges, dense forests and windswept coastlines. This amazing feat of endurance was the inspiration for Iditarod. In cinematic fashion, the point of view cuts from long-shots to close-ups (from the dog's view to the eagle's), constantly moving forward with a relentless pulse. With a brief respite, a majestic, sweeping theme is introduced and develops. And then - back to the race! With renewed energy, the dogs race the final stretch; the music building and intensifying to the very end. Iditarod was commissioned by the West Vancouver Youth Band to commemorate the band's 80th anniversary. Take your audience on this exhilarating ride!Duration: 5:35
Estimated dispatch 7-14 working days
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£58.50Tokyo 2000 (Concert Band - Score and Parts) - O'Reilly, John
Tokyo 2000 begins with a haunting pentatonic flute passage, which is immediately answered by tom-toms and timpani that evoke the sounds of the classic drums of Kyoto. Stark brass pyramids and fluid woodwind passages set the stage for the exciting "Allegro," combining pentatonic melodies with contemporary polychords and interesting syncopated rhythms. A chorale-style middle section showcases the brass, only to lead back to the main theme and a rousing coda to bring the work to a magnificent finish. Let John O'Reilly take you and your band to Tokyo on your next concert! Duration: 5.45
Estimated dispatch 7-14 working days
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£53.95Grays Harbor March (Concert Band - Score and Parts) - Hodges, Steve
Here's an energetic concert or festival opener by Steve Hodges. Grays Harbor March was commissioned by the George B. Miller Junior High School in Aberdeen, Washington. This exciting march was written in two distinct styles. Set in the minor mode, the driving opening will give your trumpets a chance to show off their rhythmic skill. Then, a graceful transition leads to the flowing middle section in the relative major, only to return back to the original theme for the fantastic finish. Open your next concert by taking your audience to Grays Harbor! Duration: 3.30
Estimated dispatch 7-14 working days
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£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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