Results
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£69.99
St. Louis Blues (Concert Band - Score and Parts) - Handy, W. C. - Brown & Henderson
Based on the famous Canadian Brass version by master arranger Luther Henderson, here is a wonderful adaptation for concert band by Michael Brown. Opening with a bluesy medium swing feel, the tuba section is featured on the melody along with a small group of players. Mid-way through the arrangement, the style changes to an up-tempo Dixieland style with the melody cleverly traded between various sections of the band. This rousing number is sure to be a favourite.
Estimated dispatch 7-14 working days
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£176.50
Masquerade (Concert Band - Score and Parts) - Sparke, Philip
Masquerade was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year.1. Overture: The first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement.2. Elegy: The slow movement opens intensely with a bare two-part theme, which leads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close.3 Interlude: A short movement which changes the mood to introduce...4 Finale: Three violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.Duration: 15:30
Estimated dispatch 7-14 working days
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£50.50
Angels We Have Heard on High (Concert Band - Score and Parts) - Lopez, Victor
Innovative construction permits every section of the band a one-measure solo amidst solid ensemble segments. Imagine your students' pride when they perform their first solo section in this fresh arrangement of the time-honored band classic. Duration: 1.45
Estimated dispatch 7-14 working days
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£404.99
Fifth Symphony (Concert Band - Score and Parts) - Barnes, James
Commissioned in 2000 to commemorate the 50th anniversary of the formation of the Japanese Ground Self-Defense Force Central Band in 1951 at the conclusion of Allied occupation. Scored for a very large band, including six antiphonal trumpets, the work is in four movements: I. Eulogy, II. Scherzo, III. Reverie, and IV. Jubilation. Subtitled Phoenix, the composer writes: Like the legendary Phoenix bird, which self-immolates, then arises from its own ashes more resplendent than ever, Japan has recovered from the massive devastation of World War II to become a greater and more respected nation than ever before. Duration: 43.00
Estimated dispatch 7-14 working days
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£102.99
The Trouble with the Tuba is... (Bass feature with Concert Band - Score and Parts) - Relton, William - Miedema, Marten
Go crazy with this amusing work for tuba (Eb Bass, Bb Bass ad lib) and band. Lyricism, humor and virtuosity packaged in a playful composition, arranged for band by Marten Miedema.Duration: 3:30
Estimated dispatch 7-14 working days
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£106.99
Ten Chorale Preludes (Concert Band - Score and Parts) - Reger, Max - Sparke, Philip
During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.
Estimated dispatch 7-14 working days
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£48.95
Attack of the Cyclops (Concert Band - Score and Parts) - Williams, Mark
The driving, accented rhythms of this exciting work are sure to energize and motivate your beginning band students. Depicting an ancient attack by the legendary one-eyed monster, this piece is a sonic powerhouse for the young band. Duration: 2.30
Estimated dispatch 7-14 working days
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£89.99
Slavonic Dances (Concert Band - Score and Parts) - Dvorak, Antonin - Curnow, James
This monumental suite is one of the most impressive transcriptions ever published. Every note comes from the original Dvorak work, including the transitions from one dance to the next. Written for Dr. Harry Begian's last tour with the University of Illinois Symphonic Band, this powerful concert work lets every section of the band shine ... a must for mature groups.
Estimated dispatch 7-14 working days
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£59.95
Highland Fantasy (Concert Band - Score and Parts) - Fraser, Bruce
This work is mainly based onTraditional Scottish melodies. After a brief introduction we hear "The Wee Cooper o' Fife" played firstly by a solo trumpet followed by a tutti version. "Highland Laddie" appears, initially featuring saxophones and then passed around the band. The slow middle section is an original which I felt complemented the other melodies in the piece. A recapulation leads to a final section with an augmented version of "Highland Laddie" from the middle of the band with a version of "The Wee Cooper" in the upper winds. The work ends with a final majestic statement.
Estimated dispatch 7-14 working days
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£11.95
Highland Fantasy (Concert Band - Score Only) - Fraser, Bruce
This work is mainly based onTraditional Scottish melodies. After a brief introduction we hear "The Wee Cooper o' Fife" played firstly by a solo trumpet followed by a tutti version. "Highland Laddie" appears, initially featuring saxophones and then passed around the band. The slow middle section is an original which I felt complemented the other melodies in the piece. A recapulation leads to a final section with an augmented version of "Highland Laddie" from the middle of the band with a version of "The Wee Cooper" in the upper winds. The work ends with a final majestic statement.
Estimated dispatch 7-14 working days