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£37.62Old Glory (Concert Band - Score and Parts)
An exciting rock tune that includes an optional section where you can give any of your students a chance to play an improvised solo. Includes parts for Keyboard, Electric Bass and Drum Set and solo sheets to help your young players understand the chords and scales to the solo section. A perfect way to introduce improvisation to all of your students!
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£41.99
Give It All Ya Got - Andy Clark
An exciting rock tune that includes an optional section where you can give any of your students a chance to play an improvised solo. Includes parts for Keyboard, Electric Bass and Drum Set and solo sheets to help your young players understand the chords and scales to the solo section. A perfect way to introduce improvisation to all of your students!
Estimated dispatch 7-14 working days
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£144.99
Andante & Rondo Wind Band Set (Score & Parts)
Antonio Capuzzi (August 1, 1755 - March 28, 1818) was an Italian violinist and composer who studied violin with Nazari and composition with Bertoni. In 1805 he moved to Bergamo, where he was professor of violin at the Instituto Musicale and leader of the orchestra at Teatro Riccardi. He was highly regarded there both as a teacher and a performer. Although popular in his day, most of his music is now forgotten; his most commonly performed piece today is the Concerto for Double Bass. All of Capuzzi's known compositions were written during his Venetian years. It was in Venice that Capuzzi became close friends with Domenico Dragonetti, Beethoven's virtuoso bassist. It is speculated that Capuzzi wrote his Concerto for Double Bass for Dragonetti. Gerald Oswald has made a fine arrangement of the second (Andante) and third (Rondo) movements of the concerto to feature either euphonium or tuba with concert band. The solo part is also available in an edition with piano accompaniment. 09:05
Estimated dispatch 7-14 working days
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£420.99
Tre Sentimenti Wind Band Set (Score & Parts)
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest and peace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£54.99
The New 'X' Ray - Charles L. Barnhouse
Instrumentation:As published: Piccolo (Db), Eb Clarinet, 1st Bb Clarinet, 2nd & 3rd Bb Clarinets, Eb Cornet, Solo Bb Cornet (Conductor), 1st Bb Cornet, 2nd & 3rd Bb Cornets, 1st Eb Alto, 2nd Eb Alto, 3rd & 4th Eb Altos, 1st Trombone, 2ndTrombone, 3rd Trombone, 1st & 2nd Bb Tenors (Treble Clef), Bb Bass (Treble Clef), Baritone (Bass Clef), Baritone (Treble Clef), Basses, Drums.These parts were later added, and are included: Flute & Piccolo in C, Oboe, Bassoon, Eb Alto Saxophone,Bb Tenor Saxophone, Eb Baritone Saxophone.)
Estimated dispatch 7-14 working days
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£420.99Tre Sentimenti - Jan Van der Roost
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£39.95Blues for Big Ears - Mark Nightingale
Blues for Big Ears is one of Mark Nightingales' Easy Jazzy Tudes, one of Warwick Music's bestselling publications. The band arrangement came about as a result of a stroke of inspiration. After teaching the piece to pupils the idea to arrange it for band was formed. The solo in the middle can be read, or if you have a budding player who likes to improvise feature them. The quavers throughout should not be swung! The Tubas and instruments playing the bass part, should aim for a light sound, and try to imitate the sound of a double bass playing pizziccato. As there are easy parts attached, band directors can include their youngest players, so they don't feel left out. If you have a good drummer, get him to improvise during the fills, rather than read the notated part.
Estimated dispatch 7-14 working days
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£144.99Andante & Rondo - Antonio Capuzzi
Antonio Capuzzi (August 1, 1755 - March 28, 1818) was an Italian violinist and composer who studied violin with Nazari and composition with Bertoni. In 1805 he moved to Bergamo, where he was professor of violin at the Instituto Musicale and leader of the orchestra at Teatro Riccardi. He was highly regarded there both as a teacher and a performer. Although popular in his day, most of his music is now forgotten; his most commonly performed piece today is the Concerto for Double Bass. All of Capuzzi's known compositions were written during his Venetian years. It was in Venice that Capuzzi became close friends with Domenico Dragonetti, Beethoven's virtuoso bassist. It isspeculated that Capuzzi wrote his Concerto for Double Bass for Dragonetti. Gerald Oswald has made a fine arrangement of the second (Andante) and third (Rondo) movements of the concerto to feature either euphonium or tuba with concert band. The solo part is also available in an edition with piano accompaniment.
Estimated dispatch 7-14 working days
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