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£45.95DUKE OF MARLBOROUGH FANFARE (Concert Band) - Grainger, Percy Aldridge - Hunsberger, Donald
This delightful Grainger fanfare, entitled The Duke of Marlborough was originally written in March of 1939. The English folk tune is based on a melody sung by Mr. Henry Burstow and is also utilised as a countermelody in the first movement of Lincolnshire Posey. This Hunsberger edition, a warm addition to the Donald Hunsberger Wind Library is faithful to Grainger's intent and clarifies many intricacies. It offers a variety of performance opportunities serving as either an augmented brass ensemble fanfare or as one portion in a collage of shorter Grainger selections.
Estimated dispatch 7-14 working days
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£87.99
Intrada: Adoration and Praise - Claude T. Smith
This work is an impressive set of variations on the hymn tune "Praise to the Lord, The Almighty." The opening majestic statement is followed by challenging variations. Extra flair can be added with an optional antiphonal brass ensemble amid the dramatic conclusion. An impressive finale for concerts and ceremonies. A supplemental string set (CTS-7829-99) may be purchased separately for performances by combined band and orchestra.
Estimated dispatch 7-14 working days
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£159.99Concerto for Trumpet No. 1 'Trumpet Town' - Otto M. Schwarz
A rapid flourish in 12/8 time opens composer Otto M. Schwarz' first Concerto for trumpet Trumpet Town, written in October 2009. The metric changes that follow affect the pulse rhythmically and melodically, in exciting and unexpected ways. The solo trumpet's displays of technical prowess and bravura alternate with the film-score-like tutti sections of the brass ensemble. The slow, almost elegiac, central section can be performed on the flugelhorn, while the closing reprise demands that both the soloist and the orchestra give of their best as the piece comes to an exciting, colourful, and uplifting finale. Soloist: Difficulty 5This piece is also available for trumpet andpiano.
Estimated dispatch 7-14 working days
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£84.99Humanos - Jan Van der Roost
Jan Van der Roost was commissioned to write this hymn by the "International Association for Human Rights" in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so, that it can be performed by a variety of combinations of players. The piece starts with an "intrada" for brass ensemble based on the first bars of the hymn, but is "ad libitum" and can therefore be omitted. The coda can also be left out, depending on the available instrumentation. The piece should be played "legato" to accentuate its hymn-like character.
Estimated dispatch 7-14 working days
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£199.00Suite from Mass - Leonard Bernstein
Bernstein's Mass was a monumental 90-minute work written for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. in 1971. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Dur: c.14:00 (Grade 5)
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£156.99Shaker Suite
Legendary composer, arranger, and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music, and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts, along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section, this is truly amemorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5) Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD 7368) - Mark DavisScatterday, conductor Dur: 9:50
Estimated dispatch 7-14 working days
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£39.58Simply Carols - 45 Favourite Christmas Carols - Wind Band Set
VIEW SCORE PDF This resource features 45 Favourite Christmas Carols aimed at Intermediate Ensemble and above. All arranged by Kevin Larsson, who has over 20 years' experience working with youth ensembles, they are designed to be flexible and playable by a wide range of different groups, including brass, winds and strings. The arrangements use limited ranges, keys and rhythms and fingerings and slide positions are included for accidentals on the brass parts. PDF parts come in both march card an A4 size. Scored for quartet, the arrangements will work just as well with larger groups. Promotional videos for this product can be viewed at: www.youtube.com/watch?v=dTwB-Zy-c08 (short version) www.youtube.com/watch?v=g4IsIM8x7NU (extended version) The sheet music for this is available from Solid Brass Music Company at www.solidbrassmusic.com where parts, score and piano reduction can be purchased individually. Included in Wind Band Set: Full Score1st Part Bb1st Part C1st Part Eb2nd Part Bb 2nd Part C2nd Part Eb2nd Part F3rd Part Baritone Bass Clef3rd Part Eb3rd Part F3rd Part Trombone Bass Clef4th Part Bass Clef 4th Part BbPercussion (optional) Full Set available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-for-intermediate-ensemble and includes Piano Reduction Brass Band Set available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-brass-band-set Full Score available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-full-score
In stock: Estimated dispatch 1-3 days
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£137.99Flying the Breeze (Concert Band - Score and Parts) - Sparke, Philip
The Breeze Brass Band, based in Osaka, Japan, is a professional ensemble, which was founded in 1990 to encourage the growth of brass bands there. They have invited many leading British conductors, composers and soloists to share their expertise and without doubt have been responsible, through concerts and recordings, for a huge increase in interest in brass bands in their country.In November 2000 they reached their 10th anniversary and commissioned Philip Sparke, a frequent visitor, to write a piece to celebrate the occasion. Flying the Breeze was the result and the composer made the concert band transcription in 2004.The piece opens with three repeated notes (in the brass band version these were written Bs - BBB being the band's initials) and a short introduction leads to a robust theme from the clarinets, horns and trombones, which is then taken up by trumpets. A restless bridge passage leads to a syncopated tune from the alto saxophone and then to a third theme from a solo euphonium. A graceful second subject, initially on a solo clarinet, leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running woodwind passage, which leads to a short coda.Duration: 6:00
Estimated dispatch 7-14 working days
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£70.00WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline
Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions
Estimated dispatch 7-14 working days
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