Results
-
£21.95Symphony Performance Folio (Full Conductor Score) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
-
£75.00Quelle est Cette Odeur Agreable (Whence is That Goodly Fragrance Flowing?) (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The original setting of this beautiful melody was for Strings and Chorus. This Concert/Wind Band version features the brass ensemble, the woodwind choir, as well as the full band. It is intended for combined Band and Chorus, but may be performed by Band alone. It is completely compatible with the published choral edition, except that it is written one-half step lower (E-flat instead of E major). There are no accidentals, and, apart from the instructions for andante and legato, the phrasing is left to the conductor. The simplicity and rich harmonic structure make this an important addition to the repertoire of young bands, and a perfect piece for any band to program for the Christmas season.
Estimated dispatch 7-14 working days
-
£84.99Humanos (Concert Band - Score and Parts) - Van der Roost, Jan
Jan Van der Roost was commissioned to write this hymn by the "International Association for Human Rights" in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so, that it can be performed by a variety of combinations of players. The piece starts with an "intrada" for brass ensemble based on the first bars of the hymn, but is "ad libitum" and can therefore be omitted. The coda can also be left out, depending on the available instrumentation. The piece should be played "legato" to accentuate its hymn-like character.Duration: 2:30
Estimated dispatch 7-14 working days
-
£159.99Concerto for Trumpet No.1 'Trumpet Town' (Concert Band - Score and Parts)
A rapid flourish in 12/8 time opens composer Otto M. Schwarz' first Concerto for trumpet Trumpet Town, written in October 2009. The metric changes that follow affect the pulse rhythmically and melodically, in exciting and unexpected ways. The solo trumpet's displays of technical prowess and bravura alternate with the film-score-like tutti sections of the brass ensemble. The slow, almost elegiac, central section can be performed on the flugelhorn, while the closing reprise demands that both the soloist and the orchestra give of their best as the piece comes to an exciting, colourful, and uplifting finale. Soloist: Difficulty 5This piece is also available for trumpet and piano. 10:15
Estimated dispatch 7-14 working days
-
£45.95DUKE OF MARLBOROUGH FANFARE (Concert Band) - Grainger, Percy Aldridge - Hunsberger, Donald
This delightful Grainger fanfare, entitled The Duke of Marlborough was originally written in March of 1939. The English folk tune is based on a melody sung by Mr. Henry Burstow and is also utilised as a countermelody in the first movement of Lincolnshire Posey. This Hunsberger edition, a warm addition to the Donald Hunsberger Wind Library is faithful to Grainger's intent and clarifies many intricacies. It offers a variety of performance opportunities serving as either an augmented brass ensemble fanfare or as one portion in a collage of shorter Grainger selections.
Estimated dispatch 7-14 working days
-
£119.00
Mutations - Robert W. Smith
Featuring the concert band's brass section and an offstage trumpet ensemble, this contemporary work draws its inspiration from the mutation of sound and its transmission throughout the ensemble and performance environment. From a dark and mysterious beginning with muted sounds on all brass instruments, the timbre and sonority slowly mutates through various musical environments. As the brass section mutates to open sounds, the result is a stunning and glorious music statement that transforms the ensemble and audience alike.
Estimated dispatch 7-14 working days
-
£199.00Suite from Mass - Leonard Bernstein
Bernstein's Mass was a monumental 90-minute work written for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. in 1971. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Dur: c.14:00 (Grade 5)
Estimated dispatch 7-14 working days
-
£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
-
£164.99A Centennial Journey - Philip Sparke
A Centennial Journey was commissioned by the Norwegian ensemble Stavanger Musikkorps av 1919 to celebrate their 100th anniversary in 2019. The work was premiered under conductor Morten E. Hansen at their Jubilee Concert in the Stavanger Konserthus on 28th September 2019. The piece opens dramatically with a sweeping melody on horns and saxophones under florid woodwind figuration, building to a majestic climax. A trio for the trombones calms the mood until the opening melody returns in a gentler style, eventually building to a busy molto vivo. The woodwind figuration continues over a series of brass trios until the main theme of the work appears on clarinets and euphoniums. This develops to introduce a change of key, featuring a long, hymn-like melody on clarinets and horns. The melody is then taken up by the full band, interspersed with sporadic brass fanfares. The opening of the molto vivo returns and leads to a return of the opening horn melody, building to a thrilling coda based on previous melodic material.
Estimated dispatch 7-14 working days
-
£60.99Memento - Robert Buckley
Famed bandmaster Arthur Delamont always programmed a hymn in his concerts and Memento is an homage to that proud tradition. Starting with a simple and reverent solo trumpet and introducing other brass instruments one by one, the introduction has the sound of a brass band. The woodwinds join in and, with the use of rich textures and dynamic scoring, the work builds to a powerful climax and then resolves once again with the solo trumpet. Ideal for festival use, Memento will give your ensemble an opportunity to explore expression and nuance. The second movement of A Tribute to Arthur Delamont, Memento was commissioned by the West Vancouver Youth Band.
Estimated dispatch 7-14 working days
View Music