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  • £229.99

    Sinfonietta no. 1 - Johan de Meij

    Sinfonietta No. 1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra.Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with thesame fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.

    Estimated dispatch 7-14 working days

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  • £149.99

    La Quintessenza - Johan de Meij

    La Quintessenza is a musical approach of the quintessence, the heart of the matter. By focusing a five note motif in a number of variants, De Meij tries to get through to the essence of the musical matter. The core of the composition is a lyrical middle part (Arioso), preceded by an opening fanfare for brass (Introduzione) and a burlesque variant on the same motif (Capriccio). In the fourth part (Alla Marcia) this main motif is only used as an ambient signal, and in the Finale the opening theme is repeated so the musical walk-round is complete.

    Estimated dispatch 7-14 working days

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  • £176.50

    Masquerade - Philip Sparke

    MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.

    Estimated dispatch 7-14 working days

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  • £106.99

    Summer Isles - Philip Sparke

    The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.

    Estimated dispatch 7-14 working days

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  • £360.00

    Praise Jerusalem! - Alfred Reed

    A major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, color and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.

    Estimated dispatch 7-14 working days

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  • £154.99

    Pompeii - Filip Ceunen

    Filip Ceunen's latest concert piece takes us on a journey back through time and explore the ancient Italian city of Pompeii. Through three interlocking movements, the composer creates a musical tale of Pompeii's humble beginnings, its growth and splendour under Roman rule and, of course, the terrible eruption of Mount Vesuvius. This piece is ideally suited for both concerts and competitions alike, with its many contrasting musical characters and orchestration that brings each section of the band to the foreground. Powerful brass passages, lyric melodies in the woodwinds and exciting percussion sections make Pompeii an exciting musical mountain to climb.

    Estimated dispatch 7-14 working days

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  • £184.99

    Concertino for Percussion and Band - Menno Bosgra

    This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.

    Estimated dispatch 7-14 working days

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  • £109.99

    Villa Wertha - Willy Fransen

    The Dutch town of Weert was originally (in 1062) called Wherta and is derived from the Dutch word 'Waard'. The small town's value is its high location in the middle of a marshland. The work describes the history of how Belgium and the Netherlands fought a long battle to gain possession of the town during the revolution in the Low Countries in the 16th century. To illustrate this, Willy Fransen brought together parts of the Dutch and the Belgian national anthems in a subtle manner. This work is dedicated to the Municipal Brass Band of Weert.

    Estimated dispatch 7-14 working days

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  • £109.99

    Homage - Jan Van der Roost

    In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.

    Estimated dispatch 7-14 working days

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  • £189.99

    Manhattan Pictures - Jan Van der Roost

    In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhytmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is exremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness anddynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.

    Estimated dispatch 7-14 working days

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