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£17.95
The White Stone (Concert Band Double CD) - De Haan, Jacob
Includes:Disc 1:Fanfare for KoreaMinistry of WindsNostalgiaLorraineOdiliaMemorial Suite in C minorGoddess of Jeju IslandElegy IThe Blues FactorySa MusicaDisc 2:Campus IntradaThe White StoneQueen of the DolomitesEverestCaldas de RainhaThe Duke of AlbanyRiver CityPisaCall of the ValleyImages of BellacManzaraSingapore RhapsodyViterbo
Estimated dispatch 7-14 working days
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£148.00
Da Vinci (A Study on the Ivory Keys) (Concert Band - Score and Parts) - De Meij, Johan
The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. Da Vinci opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.Duration: 8.15
Estimated dispatch 7-14 working days
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£195.00
Mass, Suite from (Brass Quintet with Concert Band - Score and Parts) - Bernstein, Leonard - Sweeney, Michael
Bernstein's Mass is a monumental 90-minute work, written in 1971 for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Duration: 15.00
Estimated dispatch 7-14 working days
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£53.95
The Hiding Place (Concert Band - Score and Parts) - Burke, Dallas C.
This work is named after the memoir recounting the incredible journey of Corrie ten Boom, who provided rations and a hiding place for her Jewish neighbors during the Nazi invasion of the Netherlands. This poignant work is elegantly written, and will provide a very special moment on any concert.
Estimated dispatch 7-14 working days
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£75.00
Angelus ad Virginem (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Angelus ad Virginem (or its English title, Gabriel, From Heven King Was To The Maide Sende) was a popular medieval carol,whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It is said to have originally consisted of 27 stanzas, with each following stanza beginning with the consecutive letter of the alphabet. Surviving manuscripts may be found in a c. 1361 Dublin Troper (a music book for use at Mass) and a 13th or 14th century vellum Sequentiale that may have been connected with the Church of Addle, Yorkshire. Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems.
Estimated dispatch 7-14 working days
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£75.00
Blessed Be That Maid Mary (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The text for Blessed be that maid Mary comes from an anonymous 15th century English author. It makes liberal use of a common literacy device of the time: mixing English and Latin phrases together. The melody is from William Ballet's Lute Book (c.1590), David Willcocks's setting was written for the choir of King's College, Cambridge, and was first published in Carols for Choirs in 1961. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00
Here We Come A-Wassailing (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
Here We Come A-wassailing (or Here We Come A-caroling) is an English traditional Christmas carol and New Year song, apparently composed c. 1850. The old English wassail song refers to 'wassailing', or singing carols door to door wishing good health, while the a- is an archaic intensifying prefix; compare A-Hunting We Will Go and lyrics to The Twelve Days of Christmas (e.g., Six geese a-laying). According to Readers Digest; the Christmas spirit often made the rich a little more generous than usual, and bands of beggars and orphans used to dance their way through the snowy streets of England, offering to sing good cheer and to tell good fortune if the householder would give them a drink from his wassail bowl or a penny or a pork pie or, let them stand for a few minutes beside the warmth of his hearth. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£150.00
Prologo e Fantasia (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's last 'original' work of note was the Prologo e Fantasia in 1981-2, commissioned by Mstislav Rostropovitch and the National Symphony Orchestra in Washington D.C. It was first performed in London by Rostropovitch and the National Symphony Orchestra. The work consists of three sections. The first movement forms the Prologo, which is slightly reminiscent of the French Overture. The Fantasia opens briskly with characteristic Waltonian energy, and leads, after a climax, into the thematically connected final section Fuga finta (or 'make-believe fugue'). Note to conductors: orchestra performances of this work vary significantly, from a total length of just under five minutes in one performance to over six minutes and forty seconds in another. The audio presented with this arrangement is somewhat in the middle of the timings. So the metronomic markings may not necessarily be taken literally.
Estimated dispatch 7-14 working days
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£75.00
Silent Night (Concert Band with Optional Choir - Score and Parts) - Gruber, Franz - Noble & Willcocks
Silent Night (German: Stille Nacht, heilige Nacht) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. Over the years, because the original manuscript had been lost, Mohr's name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. However, a manuscript was discovered in 1995 in Mohr's handwriting and dated by researchers as c. 1820. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr's handwriting. The song has been recorded by a large number of singers across many music genres. This haunting setting by David Willcocks also includes slight textual alterations to the piece that has been translated into about 140 languages. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£46.95
The Cold Canyon (Concert Band - Score and Parts) - Lopez, Victor
Little Petra, also known as The Cold Canyon, is believed to have been established in the 1st Century C.E. Invite your students and audience on a magical and musical tour of this miraculous place. Repetitive phrases foster preparation, while subtle dynamic shifts offer exquisite texture changes for your first year students. Inspiring!Duration: 2.00
Estimated dispatch 7-14 working days