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  • £79.99

    Nativity - James Curnow

    Tender and expressive! Two of the most popular settings of the Away in a Manger text give the audience pause to reflect on the meaning of the season. This is one of those beautiful arrangements that is a worthwhile endeavor for bands at every level of ability. Younger groups can work on shaping phrases, balancing chords, blending the ensemble and so much more, while advanced groups have the mastery to explore their own deeply expressive and freely conducted interpretation. For groups in the middle, remember, it's always good to include a performance piece that does not require too much "note chasing" so the subtler aspects of the musical art can be examined and reinforced.Charming!

    Estimated dispatch 7-14 working days

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  • £102.99

    Symphonic Fortress - James L. Hosay

    Grand angular fanfares and forceful melodies give the listener a sense of the power and resolve that a view of Fort Monroe can invoke. This is a challenging and exciting piece to play and exhibits great color as well as interesting twists of harmony. The flowing main theme and creative counterpoint are sure to inspire your band to new heights and lift the spirits of the audience as well. Show what your band can do with James L. Hosay's Symphonic Fortress. Majestic!

    Estimated dispatch 7-14 working days

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  • £39.99

    Caroling - Timothy Johnson

    Fragments of eight different well-known Christmas carols go into this enjoyable arrangement. See if your audience can name them all. The carols are conveniently arranged so that they can be played at one consistent tempo throughout, which helps you make the most out of your young band's limited rehearsal time. A variety of articulations and dynamics help to make the piece a teaching tool as well as an enjoyable performance piece. Interesting Percussion colors, with easy substitution suggestions, also help to make the piece sound harder than it is. Effective!

    Estimated dispatch 7-14 working days

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  • £114.99

    Syncopations Builders for Developing Bands - Timothy Johnson

    Composer Timothy Johnson spent many years as a school band director. His teaching experience qualifies him to approach the development of this new entry into the CMP Essentials of Musicianship Series with reality-based confidence. Ever so gradually this product takes the band from the simplest forms of syncopation to more and more complex notation. Your students can build their reading skills at a pace they can handle. The astute teacher will also notice that there is plenty of concept reinforcement as the group steps from easy to more challenging rhythms.A great teaching tool!

    Estimated dispatch 7-14 working days
  • £144.99

    Ross Roy - Jacob de Haan

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

    Estimated dispatch 7-14 working days

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  • £174.99

    Et in terra Pax - Jan Van der Roost

    This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.

    Estimated dispatch 7-14 working days

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  • £144.99

    Festa Paesana - Jacob de Haan

    Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction.

    Estimated dispatch 7-14 working days

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  • £84.99

    Melodia Blues - Peter Kleine Schaars

    Melodia Blues, a swinging composition by PeterKleine Schaars begins with a robust intro. Fourbars follow, which can be repeated ad lib. toallow for an optional announcement (this is theso-called VAMP). The blues theme follows alongwith two written-out improvisations. These can beexpanded - depending on the resources withinyour band. After a richly scored reprise of thetheme, the sparkling final chords close the piece instyle. Bring a great jazz feel to any concert withthis fine new work.Grade 3

    Estimated dispatch 7-14 working days
  • £84.99

    Nordic Fanfare and Hymn - Jacob de Haan

    As the title suggests, this opening work consists of a fanfare and a hymn. This work was written for the opening ceremony of the FIS Nordic World Ski Championships in Oberstdorf (Allgu, Germany) and can be played in four different versions depending on your needs or the players available. You can use a complete version, a short fanfare played just by trumpets (cornets), trombones and timpani, a double fanfare (extended with tutti-band) or a fanfare version followed by the hymn. Nordic Fanfare and Hymn is an extremely practical and versatile ceremonial opening piece.

    Estimated dispatch 7-14 working days

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  • £94.99

    The Craftsmen - Christian Bouthier

    The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.

    Estimated dispatch 7-14 working days

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