Results
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£28.00Yes You Can!
Yes, You Can! The Band Teacher's Guide to Teaching Choirs deals directly with the challenges faced by a teacher transitioning from conducting band to chorus. The handbook pairs pedagogical theory with concrete examples of exercises, techniques, and detailed solutions to common challenges, including dealing with changing voices in a young SATB choir. Fox pulls on his firsthand experience to create a handbook which is essential for the library of any band teacher hoping to teach choirs.
Estimated dispatch 12-14 working days
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£74.00Haleakal
Named for a volcano on the Hawaiian island of Maui, Haleakala is a boldly conceived and sumptuously scored tribute to the wonder of nature. A series of brilliant fanfares, with prominent use of the brass section, leads to a broad chorale theme for the wind section that soon acquires a noble counter melody from the horn choir. After a splendidly sonorous climax, the fanfare material returns to close the piece in a grand style. This selection will work particularly well as a concert opener.
Estimated dispatch 12-14 working days
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£79.99Chorale for Peace - Thierry Deleruyelle
Chorale for Peace is a song of hope and peace for humanity. In commissioning this work, the wind band of Le Portel (France) wanted to pay tribute to the victims of 8 September 1943, when around 100 Allied planes dropped more than 5,000 bombs on the town of Boulogne and the surrounding area. In fact, this operation was nothing more than a diversion to make the enemy believe that a landing was imminent in the north of France. This music is slow, an adagio commemorating the human sacrifice of this operation. But more broadly, the composer also wanted to express his support for the peoples who, even today, suffer oppression. This set includes an optional choir part that offers the possibility of making an even deeper impression on the listener.
Estimated dispatch 7-14 working days
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£148.99A Tribute to Mahler - Hermann Pallhuber
The poem "The Resurrection" by Friedrich Gottlieb Klopstock was set to music by Gustav Mahler in the fifth movement of his Second Symphony, known as the "Resurrection." The central passage from Mahler's musical adaptation was incorporated into "A Tribute to Mahler," a composition created in homage to Mahler, 100 years after his death. Powerful brass tones and delicate woodwind melodies alternate in a Mahleresque manner with horn and trumpet signals from a distance. The choir is delicately complemented by the solo alto saxophone. "A Tribute to Mahler" aims to, like a continuation "after a short repose," offer us a glimpse into the blissful world to which we will all eventually journey.
Estimated dispatch 7-14 working days
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£104.00Judgement Day - Peter Knockaert
The last decades we humans have witnessed a significant number of disturbing developments. If we look at the direct and persistent destructive influence of humans on nature: air and water quality are reducing, soils are depleting, crops are short of pollinators, coasts are less protected from storms, deforestation, the degradation of land, loss of biodiversity and pollution.In stark contrast we find the intelligence and boundless creativity of humans: what about all the high technological advancements? What lies ahead in the realm of Artificial Intelligence? Will we let machines make human decisions? What ethical issues arise there?This composition reflects the desperation and urgency of the human need for action. The music draws inspiration from the brutal natural forces that ravage our world as a direct consequence of human failure and selfishness.Are we heading towards a 'Judgment Day'? Or will humanity find a way to reverse negative trends towards a more livable, peaceful, and joyful environment for humans, animals, and nature?To underscore this message, composer Peter Knockaert opted for a highly classical idiom that has been used by many composers in classical music: the 'Dies Irae'. Traditionally, the Dies Irae is the third part of a requiem (funeral mass). The text used in 'Judgment Day' (for optional choir) is coming from the original Latin text.
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£119.60In Flanders Fields - Guillaume Détrez
"In Flanders Fields" is a play recounting the Battle of Vimy Ridge (France) which took place from April 9 to 12, 1917. The introduction refers to the thousands of graves found at the site of Notre-Dame de Lorette. Then begins the episode of preparation and fierce battle. Thanks to the Canadian Expeditionary Force that came as reinforcements, the battle was won and the site secured at 6 a.m. (brass choir accompanied by 6 bells). The title of this work also refers to a poem by John Mac Rae located at the entrance to the memorial museum."In Flanders Fields"By Col. John McCrae,In Flanders Fields The poppies blowBetween the crosses row on rowThat mark our place; and in the skyThe larks, still bravely singing, flyScarce heard amid the guns below.We are the dead, short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved and now we lieIn Flanders Fields.Take up our quarrel with the foeTo you, from failing hands, we throwThe torch, be yours to hold it high.If ye break faith with us, who dieWe shall not sleep, though poppies growIn Flanders Fields
Estimated dispatch 7-14 working days
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£149.40Cradle Hymn - Kim André Arnesen
Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748).This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued.A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available.The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed.
Estimated dispatch 7-14 working days
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£67.50Christus factus est - Anton Bruckner
Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe fr den Grndonnerstag from 1844 and a motet for eight-voice mixed choir, three trombones and string instruments ad libitum from 1873, this was Bruckner's third setting of the Latin gradual (Gregorian chant) of the same name. Wagner's influence can be clearly heard.
Estimated dispatch 7-14 working days
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£152.99Songs from the Lowlands - Johan de Meij
Songs from the Lowlands is a collection of songs from the 16th and 17th centuries from my native country The Netherlands, formerly known as The Low Countries. They are, by turns, patriotic songs by Adriaen Valerius from the time when our country was occupied by Spain, naughty love songs and a drinking song, Peeckel-Haringh. Songs from the Lowlands was written for the farewell concert of my dear friend Jim Yarnell, who has been the director of bands at The American School of The Hague for four decades. Jim conducted the premire at his final concert, April 8, 2022, and now enjoys a well-deserved retirement. Songs from the Lowlands can be performed instrumental or with choir (SATB).
Estimated dispatch 7-14 working days
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