Results
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£84.95
Partita (Concert Band - Score and Parts) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£16.95
Partita (Concert Band - Score Only) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£59.40
Forget Me Not, O Dearest Lord - Bach, Johann Sebastian
An excellent example of Bach as a song writer. Taken from a volume of sacred songs published in 1736, Bach identifies it as an aria, not as a chorale, and must have thought of it as a lyrical melody to be sung in concert rather than as four square chorale.
Estimated dispatch 7-14 working days
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£84.99
Grace and Glory Wind Band Set (Score & Parts)
The chorale Glory to God on High is one of todays most often sung hymns. The words are an expression of praise to God and gratefulness for his mercy. The internationally familiar melody of this chorale forms the basis for Wim Stalman's Grace and Glory, in which the elements of praise and thanks are shown by means of both festive and more subdued melodies and harmonies. The choir parts allow the work to be performed by concert band with mixed choir. 0:04:53
Estimated dispatch 7-14 working days
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£84.99
Moment Musical Wind Band Set (Score & Parts)
While composing this beautiful chorale, Hayato Hirose was inspired by the fond memory of the pre-marital days he spent with his beloved wife, Minako.The chorale starts with gorgeous woodwinds, after which the brass section is gradually added to enhance the atmosphere. The main theme is repeated and developed in several different keys in the middle section, followed by the recapitulation and the romantic coda that concludes the work. Moment Musical gives any concert programme a touch of warmth and tenderness. 0:03:34
Estimated dispatch 7-14 working days
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£54.45
Symphonic Celebration and Dance
A composition student of the late J. Clifton Williams, Robert Foster composed this work for symphonic band as a tribute to Mr. Williams. The work begins with a statement of the primary theme as a fanfare. The theme recurs later in the work in the form of a chorale, and returns even later in the energetic and rhythmic dance section. A recapitulation of the chorale follows, and the work concludes with a brilliant fanfare. This is a unique musical work and an ideal contest selection.
Estimated dispatch 7-14 working days
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£84.99
Was Gott tut, das ist Wohlgetan Wind Band Set (Score & Parts)
Roland Kernen has succeeded in creating a breathtaking arrangementof the well-known and popular chorale Was Gott tut, das ist wohlgetan.The song by Severius Gastorius, a cantor and composer in the Germantown of Jena in the 17th century, was inspired by the well-knowncomposers of the time including Pachelbel, Telemann and JohannSebastian Bach. A truly moving chorale which will make a great tranquilinterlude to any concert. 0:04:15
Estimated dispatch 7-14 working days
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£159.99
Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£72.99
Jovian Farewell - Michael Sweeney
Jovian Farewell is a carefully paced memorial work, with the title referring to the planet Jupiter and the music incorporating the famous chorale by Gustav Holst. The familiar melody is hinted at early, then developed through a series of layers and phases with building intensity. The full chorale emerges near the end, then tapers peacefully to a tender close. Dur: ca. 3:50
Estimated dispatch 7-14 working days
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£118.99
North Hills Fantasy - Philip Sparke
North Hills Fantasy was commissioned by the North Hills High School Bands, Pittsburgh, Pennsylvania (director: Len Lavelle) as part of a commissioning programme that has run since 1965 - the longest of its kind in the USA. The work opens with a reflective, unaccompanied solo for alto saxophone which develops into a chorale for horns and saxes. This is taken up by the trumpets and subsides to a change of key and mood, with highly decorated folk-like solos for clarinet, bassoon and saxes. These solos build to a climax for full band, which heralds a triumphant return of the horn chorale, accompanied by florid woodwind figuration. But the mood soon winds down; fragments of earlier melodies return calmly to peacefully close the work.
Estimated dispatch 7-14 working days