Results
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£76.99Nun komm, der Heiden Heiland (Concert Band - Score and Parts) - De Haan, Jacob
The well-known chorale Nun komm, der Heiden Heiland (Let the Earth Now Praise the Lord) was written by Martin Luther in 1524 and derives from a translation of a hymn from the 4th century before Christ. The melody was composed by Johann Walter, however Johann Sebastian Bach used it as a basis for many cantatas. This arrangement by Jacob de Haan gives your band the chance to perform an attractive version of this beautiful chorale.Duration: 4:30
Estimated dispatch 7-14 working days
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£48.95Anthem of Liberty (Concert Band - Score and Parts) - Hodges, Steve
Anthem of Liberty is introduced with a warm major-key chorale presented by the woodwinds and then again by the brass. This leads to an intense second presentation in the relative minor, featuring exciting rhythmic motives passed from section to section. Following a dynamic transition, the initial chorale is again presented in a majestic manner over the driving double-time percussion and is complemented with active woodwind countermelodies. From the sensitive introduction to the stirring conclusion, this piece provides many expressive opportunities for the young musicians.Duration: 2:45
Estimated dispatch 7-14 working days
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£73.50Concert Band Clinic (Concert Band - Score and Parts) - Smith, Robert W.
A Warm-Up and Fundamental Sequence for Concert Band. Progressive in depth and organization, this is the third of four comprehensive warm-up programs used by Robert W. Smith at the podium of every honor band he guest conducts. This warm up program is designed for use in any key with just a standard student part to be included in the band's folders. This Clinic will provide everything you need for your daily warm-up and support your teaching objectives, as well as accommodate the National Standards for Music Education. There are four segments in each Clinic: tone, technique, theory and composition, and chorale. The recording included is only the fourth portion; the chorale.
Estimated dispatch 7-14 working days
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£53.95First Band Clinic (Concert Band - Score and Parts) - Smith, Robert W.
This warm-up program is designed for student transposition to any appropriate key. This single band part for inclusion in the students' folders will exceed your daily warm-up and teaching objectives while meeting the National Standards. There are four segments in each "clinic": tone, technique, theory and composition, and a chorale. Progressive, in-depth and highly organized, this is the first of four comprehensive warm up programs used by Robert W. Smith from the podium at every honor band he guest conducts. The recording included is only the fourth segment; the chorale.
Estimated dispatch 7-14 working days
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£76.99Fanfare and Hymn of Brotherhood (Concert Band - Score and Parts) - Bocook, Jay
Commissioned by the Gamma Eta chapter of Phi Mu Alpha, at Furman University, Greenville, SC, this impressive work is built around two chorale themes and a recurring fanfare. After the boldly stated opening, a bright allegro developmental section becomes increasingly more intense until a dramatic cadence is reached. At this point, antiphonal brass (3 trumpets, 2 trombones) soar above the ensemble and play a grandiose version of the first chorale. The band re-enters and both ensembles play the climactic ending to the work, in a new key, and with both hymns being heard simultaneously. Marvelous work! Duration: 6:00
Estimated dispatch 7-14 working days
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£89.99French Carol (Concert Band - Score and Parts) - Kernen, Roland
Les Anges Dans Nos CampagnesThis beautiful arrangement begins with a festive opening following which the chorale melody is introduced. A lofty intermezzo follows, after which the chorale returns with the joyful atmosphere of the opening. The work concludes with a splendid climax that creates a true Christmas mood for both musicians and audience.Duration: 5:30
Estimated dispatch 7-14 working days
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£84.95Partita (Concert Band - Score and Parts) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£16.95
Partita (Concert Band - Score Only) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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