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£70.50Blessed Are They (Concert Band - Score and Parts) - Barrett, Roland
A theme-and-fantasy-variations treatment of the traditional church hymn "Come Thou Fount of Every Blessing." A quiet traditional opening introduces a set of fantasy-like episodes, creating a kaleidoscopic musical journey that culminates in a stately chorale treatment of the theme. Brilliant!Duration: 4:30
Estimated dispatch 7-14 working days
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£152.99Aurora Dances (Concert Band - Score and Parts) - Sparke, Philip
Aurora Dances was commissioned by the Hong Kong-based Winter Band Festival, and consists of three movements, to be played without a break. Aurora Borealis opens with florid woodwind figures and highlights different sections of the band in turn. The second movement Aurora Australis leads to a sombre chorale, which builds to a full-band climax. The finale Aurora Dances is characterised by rhythmic, dance-like themes. A central section features a contrasting legato melody, but this doesn't dispel the energetic feel of the opening, which returns to close the work.Duration: 8.45
Estimated dispatch 7-14 working days
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£164.99A Sevenoaks Suite (Concert Band - Score and Parts) - Sparke, Philip
A Sevenoaks Suite was commissioned by the Sevenoaks and Tonbridge Concert Band from Kent in the south-east of England. The suite describes 3 famous landmarks in the Sevenoaks and Tonbridge area: Knole Park, situated to the south-east of Sevenoaks. The Chapel - Tonbridge School: This movement centres around a hymn-like chorale, depicting the years of worship that have taken place within the chapel, and The Vine Bandstand suggesting the type of music often played in bandstands. It is in march form, but is not actually a march throughout, veering off into other styles before ending emphatically.Duration: 10.30
Estimated dispatch 7-14 working days
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£75.00A Child is Born in Bethlehem (Concert Band with Optional Choir - Score and Parts) - Scheidt, Samuel - Noble & Willcocks
Samuel Scheidt (1587 - 1654) was a German composer, organist and teacher of the early Baroque era, and was one of Germany's most distinguished composers at that time, especially in the field of keyboard music. His three volumes of Tabulatura nova (1624) are a monumental compendium of song and dance arrangements, sets of variations, fantasias, toccatas, fugues and liturgical pieces (often plainsong-based) for the Lutheran Mass and Office. Likewise his four books of Geistliche Konzerte illustrate the ways of elaborating a chorale, fusing declamatory ideas with contrapuntal writing. Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. Scheidt's music is in two principal categories: instrumental music, including a large amount of keyboard music, mostly for organ; and sacred vocal music, some of which is a cappella and some of which uses a basso continuo or other instrumental accompaniment. Edited for double chorus by David Willcocks, this arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00And There Were Shepherds (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Willcocks
And There Were Shepherds is from The Christmas Oratorio by Johann Sebastian Bach, intended for performance in church during the Christmas season. It was written for the Christmas season of 1734. The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. The recitative begins with a tenor solo (the evangelist), followed by the soprano solo (the angel) describing the birth of Jesus. It concludes with the chorale, Break forth, O beauteous heavenly light, for full choir. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£72.99The Spheres (Concert Band - Score and Parts) - Gjeilo, Ola
This evocative work is a wind band version of the composer's mass for choir and string orchestra entitled Sunrise. The piece is built around a five-note chorale theme, and the opening section features an overlapping fade-in/fade-out effect meant to give a sense of floating in space, as if surrounded by stars and planets. A stunning composition from an exciting voice in the band world Ola Gjeilo.Duration: 5:20
Estimated dispatch 7-14 working days
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£72.99We May Rise (Concert Band - Score and Parts) - Hagenberg, Elaine - Hazzard, Preston
This tender melody was originally a choral work titled "All Praise to Thee" with text based on Gelobet seist du, Jesu Christ from a chorale written by Martin Luther and first published in 1524. Preston Hazzard has beautifully reimagined this work for winds capturing the rich harmonies and haunting melody of the original.Duration: 3:40
Estimated dispatch 7-14 working days
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£89.99Into Your Eyes (Concert Band - Score and Parts) - Houben, Kevin
Into Your Eyes was commissioned by the Nielse ConcertBand (Belgium) to celebrate its tenth anniversary. The band was formed through the fusion of two existing music societies by the late Michel Versavel, who was the combined ensemble's first conductor. This wonderful chorale is a hymn to his memory, and is dedicated to the further growth and advancement of the band.Duration: 3.45
Estimated dispatch 7-14 working days
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£59.00Olympus (Concert Band - Score and Parts) - Romeyn, Rob
An outstanding festival or concert opener for young band, "Olympus" begins with a shimmering and triumphant opening fanfare. The music proceeds to a beautiful and memorable chorale section using a variety of textures and sounds. A second theme, march-like and heroic in quality, gradually builds to thunderous conclusion. It ends as it began, even more triumphant this time, bringing your audience to their feet! "Olympus" is destined to be a classic for concert and festival performance. Don't miss it! Duration: 4.00
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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