Results
-
£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
-
£82.50Distant Mirrors - William Ballenger
This stylish, colorful work opens quietly with solo clarinet and crystal clear mallet highlights reminiscent of a lyrical English folksong. The decidedly English flavor is maintained as sections of the band gradually join in, changing the character of the piece to a rollicking dance. Easily playable, with active percussion and evocative melodic lines, this is indeed a musical reflection on our cultural heritage.
Estimated dispatch 7-14 working days
-
£84.99
Marmalade for Clarinets - Wim Laseroms
Marmalade for Clarinets is a breezy solo piece from the pen of Wim Laseroms featuring the clarinet section and concert band. With this fresh and spirited composition the soloists can show off their skills and - together with the band - splendidly entertain the audience!
Estimated dispatch 7-14 working days
-
£104.99Broadway Impressions - AndrĂ© Waignein
In Broadway Impressions, American-oriented music calls the tune. The introduction, which is lively and spectacular, immediately immerses us in the atmosphere of Broadway. All the sections of the band are presented with solo intermezzi for trumpet, clarinet and percussion interrupt the flow of the piece. The work is concluded in a finale that takes us back to the initial theme - this time enhanced more abundantly. A fantastic tribute to the great musical scene that is Broadway and one not to be missed!
Estimated dispatch 7-14 working days
-
£76.99A Repton Fantasy - C. Hubert Parry
Sir Hubert Parry (1848-1918) belongs to a forgotten generation of English composers who are often over-shadowed by Sir Edward Elgar, and the result has been that much of their work is little played or forgotten. In Parry?s case, he is now mostly remembered for his hymn tunes, such as Jerusalem and Repton, both marvellous melodies, of course. The latter first appeared in Parry?s oratorio Judith and was adapted as a hymn tune after the composer?s death.The solo part can be played by a trumpet, clarinet or alto saxophone and will give yourchosen soloist a chance to shine.
Estimated dispatch 7-14 working days
-
£83.50Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
-
£93.50Fanfare, Ballad and Jubilee - Claude T. Smith
Fine high school and college ensembles will appreciate the drama and beauty of this exceptional piece. The ballad section features the clarinet section with solo opportunities for the oboe, trumpet, flute, bassoon and baritone. The alla breve allegro vivace section calls on the resources of the entire ensemble for a stimulating and satisfying finale. Superb!
Estimated dispatch 7-14 working days
-
£102.99Karachi Boulevard - Willy Fransen
Karachi Boulevard is a piece of music is inspired by the city of Karachi in Pakistan. This composition was made according to the theme-and-variations principle.The main theme of the work consists of a whole musical scale and this immediately gives the arrangement an Oriental flavour. This theme is cleverly disguised in endless, almost unrecognisable variations in a series of short interconnected fragments. Following a brief presentation of the thematic material, a rhythmic allegro part, in 7/8 time, is played by the piccolo. Next, some improvisation by the clarinet are played with vocal accompaniment by a number of "inhabitants" of Karachi. In the following part, anextremely moody and impressionist andante breaks through the hectic confusion when a flute solo brings a totally different variation of the theme. After this variation, a compelling folk dance in 3/4 time is played and the piece ends in a grand finale whereby the theme can be heard once again, albeit reduced to its simplest form and enhanced by rhythmic decorations from the woodwind.Despite the many variations, this exceptional piece is composed of different parts that form a logical sequence and make a very strong musical impression on the audience.
Estimated dispatch 7-14 working days
-
£154.99Celtic Concertino - Bruce Fraser
This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland). The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence. The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen. 1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt.3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden. Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Estimated dispatch 7-14 working days
-
£184.99Children'S March Over The Hills And Far Away - Percy Aldridge Grainger
Percy Grainger's extraordinary scoring skills permeate this classic, carefree work for symphonic band. Children's March: Over the Hills and Far Away, originally a piano solo, was orchestrated by the composer while he was a member of the U.S. Coast Guard Artillery Band. It includes two unusual scoring elements for the time - a prominent part for piano (cued in the winds), and brief four-part vocal interludes to be sung by members of the band (or a small chorus ad lib). Grainger believed that the greatest expressivity could be found in the lower instruments of the band (particularly the lower woodwinds), and Children's March includes a liberal and highly specialized use of the bassoons, English horn, bass clarinet and low saxophones. The march was first performed by the renowned Goldman Band in 1919, and was recorded in its original form by the same band with the composer conducting. (Full set includes a vocal score.)
Estimated dispatch 7-14 working days
View Music