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£84.99
Classics on Parade (Concert Band - Score and Parts)
Classics on Parade is a wonderful and original compilation of nineteen famous classical themes. Pieces by Beethoven, Mozart, Haydn, and a number of other well-known composers are heard, some on their own and some interwoven with other themes. Classics on Parade will enrich the light classical repertoire available for concert band. Includes such well know works as: Eine Kleine Nachtmusik (W.A. Mozart), Trumpet Concerto (F.J. Haydn), La Traviata(G. Verdi), New World Symphony (A. Dvorak), Clarinet Concerto (W.A. Mozart), Orpheus in the Underworld (J. Offenbach) and many more. 02:30
Estimated dispatch 7-14 working days
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£94.99
Soldiers' Chorus (Concert Band - Score and Parts)
The tale of Faust, who sold his soul to the devil in exchange for knowledge and power, has been a source of inspiration for many authors, poets, film directors and composers. Among these is the French composer Charles Gounod whose opera Faust was first performed in 1859. This charming Soldiers' Chorus is one of the most famous melodies from the opera. Its musical simplicity and beauty fits any concert programme that needs a well-known classical arrangement. The tale of Faust, who sold his soul to the devil in exchange for knowledge and power, has been a source of inspiration for many authors, poets, film directors and composers. Among these is the French composer Charles Gounod whose opera Faust was first performed in 1859. This charming Soldiers' Chorus is one of the most famous melodies from the opera. Its musical simplicity and beauty fits any concert programme that needs a well-known classical arrangement. 0:03:11
Estimated dispatch 7-14 working days
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£82.50Creepy Classics For Band - Robert E. Foster
A great way to introduce some of the best-known themes from classical literature in a fun and spooky package! Four of the most haunting classical themes: In the Hall of the Mountain King; The Sorcerers Apprentice; Danse Macabre and A Night on Bald Mountain conjure up images of ghosts, witches, sorcerers and all manner of creepy, spooky creatures. Especially suitable for Halloween concerts, youll want to program this all year round!
Estimated dispatch 7-14 working days
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£72.95Song Of India - Nikolai Rimsky-Korsakov
This sultry classical favorite from Rimsky-Korsakov is faithfully arranged for young bands by Andrew Balent. Andy has a knack for retaining the essence of standard classical epertoire, while toning the technical difficulties down to the students' ability levels. Paying close attention to dynamic changes and ensemble balance will make this a winner in contest and festival settings.
Estimated dispatch 7-14 working days
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£50.60Gershwin Portrait - George Gershwin
George Gershwin is one of the greatest composers of the 20th century. His works include classical compositions, musicals and soundtracks which often employ elements of jazz. Many of his melodies have became jazz classics. In this enjoyable GERSWHINPORTRAIT Luigi di Ghisallo assembled three of Gershwin's most popular melodies: "Rhapsody in Blue", his best-known classical work, "Summertime", a famous song from the opera "Porgy and Bess" and "Nice Work If You Can Get It" from the soundtrack of "ADamsel in Distress".
Estimated dispatch 7-14 working days
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£84.99
Classics on Parade - Michael Friedmann
Classics on Parade is a wonderful and original compilation of nineteen famous classical themes. Pieces by Beethoven, Mozart, Haydn, and a number of other well-known composers are heard, some on their own and some interwoven with other themes. Classics on Parade will enrich the light classical repertoire available for concert band. Includes such well know works as: Eine Kleine Nachtmusik (W.A. Mozart), Trumpet Concerto (F.J. Haydn), La Traviata(G. Verdi), New World Symphony (A. Dvorak), Clarinet Concerto (W.A. Mozart), Orpheus in the Underworld (J. Offenbach) and many more.
Estimated dispatch 7-14 working days
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£64.99
Andante from the Surprise Symphony - Franz Joseph Haydn
"He alone has the secret of making me smile, and touching me to the bottom of my soul," said Mozart about "Papa" Haydn and his music. The "Surprise" Symphony (No.94), incidentally written during the final year of Mozart's short life, has become one of Haydn's most memorable works.Since this symphony was written during the zenith of the Classical period, Timothy Johnson's skillful arrangement gives you a perfect opportunity to teach your young band "lightness" and control as essentials of Classical style playing. You can introduce the concept of making the staccato notes "separated" instead of just "short" in order to best approximate the sound of the times. It's a naturalselection for your next festival or concert! Why not give your young band a chance to meet "Papa" Haydn through this charming arrangement?
Estimated dispatch 7-14 working days
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£344.30Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£45.00
Thirty To Tango - David Matthews
This tango was originally composed in 1990 as the fourth movement of the composer's Fourth Symphony. It was intended there as a modern equivalent of the classical minuet. The tango is the most alluring of contemporary dances, and a number of arrangements of it exist, including ones for solo piano and for various chamber ensembles. This latest version for thirty (or more) players was arranged in 1999 by the composer especially for the Faber Wind Band Series.
In stock: Estimated delivery 1-3 days
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£39.99All Tuned Up (Flexible Ensemble - Full Score)
120 Famous Tunes for All Occasions for Flexible Ensembles of Brass and WoodwindAll Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving.Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford.The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands.The following parts are available (in both A4 and Marchcard sizes):Part 1 in Bb: Cornet/Trumpet, Clarinet, Flugel Horn, Soprano SaxophonePart 1 in C: Piccolo, Flute, OboePart 1 in Eb (optional part): Soprano Cornet/Eb Trumpet, Eb ClarinetPart 2 in Bb: Cornet/Trumpet, Clarinet, Flugel HornPart 2 in Eb: Tenor Horn, Alto Saxophone, Alto ClarinetPart 2 in F: French Horn, Cor AnglaisPart 3 in Bb: Baritone TC, Trombone TC, Euphonium TC, Tenor SaxophonePart 3 in C BC: Baritone BC, Trombone BC, Euphonium BCPart 3 in Eb: Tenor Horn, Alto Saxophone, Alto ClarinetPart 3 in F: French Horn, Cor AnglaisPart 4 in Bb: Euphonium TC, Baritone TC, Tenor SaxophonePart 4 in C BC: Euphonium BC, Baritone BC, BassoonPart 5 in Bb: Bb Bass, Bass ClarinetPart 5 in C BC: Tuba, Bassoon, String BassPart 5 in Eb: Eb Bass, Baritone SaxophonePercussion (optional part)
Estimated dispatch 7-14 working days
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