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£102.99Style Studies for Band (Concert Band - Score and Parts) - Curnow, James
Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the Essentials of Musicianship series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can maximize this time, and focus on specific areas that are important to the performance of the music being prepared. This is not a book, but rather it is a sheet music publication just like any other band publication.
Estimated dispatch 7-14 working days
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£114.99Tone Studies 2 for Band (Concert Band - Score and Parts) - Curnow, James
Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the Essentials of Musicianship series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can maximise this time, and focus on specific areas that are important to the performance of the music being prepared.
Estimated dispatch 7-14 working days
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£72.99Lip Benders (Concert Band - Score and Parts) - Ebbs, Frederick C. - Cramer, Ray E.
Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the Essentials of Musicianship series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can maximize this time, and focus on specific areas that are important to the performance of the music being prepared. This product is sold as a standard concert band set (score and parts).
Estimated dispatch 7-14 working days
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£74.99Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00
Estimated dispatch 7-14 working days
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£89.99
Conductor's March (Concert Band - Score and Parts)
Conductor's March is a deft and witty concert march. A conductor should always strive to motivate his musicians and to stay one step ahead of his orchestra--this is the motto and idea behind this piece. First it takes the form of a drum solo which represents the constantly driving force of the conductor. Gradually the musicians fall into line and eventually a cheerful music-making ensemble emerges. 04:55
Estimated dispatch 7-14 working days
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£74.25Thor's Hammer (Concert Band - Score and Parts)
This march pays tribute to three greats of march music: Karl King, Russell Alexander, and John Philip Sousa. Commissioned by the Naperville (Ill.) Municipal Band on the occasion of conductor Ron Keller's 50th year as conductor, this march pays homage to the three great march kings.
Estimated dispatch 7-14 working days
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£132.50Cradle Hymn - Kim AndrĂ© Arnesen
Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748).This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued.A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available.The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed.
Estimated dispatch 7-14 working days
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£163.0060 Warm-up Chorales for Concert Band
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£179.50Symfoni nr. 1 'Fatum' - Symphony No. 1 "Fate" - Johan Halvorsen
Johan August Halvorsen (1864-1935) was born in Drammen and played violin and several brass instruments. He played in both orchestra and wind bands and in 1881 he became a student at Brigademusikken in Oslo. After a brilliant violinist career he proved himself talented as a conductor and composer. From 1899 he became conductor and composer at the National Theatre, where he wrote many of his most famous works. It was in this period in 1924 he wrote Fatum. Fatum means destiny and like Beethoven he opens the symphony with a motif he uses in all four movements. This work shows that Halvorsen was a great composer and a traditionalist.
Estimated dispatch 7-14 working days
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£90.30Reminiscences - Hans Offerdal
"The past is never dead. It's not even past." - William Faulkner To the conductor: Slurs in accompanying voices can be seen as indicating the phrasing only, thus breathing is possibe when necessary. It will be the challenge of the conductor to shape this as soft and sostenuto as possible (almost like strings), if needed assign appropriate places to breathe, depending on size and level of the band. Duration: 4 min
Estimated dispatch 7-14 working days
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