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£37.95
O Tannenbones
Show off your trombone section with this upbeat, delightful swing setting of the beloved German carol O Tannenbaum, as arranged for Concert Band by Timothy Loest. Expertly scored, this fun-filled arrangement will keep your students fully engaged and your audience smiling. The spooky middle section presents a clever stylistic twist in which the trombones begin to haunt the band while supported by a variety of percussion instruments, including brake drum and flex-a-tone. Easy to put together and fun to perform!For concert or symphonic band, available here is the conductor's score and set of parts.
Estimated dispatch 7-14 working days
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£59.99Just for Friends - Jerry B. Bensman
The rock ballad Just for Friends is a gem for the conductor and the band. A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.
Estimated dispatch 7-14 working days
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£109.99Boreas - Jan Bosveld
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon theirarrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevarierd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept.
Estimated dispatch 7-14 working days
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£279.99Analecta Varia - Harrie Janssen
Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.
Estimated dispatch 7-14 working days
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£137.99Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and otherominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops,corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figuresare waving at us. Hopefully we will come back again soon!
Estimated dispatch 7-14 working days
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£72.99Lola Flores - Alfred Sadel
The lively dance style of the Paso Doble (double-step) is inherent in Spanish culture and claims its roots from the excitement and drama of the bullfight arena. Here in one of the most famous Paso Dobles can be heard theanticipation and pageantry as the matadors majestically enter the ring. John Krance's classic 1966 setting is a distinctive and important work for band. (Grade 4) Dur: 4:00 Recorded by the Texas A&M University Wind Symphony -Timothy Rhea, conductor From Mark Records Wind Band Masterworks Volume V 8515-MCD - Used with permission.
Estimated dispatch 7-14 working days
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£109.99Symphonic Songs for Band (Deluxe Edition) - Robert Russell Bennett
This enduring perennial - one of a pair of Bennett works popularized by Frederick Fennell's influential Eastman Wind Ensemble - is at last available in a Deluxe Edition including full score. Celebrating the golden anniversary of the work's 1957 premiere, this new publication allows conductors to rehearse with maximum effectiveness and appreciate fully the mastery of Bennett's scoring technique. Prepared by Bennett biographer George Ferencz, the score includes introductory notes and a complete errata list for the original set of parts. (14:30) Recorded by the Keystone Wind Ensemble - Jack Stamp, conductor
Estimated dispatch 7-14 working days
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£76.99Reflections - Sammy Nestico
Written in memory of Don Caneva, director of the acclaimed Coastal Communities Concert Band for nearly 20 years, Reflections is a stirring and descriptive work from composer Sammy Nestico. Including three movements entitled Mio Amico (My Friend), Danielle and A Fond Farewell, this is a wonderfully crafted and sophisticated work for mature bands. Recorded by the Coastal Communities Concert Band - Robert Fleming, conductor
Estimated dispatch 7-14 working days
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£118.99Bridge of the Gods - James Curnow
Commissioned by the Oregon Symphonic Band in Portland, Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colorful legend told by the Native American Klickitatst about the origins of the volcanic mountains of the Cascade range and legendary bridge. The first movement (Saghalie) pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The second movement captures the beauty of the maiden Loowit, with haunting flute and English horn solos accompanied by soft chanting voices. The final movement, Tanmahawis, utilizes stark clusters, jagged melodic fragments, and rhythmic percussive energy as it depicts the destruction of the mighty bridge. Dur: 8:50 Recorded by the Oregon Symphonic Band - Michael Burch-Pesses, conductor
Estimated dispatch 7-14 working days
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£79.99Purple Whispers - Richard L. Saucedo
This remarkable and descriptive work opens and closes with members of the ensemble whispering to one another, creating a soft yet chaotic effect. The simple poem is by the composer: Whispers move in colored flight, seeking signs of next twilight, purple as the violets grow, warm but rich for all to know. As the piece progresses, introduced by a solo piano, the listener is taken through a dynamic range of emotional tension and release before the quiet mood returns to close out this uniquely effective composition. Dur: 5:15 Recorded by the Marshall University Wind Symphony - Steve Barnett, conductor
Estimated dispatch 7-14 working days
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