Results
-
£130.00
Le Lion Est Mort Ce Soir - George D. Weiss - Marcel Saurer
The Lion Sleeps Tonight
Estimated dispatch 10-14 working days
-
£139.00
Temple Of Artemis - Erick Debs
Le Temple D' Artmis / Der Tempel Der Artmis
Estimated dispatch 10-14 working days
-
£121.00
What A Wonderful World - George D. Weiss - Norman Tailor
Estimated dispatch 10-14 working days
-
£112.00
What A Wonderful World - George D. Weiss - Marcel Saurer
Estimated dispatch 10-14 working days
-
£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
-
£139.99Saint Nicholas Fantasy (Concert Band - Score and Parts) - Sadeler, Georges
Saint Nicholas Fantasy is a medley of traditional Luxembourgish songs about St. Nicholas of Myra, whose story is celebrated on the 6th of December in various European countries. Playfully adapted into different styles such as bossa nova, samba, swing, dixieland or jazz waltz, these songs describe the children's uncontrolled excitement for the presents this holy man brings. The medley includes the songs:Kanner, loosst mer lschteg sinn (Let's be Merry and Bright)Am Uewe potert d'Feier (The Fire Crackles in the Oven)Nach eemol gi mer schlofen (Once More We'll Go to Sleep)Am Dezember, vru Niklosdag (In December, Before St. Nicholas' Day)Ei, ei, ei! Lo ass de Kleeschen hei (Now Father Christmas is Here)Liwe Kleeschen, gudde Kleeschen (Dear Saint Nicholas, Good Saint Nicholas)Duration: 5.15
Estimated dispatch 7-14 working days
-
£110.99Color Concordia (Concert Band - Score and Parts) - De Haan, Jan
Concordia was the Roman goddess of concord or unity. To convey the unity among their musicians, many music societies over the years, including the band that commissioned this composition, have chosen this name. The literal translation of Color Concordia is colour harmony. Consequently, the composer has gratefully used the many ranges of colouring of the concert band for the instrumentation of this work. He based the thematic material on the four note names in Concordia: C, C, D and A, resulting in a brilliant piece of music that will suit any band.Duration: 10.15
Estimated dispatch 7-14 working days
-
£79.50Ascension (Concert Band - Score and Parts) - Standridge, Randall D.
This glorious, lyrical work by Randall Standridge combines "Nearer My God to Thee" with "Be Thou My Vision" in an intriguing and powerful meditation on mortality and beauty. Ascension includes moments of absolute faith contrasted with episodes of doubt and wonder as the music evolves in a reflection of life experience. Stunning.Duration: 5.15
Estimated dispatch 7-14 working days
-
£68.00Enemy (Concert Band - Score and Parts) - Bernotas, Chris M.
Enemy by Imagine Dragons and J.I.D is featured in the Netflix animated series Arcane League of Legends. It has a pulse-pounding rhythm and an intense chorus that will draw you in. This chart-topping song will make your ensemble shine.Duration: 2.15
Estimated dispatch 7-14 working days
-
£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
View Music