Results
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£64.99
Fiddler on the Roof (Medley) - Jerry Bock
Fiddler on the Roof continues to charm audiences worldwide with its captivating music and delightful characters. Calvin Custer's medley for young band features several of the show's memorable songs including: Fiddler on the Roof; Tradition; Sunrise, Sunset; If I Were a Rich Man; and Bottle Dance (Wedding Dance).
Estimated dispatch 7-14 working days
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£154.99
Greek Folk Song Suite - Franco Cesarini
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the songVasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!
Estimated dispatch 7-14 working days
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£84.99
Yakolo (Concert Band - Score and Parts) - Oswald, Gerald
Yakolo is originally a dance song from Africa. It reflects the people of Africa's zest for life, following the maxim Come and join us!. In this work, the call and response principle is featured as a trademark element of traditional African music. The rhythmic melodies invite listeners to sing and dance along and thus give shape to the African art of celebrating together. The repeating themes will be sure to put a smile on everyone's face!Duration: 3.30
Estimated dispatch 7-14 working days
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£36.95
The Lark in the Morning (Concert Band - Score and Parts) - Wiffin, Rob
A vibrant folk dance set for full band. This is one of several folk tunes associated with this title. It's a jig in a minor key with suitable drumming which plays with and across (in hemiola style) the 6/8 rhythm. The setting is dramatic and intense while maintaining the feel of the jig. The outer sections are balanced by a quieter section which momentarily takes the heat out of the music before the dance takes over again and builds to a conclusion.Duration: 3.15
Estimated dispatch 7-14 working days
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£66.95
Balkan Seven (Concert Band - Score and Parts) - Watson, Scott
Balkan Seven gets its inspiration from the lively dances of the Balkan region of Southeastern Europe encompassing Greece, Bulgaria, Macedonia, Serbia, and Croatia. 7/8 is the most popular uneven dance rhythm in all of Balkan music, especially in Macedonia, where a line dance with a 3+2+2 subdivision is prevalent.
Estimated dispatch 7-14 working days
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£54.95
Three Miniature Nutcrackers (Concert Band - Score and Parts - Tchaikovsky, Peter Ilyich - Story, Michael
Based on Alexander Dumas' adaptation of E.T.A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes "March," "Dance of the Reed Flutes," and "Russian Dance (Trepak)." The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during the holidays or any time of the year.Duration: 3:45
Estimated dispatch 7-14 working days
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£375.00
Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£85.00
Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek
Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00
Estimated dispatch 7-14 working days
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£154.99
Greek Folk Song Suite (Concert Band - Score and Parts) - Cesarini, Franco
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the song Vasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!Duration: 9:00
Estimated dispatch 7-14 working days
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£53.95
Contredanse (Concert Band - Score and Parts) - Clark, Larry
Today we have 'line dancing,' which in reality is not too different from the 'contredanse' or country dance of the late 18th century. The music accompanying this French dance form was written in eight-measure phrases repeated again and again. Composer Larry Clark gives us the flavor of another era with more contemporary harmonic structuring. Look very seriously at this sophisticated yet audience-friendly new work for your concert band or wind ensemble. Duration: 2.30
Estimated dispatch 7-14 working days