Results
-
£38.50The Lost City - Paul Lavender
Explorer Level (correlates with Book 1, p. 11) Combining solid rhythms and strong melodies, this very easy adventure theme by Paul Lavender will make your beginning band sound impressive. You'll experience almost instant success with this one!
Estimated dispatch 7-14 working days
-
£47.50Barrier Reef - John Higgins
Expert Level (correlates with Book 2, p. 15) This spirited new overture from John Higgins presents a wealth of musicality at an easy level. Written in traditional A-B-A overture format, the powerful opening theme is played first by the trumpets then later developed by the full band. A lyrical slow section featuring the woodwinds contrasts nicely before returning to the exciting fast section.
Estimated dispatch 7-14 working days
-
£53.50Ye Banks and Braes o' Bonnie Doon
Michael takes this tender and lyrical folk song and creates a marvelous setting for beginning players. Even at this easy level, this arrangement provides a wealth of musicality through creative harmonies and skilled scoring. Every section gets a chance to play the melody at some point. Dur: 2:20 (Includes Full Performance CD)
Estimated dispatch 7-14 working days
-
£38.50Sway (Quien Ser?) - Norman Gimbel
Recorded by Michael Bubl, this Latin standard is popular once again. Robert Longfields easy and appealing arrangement features plenty of interesting percussion parts and modest ranges for all players. Dur: 2:10
Estimated dispatch 7-14 working days
-
£57.50Instant Swing Concert
What a great idea! Here's 11 of the biggest swing hits from two eras, the 40's and the 90's, cleverly put together in a medley that will turn your concert hall into a dance hall. Eric's skilled writing makes it fun and easy to play for any group. This one's an entertainment winner. Includes: Woodchopper's Ball, Jumpin' Jack, Zoot Suit Riot, Puttin' On the Ritz, It Don't Mean a Thing (If It Ain't Got That Swing), Stompin' at the Savoy, Boogie Woogie Bugle Boy, Leap Frog, Go Daddy-O, In the Mood, and Jump, Jive An' Wail.
Estimated dispatch 7-14 working days
-
£44.95The Approaching Storm (Concert Band - Score and Parts) - Wiffin, Rob
This piece was written in Spain in late May/early June 2023. The weather was very unseasonal and every day storms rolled over the Sierra Crevillente and unleashed on the Vega Baja. It was therefore very easy to imagine the sense of an impending storm. The piece was intended to be in the range of Grade 2 and the limited instrumentation, ranges and technical resources presented unique challenges.Duration: 3.45
Estimated dispatch 7-14 working days
-
£53.50Red Comet (Concert Band - Score and Parts) - Oare, Michael
Composed using a single fast tempo throughout, this dynamic work for 2nd year players is filled with imagery and intensity beyond what you normally find at this easy level. Whether the approaching red comet is a warning of impending doom, or simply an exciting flash in the sky is left to your own imagination!Duration: 1:45
Estimated dispatch 7-14 working days
-
£68.00Bones (Concert Band - Score and Parts) - Lopez, Victor
Give your students and audience a special treat with this outstanding arrangement of Bones as performed by Imagine Dragons, one of the most compelling bands in the world. Veteran arranger Victor Lopez crafted a chart that is easy to learn and teach. This piece has all the elements of a top-notch pop tune.Duration: 3.15
Estimated dispatch 7-14 working days
-
£77.50Annie, Music from (Concert Band - Score and Parts) - Charnin & Strouse - Kamuf, Michael
Bring the music from one of the greatest musicals of all time, Annie, to your concert hall. This exciting arrangement by Michael Kamuf includes three of the show's most iconic songs, It's the Hard-Knock Life, Easy Street, and Tomorrow, and makes the perfect closing selection for your next concert!Duration: 5:30
Estimated dispatch 7-14 working days
-
£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
View Music