Results
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£110.00
Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul
For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.
Estimated dispatch 7-14 working days
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£75.00
The First Nowell (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The First Nowell is one of the oldest Christmas folk songs going back to at least the 1600's. We cannot be sure who wrote it, but both France and England claim it as part of their heritage. The spelling of the word Noel would indicate it to be French, however, England claims the original spelling was the English version Nowell. The singing of The First Nowell and the lighting of the yule log became tradition among the peasants in England and was passed down from generation to generation. It was not until 1833 that it was published and soon after was sung in Church services. This arrangement is one of the Series of Band Arrangements compatible with David Willcocks Carols for Choirs Book 1 (#38).
Estimated dispatch 7-14 working days
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£75.00
What Child is This? (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song. Although it was written in Great Britain, the carol is more popular in the United States than in its country of origin today. The context of the carol centres around the Adoration of the Shepherds, who visited Jesus during his Nativity. The questions posed in the lyrics reflect what the shepherds were possibly pondering to themselves when they encountered him, with the rest of the carol providing a response to their questions. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£84.99
Bailando (Concert Band - Score and Parts) - Stanford, Tom
When summer is in the air, great songs are on the radio! 'Bailando' by Enrique Iglesias is one of the biggest summer hits of the past few years, and both the English and Spanish versions of the song were massive hits in most parts of the world. Keep the summer mood going by playing this smooth Grade 3 version of 'Bailando'.Duration: 4.30
Estimated dispatch 7-14 working days
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£34.95
Country Garden Gig (Concert Band - Score and Parts) - Stubbs, Duncan
Imagine it's a warm, lazy, sunny afternoon. You are in an English Country Garden full of sweetly scented flowers and gently drifting bees. It's time to unwind. Iced drinks and cucumber sandwiches are being served together with fresh strawberries and cream. All you need is some relaxing music to help conjure up the scene . . . .
Estimated dispatch 7-14 working days
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£89.99
Valentin's Chorale (Patron of Lovers and Bridesmaids) (Concert Band - Score and Parts) - Doss, Thomas
This piece came about as a Christmas gift for Valentin, the composers' youngest son. Valentin--more commonly Valentine in English--is also the patron saint of lovers. He is said to have been a poor priest who healed a blind girl, and gave flowers from his garden to those who sought help and comfort. Saint Valentine's day has been celebrated in February each year since the 14th century as a day devoted to love. This work is written in the style of a chorale and has a light touch of romance! Duration: 5.20
Estimated dispatch 7-14 working days
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£62.00
A Ralph Vaughan Williams Portrait (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.
Vaughan Williams' work represents the height of English Post-Romanticism after the turn of the century, which was characterized by fervent nationalistic spirit and a corresponding surge of interest in discovering, preserving, and performing traditional folk music. This arrangement includes elements of "Fantasia on a Theme by Thomas Tallis," A Sea Symphony, "Linden Lea," and "Overture to The Wasps," all seamlessly intertwined.Duration: 3.45
Estimated dispatch 7-14 working days
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£140.00
Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£250.00
The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
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£79.99
Sir Roger de Coverley (Concert Band - Score and Parts) - Bridge, Frank - Wheeler, Alastair
Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.
Estimated dispatch 7-14 working days