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£137.99Flying the Breeze (Concert Band - Score and Parts) - Sparke, Philip
The Breeze Brass Band, based in Osaka, Japan, is a professional ensemble, which was founded in 1990 to encourage the growth of brass bands there. They have invited many leading British conductors, composers and soloists to share their expertise and without doubt have been responsible, through concerts and recordings, for a huge increase in interest in brass bands in their country.In November 2000 they reached their 10th anniversary and commissioned Philip Sparke, a frequent visitor, to write a piece to celebrate the occasion. Flying the Breeze was the result and the composer made the concert band transcription in 2004.The piece opens with three repeated notes (in the brass band version these were written Bs - BBB being the band's initials) and a short introduction leads to a robust theme from the clarinets, horns and trombones, which is then taken up by trumpets. A restless bridge passage leads to a syncopated tune from the alto saxophone and then to a third theme from a solo euphonium. A graceful second subject, initially on a solo clarinet, leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running woodwind passage, which leads to a short coda.Duration: 6:00
Estimated dispatch 7-14 working days
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£64.95
PURCELL VARIANTS (Advanced Concert Band) - Meechan, Peter
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas, two elegies and an anthem. The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by a timpani roll with the woodwind articulating the beginnings and endings of the phrases. This leads into a cadenza for trumpet and alto saxophone before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the clarinets and alto saxophone. Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (a disjointed last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for flute, oboe and alto saxophone. This is then taken over by the trumpets who lead us into the middle section of the movement. This is a quasi funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the flute, oboe and alto saxophone, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor. The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme. Duration: 13.00
Estimated dispatch 7-14 working days
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£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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£37.95
RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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£76.95Persuasion - Sammy Nestico
Is there an alto saxophone player alive who would not give his eyeteeth to play this solo? Included with the arrangement are alternate solo parts for euphonium or tuba. Listen to this Sammy Nestico charmer . . . it may be the source of the term "wail"!
Estimated dispatch 3-5 working days
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£29.95
Commitment - Score and Parts - Stephen Bulla
After creating a solo euphonium setting of Lloyd Scott's beautiful song I Have Not Much to Give Thee, Lord, Stephen Bulla took it a step further and added wind band accompaniment. The gorgeous simplicity of the melodic line will appeal to performers and listeners alike.
Estimated dispatch 7-14 working days
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£5.95
Commitment - Score only - Stephen Bulla
After creating a solo euphonium setting of Lloyd Scott's beautiful song I Have Not Much to Give Thee, Lord, Stephen Bulla took it a step further and added wind band accompaniment. The gorgeous simplicity of the melodic line will appeal to performers and listeners alike.
Estimated dispatch 7-14 working days
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£48.99
Variants on St Francis - David Chaulk
A virtuosic work for Euphonium, based on the hymn St. Francis, that has already been performed and recorded by many leading players including Steven Mead, Derrick Kane and David Chaulk. The accompaniment is Grade 4 and the solo part is Grade 6.
Estimated dispatch 7-14 working days
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£37.76The Spirit of St Louis (Wind Band) Andrew Wainwright
The winner of the RWCMD Cory Band Composition Prize 2018, this exciting and descriptive work is now available for wind band. The music tells the story of the first solo non-stop transatlantic flight (by Charles Lindbergh), including the moments before Lindbergh's upcoming attempt at the expedition, the turbulence that he experienced along the journey and finally the exultation of completing his mission. This will be a highly captivating piece for your band's concert programme that is also challenging and engaging for your musicians. Includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Piccolo Flute 1-2 Oboe English Horn Bassoon 1-2 Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone 1-2 Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£144.99Serenata - Jan van der Roost
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
Estimated dispatch 7-14 working days
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