Results
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£55.00The Red Sled (Concert Band - Score and Parts) - Fossa, Salvio
We invite your band to experience the wistful wonder of a snow day sleigh ride with this delightful music. "The Red Sled" recounts the exhilaration of every child's first ride down a snowy hill, from the plodding climb up to the dashing and dangerous descent. Simple grace notes for the flutes, percussion features, and trombone glisses are just some of the unique features of this very accessible work that will assuredly be a winter favorite. Duration: 2.10
Estimated dispatch 7-14 working days
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£45.00Promise of Tomorrow (Concert Band - Score and Parts) - Clark, Paul
Filled with musicality while only using notes from the Bb concert scale, "Promise of Tomorrow" is an impressive concert or festival piece! The contrasts between gentle lyrical passages and bold full ensemble sections provide numerous teaching opportunities. Abundant use of cues assures a full sound, even with limited instrumentation. Guaranteed to give your students a positive performing experience, which is so important at this level. Very highly recommended! Duration: 2.15
Estimated dispatch 7-14 working days
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£104.99Dreamcatcher (Concert Band - Score and Parts) - Schwarz, Otto M.
Once upon a time in North America, there lived a mother and her small daughter who were part of a community of Ojibwa people. The girl suffered from severe nightmares. The mother sought help from 'Spider Woman' also known as 'Asibikaashi', who protected people by weaving a magical web. This 'dreamcatcher', decorated with sacred feathers, only let good dreams through, and the bad dreams were burnt by the morning sunbeams. During this fascinating programme work, one can follow the story meticulously, making it a true phantasmal concert experience! Duration: 8.00
Estimated dispatch 7-14 working days
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£150.00Ancient Airs and Dances (Concert Band - Score and Parts) - Respighi, Ottorino - Johnson, William V.
Suite No.1 for Symphonic Winds - IV. Passo Mezzo e Mascherada. William Johnson's wind band transcription of this Renaissance masterwork by Respighi will be the headline of your next concert. Appropriate for your festival program, "Ancient Airs And Dances" provides a powerful musical and educational experience for your ensemble. With parts included for optional color instruments, this exceptional edition brings classic Renaissance repertoire into the modern era.
Estimated dispatch 7-14 working days
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£52.95Tribute for Band (Concert Band - Score and Parts) - Butterfield, Daniel - Miller, Michael J.
Tribute for Band is a thoughtful patriotic piece based on the famous civil war bugle call Taps, and pays homage to the men and women of the United States Armed Forces. Playable by bands of any age or experience, hints of several well known patriotic melodies are heard. Duration: 2.30
Estimated dispatch 7-14 working days
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£56.50Primal Winds (Concert Band - Score and Parts) - Fagan, Gary
Many young and developing musicians experience difficulty with mastering rhythmic accuracy with confidence. This piece seeks to challenge young players rhythmically and uses multiple meter changes to create interesting, appealing, and unique rhythmic textures. Duration: 3:30
Estimated dispatch 7-14 working days
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£75.00Christ is the Morning Star (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Christ is the morning star is sheer beauty in its simplicity and message. Whether performing this arrangement with or without a chorus, the beauty remains. The choral part is included in the score as reference, but is not included in the set. Choral parts may be purchased through Oxford University Press or their affiliates. The arrangement is written so that it is playable without a chorus. This piece brings John Rutter's music to everyone because it is technically not demanding. There are sufficient doubling of parts so that even the smallest ensemble can experience the music and bring its lovely essence to an appreciative audience.
Estimated dispatch 7-14 working days
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£495.00English Dance Suite (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Original Scoring. Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£125.00English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£75.00English Dance Suite - II. Alman (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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