Results
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£2.25Goin' on a Sleigh Ride (3-Part Mixed Choral Octavo) - Albrecht, Sally K.
Hear the clip, clop of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown in for fun). After an opening fanfare, we hear a sprightly 4/4 arrangement of Over the River, a repeat of the fanfare, then bouncy Jingle Bells before building to a final fanfare. Sally Albrecht's vocal arrangement works wonderfully with the straightforward band arrangement by John O'Reilly. Duration: 2.30
Estimated dispatch 7-14 working days
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£144.95Symphony Ad 78 (Concert Band - Score and Parts) - Jacob, Gordon
A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
Estimated dispatch 7-14 working days
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£28.95
Symphony Ad 78 (Concert Band - Score Only) - Jacob, Gordon
A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
Estimated dispatch 7-14 working days
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£138.00The Saints And the Royal - Eric Swiggers
The Saints and the Royal was composed on behalf of Royal brass band St. Willibrord Heeswijk on the occasion of its 200th anniversary in 2023.When the marching band was founded in 1823, it was given the name "Harmonie Sint Cecilia," referring to Saint Cecilia, the patron saint of music. Around 1904, the name was changed to 'Kerkelijke fanfare Willibrord', strongly emphasizing the connection with the church in Heeswijk, of which Saint Willibrord is the patron saint. In 1973, at its 150th anniversary, the band received the predicate 'royal'. From that time on one speaks of the Royal brass band Saint Willibrord.The composition musically depicts both Saints Saint Cecilia and Saint Willibrord and the jubilee royal brass band. Although one of the oldest musical societies in the Netherlands, this fanfare is alive and kicking and will celebrate its 200th anniversary in 2023. The composition therefore opens festively and energetically. The alto saxophone plays a recitative, the Gregorian "Cantantibus organis Caecilia virgo in corde suo soli domino decantabat" from the vespers of the feast day of Saint Caecilia, the patron saint of music. This is taken over by the full wood and soft brass group. After a brief, playful interlude, this chant is played by the full orchestra, like an organ, larded with circumambulations.St. Willibord was born in England but made the crossing to the Netherlands in 690 to preach the gospel as a missionary. This was far from harmless and he faced frequent uprisings. After his death he was buried in Echternach in Luxembourg. In this place he is commemorated to this day with the annual "Spring Procession" or "Dance Procession". This procession of Echternach went as follows until 1947: 3 steps forward, 2 steps backward. Hence we hear this procession back in a 5/8 measure: 3 + 2.After this procession, the Gregorian vesper of Sint Caecilia sounds one more time, leading the composition to a reprise of the opening: The jubilee Royal Fanfare Sint Willibord Heeswijk.
Estimated dispatch 7-14 working days
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£64.99The Hunt - Pyotr Ilyich Tchaikovsky
Tchaikovsky composed his twelve character pieces for piano, The Seasons, while he was writing his popular ballet, Swan Lake. Each piece in The Seasons depicts a different month of the year in Russia. The original publication of September: The Hunt included an epigraph at the start of the piece-a small poem by Alexander Pushkin. This energetic arrangement for symphonic band by Nathan Jones opens with an octave fanfare between the winds and brass. Tchaikovsky's colorful harmony speaks here, with passing chromaticism adding color to the music. The fanfare theme is transformed in the quiet central section, still shifting to the minor mode with short solo passages for flute, bassoon, trumpet, xylophone and oboe (cued in flutes). The segue back into the opening fanfare is clever, with the notes leading through several keys before concluding in the major with a short reprise of the initial theme.
Estimated dispatch 7-14 working days
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£197.80Tales and Myths of Gothia - Jerker Johansson
Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The flutes introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Gothia ends withthe fanfare, the cantabile theme and the dancelike Renaissance music. Tales and Myths of Gothia was premiered on 8 September 2017 by Gothenburg Wind Orchestra conducted by Niklas Willn.
Estimated dispatch 7-14 working days
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£104.50A Festival Celebration - Travis J. Weller
Reward your students while taking the audience on a thrilling sonic journey. Part fanfare and part overture, this work pays homage to the great works students have experienced for generations. It opens with a majestic brass fanfare complemented by colorful woodwinds and percussion. A variety of textural and stylistic presentations leads to the closing flourish that rises from the bottom of the sound canvas to the top for a final resplendent fanfare restatement.
Estimated dispatch 7-14 working days
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£82.80Solemnity - Alexandre Carlin
Solemnity was composed when the composer came back from his first Midwest Clinic in Chicago. Inspired by all the concert bands performing there, and all the fellow composers met at this occasion, he decided to write a kind of fanfare work, leading to a fast theme on a driving rhythm.The piece begins like a fanfare with a solemn character which gives the title of the work, the brass here have a nice part to play. Then, a new theme full of energy, using the same rhythmic motive as the fanfare theme, is exposed by the high woodwinds and finally by more instruments. The central part is a slow one, where a melancolic theme is exposed by the oboe, and finally the rest of the band. After a fugato section, the energic theme is back to lead to a brilliant coda.
Estimated dispatch 7-14 working days
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£137.99Hanover Festival - Philip Sparke
The Hanover Wind Symphony, New Jersey, USA was founded in 1984 by its conductor Peter Boor. He commissioned HANOVER FESTIVAL to celebrate the band's 15th Birthday and the first performance took place on October 27th 1999. The piece starts with a solemn brass fanfare. Woodwinds join in and the music subsides into an expressive chorale. A climax is reached and the fanfare returns. Trumpets introduce an explosive vivo section, characterised by an energetic theme from the horns and low clarinets. A bridge passage with strong brass chords leads to a playful section that introduces a legato central theme under woodwind figures. This is taken up by the full band, the playfulmusic returns and the original horn tune is reintroduced. Finally the opening fanfare returns, this time accompanied by music from the vivo section, until a fast and furious coda closes the work.
Estimated dispatch 7-14 working days
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£176.50Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
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