Results
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£99.99Salutation (Concert Band - Score and Parts) - Sparke, Philip
Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.Duration: 4.45
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£106.99Maple Leaf Overture (Concert Band - Score and Parts) - Sparke, Philip
Named after the leaf displayed on Canada's flag, Maple Leaf Overture was composed specifically to open a Canadian school's symphonic band tour of England. A short fanfare during the overture smoothly transitions to a jazzy, syncopated section. The main theme is first played by the horns and saxophones, and then by the entire ensemble. This lively theme then alternates with a slower second theme, building momentum before a brisk coda culminates in a rousing finale!Duration: 4:15
Estimated dispatch 7-14 working days
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£102.99Albastum (Concert Band - Score and Parts) - Roels, Stijn
Albastum is a proud, stately concert march written in classic A-B-A form. It opens with a festive fanfare in the brass section, followed by a lively, bright theme, symbolising the joy of playing music together at each weekly rehearsal. Following a melodious trio, a counter theme develops and the march comes to an exciting close with a reprise of the original theme.Duration: 5:15
Estimated dispatch 7-14 working days
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£87.99Marching Winds (Concert Band - Score and Parts) - Sparke, Philip
Marching Winds was commissioned as the set piece for the Youth Festival Singapore 2010, a competition for all the youth orchestras in Singapore. As the title indicates, it is written in the form of a march. The opening fanfare leads directly to the modal main theme. It is contrasted by a second, legato theme, which builds to the climax of the piece. The main theme makes an appearance again before the piece comes to a finish.Duration: 2:30
Estimated dispatch 7-14 working days
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£132.95MUSIC FOR AROSA (Prestige Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£37.95
MUSIC FOR AROSA (Prestige Concert Band - Score only) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£100.00Da Vincian Visions
This piece is a tribute to the Da Vincian model of creativity. Using a single theme, Larry Clark uses da Vinci's approach to view this theme from every angle. Clark starts with a fanfare, followed by an original theme, then presents a multitude of variations on the themes in different keys, styles and time signatures. You'll find everything from African style to jigs in this incredibly complex piece; well worth the effort for your band.This piece cannot be used with the 1999 Belwin-Mills edition.
Estimated dispatch 12-14 working days
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£99.99Salutation - Philip Sparke
Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.
Estimated dispatch 7-14 working days
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