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  • £94.99

    Band Power - Gilbert Tinner

    Festive brass fanfares, an attractive melody and a quiet chorale-likeinterlude, played by the woodwind section, are the main ingredientsof this compelling concert opener by Gilbert Tinner. The lively startreturns in the finale with a display of musical fireworks ensuring yourconcert band make a truly powerful entrance!

    Estimated dispatch 7-14 working days

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  • £104.99

    Triumphal Prelude - Thomas Doss

    This work was commissioned by the Musikkapelle Heiden, Germany, on the occasion of the centenary of this versatile and energetic music society. Triumphal Prelude begins with fireworks of sounds and fanfares, which are worthy of a centennial. It is therefore an ideal opening work. Undoubtedly, the sparkling music will enthrall the audience, thanks to the dazzling sound of the Brass players - who can be heard above the radiant performance of the Woodwind players.

    Estimated dispatch 7-14 working days

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  • £84.99

    Opening Music - Gilbert Tinner

    Gilbert Tinner composed the three-movement Opening Music specifically with incomplete and smaller ensembles in mind. Fanfares ring out as the main theme makes its first appearance, accompanied by majestic rhythms. The calm and refl ective second movement lets the audience catch its breath before the festivities (and main theme!) return, leading to a resounding and exciting finale!

    Estimated dispatch 7-14 working days

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  • £164.99

    Scenes from a Comedy - Philip Sparke

    This work has no specific programme, but represents scenes froman imaginary pantomime in the Commedia dell'Arte tradition. A finework with many contrasts, from triumphal fanfares, through tenderwaltzes to a Peasants Dance. This major new work for advancedconcert bands is sure to become a much-performed item in yourconcert repertoire.

    Estimated dispatch 7-14 working days

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  • £83.00

    Tirana - Carol Barnett

    Commissioned by the Minnesota Chapter of the College Band Directors National Association, this piece is a captivating series of lively dances, introduced and interrupted by short fanfares to create bursts of sound throughout. The complex meter patterns and exotic scales give the work a Southeast-European flavor that is a delight to perform.

    Estimated dispatch 7-14 working days
  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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  • £79.99

    Olympic Fanfare and Theme - James Curnow

    Dramatic trumpet fanfares announce a flowing main theme,creating an atmosphere of exhilaration and anticipation.Commissioned for the 1996 Atlanta Centennial Olympics,Olympic Fanfare and Theme will make a brilliant opener forany occasion

    Estimated dispatch 7-14 working days

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  • £79.99

    Tempus Fugit - James Curnow

    Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow's striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece.Carpe diem!

    Estimated dispatch 7-14 working days

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  • £37.50

    Bravo! - James Curnow

    A powerful modal opening brings your concert to life with this new and different opener for young band. Make a statement that will be remembered. Carefully scored to help your young band sound good, the Brass fanfares, Woodwind flourishes and energetic Percussion parts make this a joy to play, and a wonderful addition to any concert program. Powerful!

    Estimated dispatch 7-14 working days
  • £159.99

    Overture to a New Age - Jan de Haan

    A new era dawns-heralded by solemn brass fanfares. What does the future hold? In his work Overture to a New Age, Jan de Haan expresses on the one hand anticipation, on the other also an awareness that things won't always be as rosy as theysometimes appear. Ultimately, however, confidence and hope win through, represented by Jan de Haan in a brilliant coda. The new age can begin!

    Estimated dispatch 7-14 working days

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