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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£87.95The Crimson Pirate (Concert Band - Score and Parts) - Alwyn, William - Ellerby, Martin
William Alwyn (1905-1985) studied at the Royal Academy of Music where, at the age of 21, he was appointed Professor of Composition - a position he held for nearly thirty years. Apart from his vast output of serious music he contributed nearly 200 scores for the cinema. Starting, mainly with documentaries he wrote his first full feature-length score in 1941.The Crimson Pirate (1952) has music written in the form of an overture. As the title suggests the film was a swashbuckling adventure with romance thrown in for good measure. As always, Alwyn's music echoed the action on the screen!
Estimated dispatch 7-14 working days
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£142.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£94.99
Operatica - James L. Hosay
If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay's new intermediate level piece, OPERATICA, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colors as it twists and turns its way through opera-style development and variation. Whether for formal, festival,or spring concert use, you will find this to be a thrilling addition to your library.Opulent!
Estimated dispatch 7-14 working days
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£57.50Shakespeare Meets Godzilla (The Good Bard and the Ugly) (Concert Band - Score and Parts) - Buckley, Robert
This inventive and entertaining piece is a mash-up of two entirely different music styles - Renaissance music and classic horror music. Danger is afoot! Shakespeare, armed with only his quill, must stop an enormous creature from destroying his Globe Theatre. As in an epic film score, the music underpins and adds drama to the heroic tale. The effective orchestration and artful interplay between the two music styles gives this piece the colorful sound and intensity of a much more advanced piece.
Estimated dispatch 7-14 working days
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£209.95The Snowman - Howard Blake arr. Phillip Littlemore
Raymond Briggs' charming Christmas story of the boy who builds a snowman that comes to life has become a children's classic. Its popularity has been further enhanced by frequent television broadcasts of the award winning animated film The Snowman.This transcription for wind band is of the complete concert suite, and therefore suitable for synchronsation with the animated film. The score includes the well known songs Dance of the Snowman, Walking in the Air and Music Box Dance .Publisher: Chester MusicDuration: c.26 minutesGrade: 5
Estimated dispatch 3-5 working days
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£60.50Broken Bow - Carl Strommen
The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down." Scored for younger players, will be effective in the hands of players of all ages. "Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work." - This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£60.50The Pink Panther - Henry Mancini / arr. Paul Cook
From Henry Mancini's theme to the Blake Edward's comedy about a thief, a diamond, and a bumbling French inspector---this famous tune has stood as a modern classic transcending film and music, featuring one the most recognizable saxophone lines of all time. (2:00)
Estimated dispatch 3-5 working days
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£76.95At the Movies with Hans Zimmer
Hans Zimmer's film scores are unique, bold, and unmistakable. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. This collection is not so much a medley of tunes as it is a portrait of his styles and "Zimmer-esque" moods. Incorporating selections from , , and , this arrangement is a of dramatic and emotional cinematic textures. (3:30) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£80.95Episode II Themes from - John Williams / arr. Robert W. Smith
A delicious medley of three of the dynamic tunes from one of John William's newest film scores are presented at the concert level. Titles include the traditional "Main Title," a most contemporary segment called "The Space Canister Caper," and the refreshing ballad "Across the Stars" (Love Theme from . You just can't go wrong with the music of John Williams scored by Robert W. Smith! (3:21)
Estimated dispatch 3-5 working days
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