Results
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£134.99El Caracol Mifasol - Ferrer Ferran
El caracol (snail in Spanish) is the perfect illustration of the long slow process children must undertake when learning music. Ferrer Ferran composed this small musical poem to encourage the first, and sometimes difficult, steps in the fascinating world of music. The vocal part in this work can be performed by children taking their first steps in music. If there is no children's choir available the musicians in your band can sing the vocal part. This is a tremendously innovative piece that will help youngsters get involved in music-making.
Estimated dispatch 7-14 working days
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£42.80Fiesta! - Fritz Neuböck
FIESTA! is a youthful and happy piece by the Upperaustrian composer Fritz Neubck. The reasoning behind the first free bars (free approx 10 seconds) is that the music develops from kind of a soundscape. This means that the noise flows into the first properly written bars and then fades away slowly. It is up to the conductor how to create this soundscape. Then it is the turn of the "banda", the orchestra proper. The guests of this festival (namely the FIESTA!) are to be thrilled by both infectious and dreamy music.
Estimated dispatch 7-14 working days
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£57.50Alligator Alley - Michael Daugherty
(2003) Award-winning composer Michael Daugherty's first published work for young band describes a stretch of Interstate 75 that crosses through Florida's Everglades National Park. Alligator Alley celebrates this noble beast that has remained largely unchanged from prehistoric times. The first theme (Alligator's Theme) features the woodwinds (predominantly bassoons) while the second theme (Hunter's Theme) is performed by the brass. Program notes and staging suggestions are included in this marvelously descriptive work. Duration - ca. 4:30 Free interdisciplinary curriculum for the piece is available for download at BandQuest.org. Learn more on YouTube! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£159.99Saga Candida - Bert Appermont
Bert Appermont composed the music for the first ever open-air musical, the Seed of Satan, which was shown for the first time in August 2002, in Kruibeke, Belgium. This gigantic spectacle which evolves around witchcraft at the beginning of the 17th century, attracted more than 10,000 spectators in just a few weeks. Bert Appermont subsequently arranged a suite of the highlights from the musical which he has called Saga Candida.
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax - Jan van der Roost
This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Estimated dispatch 7-14 working days
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£109.99Showtime ! - Sven Van Calster
In this piece, which consists of four contrasting sections in which doubling of parts make it suitable for a wide range of bands. The first part is a kind of musical appetizer which has a heavy disco beat while the second part is a romantic ballad. The third part is inspired by an Irish dance and the last part is a variation of the first part with a spectacular ending. This work makes an ideal challenge for dynamic and young bands.
Estimated dispatch 7-14 working days
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£69.99
Mountain March - Wim Laseroms
A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform.
Estimated dispatch 7-14 working days
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£60.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated dispatch 7-14 working days
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£172.50Edgar - Giacomo Puccini
Edgar was Giacomo Puccini's second opera but despite numerous changes and adaptations, it was never able to match the success enjoyed by his first opera Le Villi. Puccini himself was never completely satisfied with the opera either. It was not until the 1970's, after the first release of a recording of the work, that Edgar gained in popularity and recognition. Johan de Meij has created this fabulous concert band arrangement of this much under-performed work.
Estimated dispatch 7-14 working days
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£179.99Spartacus - Jan van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
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