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£219.95Mysteries of the Horizon (Trumpet Solo with Concert Band - Score and Parts) - Clarke, Nigel
Mysteries of the Horizon (After Four Rene Magritte Surrealist Paintings)A Concerto for Trumpet and Wind OrchestraMysteries of the Horizon is written and dedicated to Harmen Vanhoorne, and Matthew J George and the University of St Thomas Wind Ensemble.The subject material for my concerto are four surrealist paintings by the Belgian artist Rene Magritte (1898-1967). The movements are named after four of his paintings with the following titles:The Menaced AssassinThe Dominion of LightThe Flavour of LightsThe Discovery of FireAs part of my research I visited the Magritte Museum in Brussels to absorb myself in his works. Mysteries of the Horizon is not programmatic, but I have tried to colour each movement with the atmosphere of each Magritte painting. The work is unusual in that there are four movement, not the standard three. The second movement, The Dominion of Light, acts as a light relief between the first and third movements. The concerto gives much opportunity to the soloist to demonstrate different aspects of the instrument.- Nigel Clarke
Estimated dispatch 7-14 working days
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£57.95Mysteries of the Horizon (Trumpet Solo with Concert Band - Score only) - Clarke, Nigel
Score onlyMysteries of the Horizon (After Four Rene Magritte Surrealist Paintings)A Concerto for Trumpet and Wind OrchestraMysteries of the Horizon is written and dedicated to Harmen Vanhoorne, and Matthew J George and the University of St Thomas Wind Ensemble.The subject material for my concerto are four surrealist paintings by the Belgian artist Rene Magritte (1898-1967). The movements are named after four of his paintings with the following titles:The Menaced AssassinThe Dominion of LightThe Flavour of LightsThe Discovery of FireAs part of my research I visited the Magritte Museum in Brussels to absorb myself in his works. Mysteries of the Horizon is not programmatic, but I have tried to colour each movement with the atmosphere of each Magritte painting. The work is unusual in that there are four movement, not the standard three. The second movement, The Dominion of Light, acts as a light relief between the first and third movements. The concerto gives much opportunity to the soloist to demonstrate different aspects of the instrument.- Nigel Clarke
Estimated dispatch 7-14 working days
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£124.95
Sinfonietta - Score and Parts - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£24.95
Sinfonietta - Score only - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£68.99
Mountain March - Wim Laseroms
A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform.
Estimated dispatch 7-14 working days
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£96.40La Flute De Pan - Jules Mouquet
This arrangement features a colorful, yet light accompaniment to this delightful flute solo. A great piece to feature your first chair flute player. The first movement is appropriate for bands of all ages, while the latter two movements are a most likely appropriate for high school groups and up. Instrumentation: Solo Flute, Flute 1/2, Oboe, Bassoon, Clarinet 1/2, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1/2, Horn 1/2, Trombone, Euphonium (BC and TC), Tuba, Snare Drum/Bass Drum, Triangle/Suspended Cymbal, Bells
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£250.00Toward the Unknown Region (Choir with Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This magnificent setting of Walt Whitman's poem established Vaughan Williams's reputation as one of the leading composers of the twentieth century. The idea of a spiritual journey - the passage of the soul from darkness to light, Toward the Unknown Region - is central to the text and fully reflected in the music. Beginning softly and simply, the music follows the text of the poem, building through a Wagnerian chromaticism toward a bold and dramatic climax. This was Vaughan Williams's first major choral piece, and its obvious inspirational qualities made it a success from the first. This arrangement for Concert Band and Chorus adheres to the original orchestration. The choral parts are included in the conductor's score as a reference, but are not part of the set. The choral parts are available for purchase seperately.
Estimated dispatch 7-14 working days
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£68.99
Mountain March (Concert Band - Score and Parts)
A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform. 04:00
Estimated dispatch 7-14 working days
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£159.99Isabella - Franz von SuppĂ©
Inspired by the operetta successes of Jacques Offenbach in Vienna, Franz von Supp (1819-1895) began composing his first stage works from 1860 onward. "Isabella," his comedic opera in one act from 1869, had its premiere in Vienna. The overture features both Spanish and Viennese melodies. Although Supp's music doesn't always exhibit a typical Viennese sound, he secured a place in concert halls with his overtures such as "Poet and Peasant" or "Light Cavalry."
Estimated dispatch 7-14 working days
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