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£39.50Back from The Wars (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 2Duration: 02:00
Estimated dispatch 7-14 working days
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£39.50
With Fire and Sword (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 2 - 2.5Duration:01:30
Estimated dispatch 7-14 working days
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£39.50
Treason and Plot (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 1.5Duration: 02:00
Estimated dispatch 7-14 working days
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£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
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£64.99A Hymn to New England (Concert Band - Score and Parts) - Williams, John - Lavender, Paul
Written in 1987 as the accompaniment to New England Time Capsule, an Omnimax travelogue, and recently recorded by the Boston Pops, this three minute concert work adapts wonderfully for band. With true Williams craftmanship, it features brassy fanfares and a rich, sonorous hymn, all based on the same melodic intervals. John Williams' brilliant orchestration is successfully captured, making this a superb concert opener for bands.
Estimated dispatch 7-14 working days
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£64.99A Hymn To New England - John Williams
Written in 1987 as the accompaniment to New England Time Capsule, an Omnimax travelogue, and recently recorded by the Boston Pops, this three minute concert work adapts wonderfully for band. With true Williams craftmanship, it features brassy fanfares and a rich, sonorous hymn, all based on the same melodic intervals. John Williams' brilliant orchestration is successfully captured, making this a superb concert opener for bands.
Estimated dispatch 7-14 working days
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£64.99Three New England Caricatures - James Curnow
Commissioned for the University of Massachusetts Lowell New England Youth Wind Ensemble, this significant composition by James Curnow is a pure delight. Interesting percussion and a wide range of expectations from every windplayer lets all the musicians have the joy of being challenged. The creative exploration and development of these interesting old melodies rewards the entire ensemble in ways that shorter, more condensed pieces cannot. Dur: c.9:00
Estimated dispatch 7-14 working days
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£110.99Overture for Woodwinds - Philip Sparke
This work was commissioned for The Berkshire Young Musicians Trust (England), who required a testing piece for the woodwind section of their concert band. The piece opens with a strong unison passage based on the interval of a fifth and develops with a passionate legato. This is followed by the main vivo section of the work based on the earlier 'fifth' figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive solo for oboe over staccato clarinets. Following a recapitulation of the main theme the oboe returns triumphantly before the opening unison passage reappears to provide a stirring coda.
Estimated dispatch 7-14 working days
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£110.00Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul
For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.
Estimated dispatch 7-14 working days
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£65.99
Music For The Funeral Of Queen Mary - Henry Purcell
Austere, powerful music of England's most famous Baroque composer. From the first sounds of the muffled drums, your players and audience will be taken back to a snowy London morning in 1685 for the funeral procession of Queen Mary II. Spellbinding!
Estimated dispatch 7-14 working days
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