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£94.99Easy Queen
It's never too early to start enjoying the music of Queen! This Grade 2.5 medley, aimed at young or small bands, features a nice selection of the band's hits: 'A Kind of Magic', 'Another One Bites the Dust' and 'I Want to Break Free'.
Estimated dispatch 7-14 working days
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£115.60Daylight Funk - Haakon Esplo
Daylight Funk is a light, funky and catchy piece of music that will fit well for concerts with your young band throughout the year. With some challenges in leading parts and simple lower parts, this is a great piece to work with rhythmic figures, articulations and precision. Please feel free to add some choreography to the concert.
Estimated dispatch 7-14 working days
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£56.99Milton, the Melting Snowman - Len Orcino
Who doesn't like a sunny day in the midst of winter? Who is that statuesque figure all decked out in his winter finery? Who stands proud, guarding the family home? Why it's "Milton the Melting Snowman!" But alas, as the day progresses and temps rise a transformation begins. Listen, as the music evokes Milton's dismay, "I'm melting!" The musical adventure pays tribute to this gallant guardian, soon to be a fond memory until next year. Set your mind free wander with this whimsical winter musical offering as the band pays tribute to this pillar of packed snow.
Estimated dispatch 7-14 working days
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£80.99Pandora's Lament - Romeyn
In Greek mythology, Zeus gave Pandora a box, but warned her never to open it. But the urge to open it overcame her. All of life's miseries came out of the box, let free into the world. The final thing remaining in the box was hope, and a new beginning. This powerful and poignant work depicts Pandora's myth. A bold and forceful opening statement gives way to a beautiful and haunting melody. Lush and mournfully dissonant harmonies gradually build to a climax of incredible emotion and power. As the music ends, we are reminded of a new hope and a new beginning, creating a sensitive and memorable moment. A meaningful and significant addition to the concert band repertoire; destined to be a classic.
Estimated dispatch 7-14 working days
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£7.99Malkauns - Lindsay Boyd
While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum.This is a wonderful piece for expanding the musical horizons of your players and audience!
Estimated dispatch 7-14 working days
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£84.50
Mustangs - The Spirit of the West - Larry Clark
This piece was written by composer Larry Clark to depict the majesty of mustang horses that roam free in the American West. It is cast in a standard overture form with an opening section reminiscent of the music of western movie soundtracks. Followed by a lush and beautiful contrasting slow section, Mustangs - The Spirit of the West depicts the grace and power of these wonderful animals. This is a great choice for contest and festival performance for the young band.
Estimated dispatch 7-14 working days
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£114.99
Masters of the Silent Screen (incl. video) - Mike Hannickel
Will the evil villain steal away with the beautiful youngheroine? Can the train robbery be stopped? Will the sherrif'sposse capture the thieving band of cattle rustlers? Will ourhero find true love? For the answer to all these questions,be sure to tune in to Masters of the Silent Screen. Featuringarrangements of authentic music written to accompanysilent movies and including a free videotape, your bandbecomes the "Mighty Wurlitzer" as it accompanies classicscenes from silent movies in Mike Hannickel's innovativeMasters of the Silent Screen.
Estimated dispatch 7-14 working days
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£356.00Symphony No. 5 in B-flat Major, Op. 100 - Sergei Prokofiev
Written in a single summer month while World War II was still raging in 1944, Prokofiev's Symphony No. 5 would become not only one of the composer's most celebrated and performed works, it would stand among the giants in all of 20th Century classical compositions. Cast in four movements, Prokofiev once gave a statement that he intended it as a hymn to free and happy Man, to his mighty powers, his pure and noble spirit. He added, I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul. Deliberate or not, his statement likely helped placate the Communist Soviet Party, who under Stalin ruthlessly, and often fatally, censored the art and music of the time. This Southern Music publication represents the first complete band transcription of Prokofiev's monumental work by one of the world's most respected wind band editors, Dr. R. Mark Rogers. The edition provides a rare opportunity in the symphonic wind band repertoire for ensembles to perform an orchestral masterpiece in its entirety.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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