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£57.50Music from Glee
There seems to be no stopping the popularity of the hit TV series Glee! With fresh versions of some of the biggest hits from past decades, here is a terrific medley of showstoppers featured on the first season. Includes: Don'tStop Believin', Alone, Sweet Caroline and You Keep Me Hangin' On.
Estimated dispatch 7-14 working days
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£60.99YOU RAISE ME UP (Vocal Solo with Young Concert Band - Score and Parts) - Lovland, Rolf - Wasson, John
Perfect for concert or graduation, this popular hit from Josh Groban shares a message of hope and encouragement for all. This beautifully scored concert band accompaniment offers a rare opportunity to feature a vocal soloist. Sure to be a memorable moment at any concert.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£189.99Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric
Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.
Estimated dispatch 7-14 working days
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£76.99Broadway Journey: 25 Years of Golden Classics (Concert Band - Score and Parts) - Christensen, James
A spectacular medley with optional narration, featuring the best from Broadway's golden era (1934-1959). Includes: Anything Goes (Anything Goes), It Ain't Necessarily So ( Porgy And Bess), It's Delovely (Red, Hot, and Blue), My Funny Valentine (Babes In Arms), Oklahoma! (Oklahoma!), How Are Things In Glocca Morra? (Finian's Rainbow), Another Op'nin', Another Show (Kiss Me Kate), Getting To Know You (The King And I), Stranger In Paradise (Kismet), On The Street Where You Live (My Fair Lady), Let Me Entertain You (Gypsy).
Estimated dispatch 7-14 working days
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£76.99Broadway Journey: 25 Years Of Golden Classics
A spectacular medley with optional narration, featuring the best from Broadway's golden era (1934-1959). Includes: Anything Goes (Anything Goes), It Ain't Necessarily So ( Porgy And Bess), It's Delovely (Red, Hot, and Blue), My Funny Valentine (Babes In Arms), Oklahoma! (Oklahoma!), How Are Things In Glocca Morra? (Finian's Rainbow), Another Op'nin', Another Show (Kiss Me Kate), Getting To Know You (The King And I), Stranger In Paradise (Kismet), On The Street Where You Live (My Fair Lady), Let Me Entertain You (Gypsy).
Estimated dispatch 7-14 working days
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£73.00S.O.S. (Concert Band - Score and Parts) - Kjaernes, Bjorn Morten
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30
Estimated dispatch 7-14 working days
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£80.95Appalachian Dreams (Concert Band - Score and Parts) - Barrett, Roland
Based on material borrowed from "Going to Boston" and "Soldier, Won't You Marry Me?" this works starts with a tranquil opening, then a bold, powerful statement leads to a dreamlike, mesmerising section. With a powerful percussion contribution, the driving conclusion resounds.Duration: 4:45
Estimated dispatch 7-14 working days
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£72.99ABBA ON BROADWAY (Selections) (Young Band) - Brown, Michael
Previously Titled: Mamma Mia. From the radio airwaves of the '70s to the bright lights of the Broadway stage, the music of ABBA continues to excite listeners everywhere! Michael's well-paced medley of hits includes I Have a Dream; Mamma Mia; S.O.S.; Knowing Me, Knowing You; The Winner Takes It All and Dancing Queen.
Estimated dispatch 7-14 working days
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£76.99Abba on Broadway
Concert Band - Grade 3 From the radio airwaves of the '70s to the bright lights of the Broadway stage, the music of ABBA continues to excite listeners everywhere! Michael's well-paced medley of hits includes I Have a Dream; Mamma Mia; S.O.S.; Knowing Me, Knowing You; The Winner Takes It All and Dancing Queen.
Estimated dispatch 7-14 working days
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