Results
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£89.99Turn the Beat Around - Peter Jackson
In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson's disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text "Love to hear percussion" in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion.
Estimated dispatch 7-14 working days
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£58.50 -
£332.99Missa Katharina - Jacob de Haan
Missa Katharina is a mass - comprising of the standard movementsKyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. In additionto this the composer has added additional instrumental movements- Prelude, Offertory, Postludium and the massmovements Alleluiaand Amen. Missa Katharina was primarily written for choir, sopranosolo and concert band but can also be performed with a choir,accompanied by an organ or piano only. If there is no good solosoprano voice available, the sopranos canalso sing the sopranopart tutti, standing before the choir. A truly flexible work that willbe equally at home performed in the church or in the concert hall.Choral parts available separately.
Estimated dispatch 7-14 working days
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£94.99Angels from the Realms of Glory
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the 'Gloria in excelsis Deo' refrain!
Estimated dispatch 7-14 working days
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£74.99Allein Gott in der Hh' sei Ehr
Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Hh' sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director's discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
Estimated dispatch 7-14 working days
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£57.50Disco Lives
From the heart of the '70's, three of pop music's biggest hits are combined into a non-stop, 125 beats per minute medley that your students will love. It includes the Village Peoples' YMCA, the Bee Gee's Stayin' Alive, and Gloria Gaynor's I Will Survive.
Estimated dispatch 7-14 working days
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£64.99Do You Hear What I Hear? - Gloria Smith
Two of our most talented writers have joined forces to create a refreshing new setting of this holiday standard. Also available: 47123065/$1.60 SATB 47123066/$1.60 SAB 47123067/$1.60 2-Part 47123065/$1.60 SATB 59225060/$35.00 opt. String Pak
Estimated dispatch 7-14 working days
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£57.50Do You Hear What I Hear - Gloria Shayne
Expert Level (correlates with Book 2, p. 15) The carol that never seems to grow old, here is an excellent version that will make young bands shine.
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£71.80
I will survive - Gloria Gainor
Estimated dispatch 7-14 working days
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