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  • £55.50

    Spoon River

    Percy Grainger's love of folk songs continues to serve concert bands well. This setting of a cherished piano solo he crafted in the early part of the 1900s permits the teaching of opposing articulations in a very musical setting. This dance-like melody will be well received in any performance. (2:30) This title is available in MakeMusic Cloud.

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  • £150.00

    Napoli - Hermann Bellstedt / arr. Donald Hunsberger

    Born in Germany, Hermann Bellstedt immigrated to America in 1867, where his family settled in Cincinnati. A prodigy on the cornet, he played with Patrick Gilmore as cornet soloist and assistant to the famous Ben Bolt, and, in 1904, joined the Sousa Band, playing alongside Walter Rogers and Herbert L. Clarke. Bellstedt's variations on feature the popular Neopolitan song "Finiculi, Finicula" (composed by Luigi Denza in 1880) that celebrated the funicular railway built up the side of Mt. Vesuvius in 1880. Other popular Amalfi Coast songs include "'O Solo Mio" and "Torna a Sorriento." A variety of solo textures, whimsical to intense, are demonstrated by this Donald Hunsberger arrangement dedicated to Wynton Marsalis as a part of the "Carnaval" project. A grandiose opportunity to feature your cornet or trumpet soloist! (5:45)

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  • £84.50

    I'm Seventeen Come Sunday - Percy Aldridge Grainger / arr. Douglas E. Wagner

    Australian-born Percy Grainger developed into one of the most sensationally successful concert pianists of the early 1900s. As a composer and arranger, he is perhaps best known for his work with folk music. Number eight in Grainger's British Folk-Music Settings series, "I'm Seventeen Come Sunday" is actually an amalgam of two English folk songs -- the main tune collected by Grainger in 1905, from Lincolnshire, and a variant of a tune collected by Cecil J. Sharp in 1912, from Sumerset. Welcome Douglas Wagner's sensitive setting of one of Grainger's best-known works. (3:00)

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  • £58.50

    The Fairest of the Fair - John Philip Sousa / arr. Larry Clark

    From the time that he entered the Marine Band at age 13 as an apprentice musician to today, the name John Philip Sousa has immediately brought to the minds of millions of us the musical form of the march. We've whistled, sung or played his music for over a hundred years. Arranger Larry Clark provides a fresh opportunity for the young player to experience the joy of playing one of the greatest works from the pen of 'The March King.'

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  • £84.50

    Symphonic Band Clinic - Robert W. Smith

    Progressive in depth and organization, this is the fourth of four comprehensive warm-up programs used by Robert W. Smith at the podium of every honor band he guest conducts. This warm up program is designed for use in any key with just a standard student part to be included in the band's folders. This "Clinic" will provide everything you need for your daily warm-up and support your teaching objectives, as well as accommodate the National Standards for Music Education. There are four segments in each : tone, technique, theory and composition, and chorale. The recording included is only the fourth portion; the chorale. (chorale only: 1:08)

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  • £45.95

    Slideways - Timothy Loest

    Trombone had a problem, one he could not hide. It wasn't valves or flashy keys, it was his awkward slide... So begins the poem that accompanies this humorous novelty work featuring your trombone and slide whistle sections (and it's recommended that you bring them to the front of the band for this one!). The clever poem can easily be read by several students. Consider using members of the faculty or administration to "beef up" your slide whistle section!

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  • £98.50

    The Royal Hawaiian - Robert W. Smith

    A march composed in a classic American style, The Royal Hawaiian is based on the famous "Aloha Oe" composed by Queen Lili'uokalani in 1878. Featuring American military percussion as well as traditional Hawaiian instruments including optional conch shell, the blend of musical textures creates an unusual yet familiar march setting. If Sousa had surfed, we believe this is what he would have heard!Original Item#: RWS-2306-00

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  • £53.95

    Overture for Symphonic Band - Bin Kaneda

    Overture for Symphonic Band was composed in 1970 by Bin Kaneda at the request of the Yamaha Concert Band. This music was first performed by the Yamaha Concert Band at their regular spring concert in 1971 in Tokyo. The Overture is comprised of two movements - Andante and Allegro. The idea for the theme of the Allegro came to the composer during a Fall festival of the village in Shikoku Island, along the coast of the Inland Sea where he spent two years of his childhood. The Yamaha Concert Band won the Gold Medal award with the performance of this music at the All Japan Band Concert in the Fall of 1971.

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  • £62.95

    Bahumba - Peter Sciaino

    "Bahumba" is a nonsense word but a no-nonsense selection for concert band. The word stems from a sound composer Peter Sciaino heard coming from an idling car. The engine, clearly having issues, had an "uneven" gate or pulse. He mindlessly heard the word "Bahumba" within the sounds emerging from the struggling motor. Just like an engine, an ensemble can attain a smooth groove even if "uneven" in terms of pulse. While the percussionists are often asked to provide this groove under the melodic lines, they ultimately break out with a feature that essentially places a percussion ensemble within the context of a concert band piece. (2:43) This title is available in MakeMusic Cloud.

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  • £86.50

    Carmen Suite - Georges Bizet / arr. Jack Bullock

    The story of is set in Seville, Spain, in 1820. It is story of a passionate, fickle, gypsy girl, Carmen, who is one of six major roles in the opera. The story, in four acts, is action-packed, animated, flowing, and never uninteresting. Bizet was well acquainted with Spanish folklore and folk music through his many visits to Spain. For , he composed a score that is rhythmical, tuneful, and characteristic of the gypsy lifestyle. The adaptation for concert band is a suite in four movements that retains the spirit of the original production.

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