Results
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£189.99The Story of Anne Frank (Concert Band - Score and Parts) - Schwarz, Otto M.
The impressive musical images created by Otto M. Schwarz tell the story of the German girl Anne Frank, who lived in hidden rooms of an Amsterdam town house until her family was betrayed and deported to Auschwitz where they all - apart from her father - went to their deaths. The composer, who himself is the father of two daughters, has illustrated various scenes from this young girl's short life in a dramatic and cinematic style.Duration: 13:15
Estimated dispatch 7-14 working days
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£72.99Blue and Green Music (Concert Band - Score and Parts) - Hazo, Samuel R.
The stunning artwork of Georgia O'Keeffe is no more apparent than in her famous 1921 painting entitled Blue and Green Music. Fittingly commissioned by the Patrick Marsh Middle School in Sun Prairie, Wisconsin (O'Keeffe's birthplace), Samuel Hazo does an amazing job of portraying subtle as well as bold colours into musical terms. Based on a single theme that is manipulated and varied throughout, the piece progresses from delicate mallet percussion effects up to climactic impact points for the entire ensemble. O'Keeffe explained her idea that music could be translated into something for the eye, and Mr. Hazo succeeds wonderfully in translating it back into something for the ear!Duration: 4:45
Estimated dispatch 7-14 working days
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£57.50Lady Gaga Dance Mix (Concert Band - Score and Parts) - Ricketts, Ted
Lady Gaga has taken the pop music world by storm with her distinctive style and well-produced recordings. Featuring her best-known dance hits, each song in this upbeat medley can also be performed individually.Includes:Poker FaceBad RomanceJust DanceDuration: 5.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£122.50New Sounds in Disco! (Concert Band - Score and Parts) - Iwai, Naohiro
Four unforgettable disco songs come together in one stunning medley. Up fi rst is the 1979 dance floor hit I'm in the Mood for Dancing by The Nolans. Next the medley quiets down with a charming love song, Lovin' You, a song Minnie Riperton dedicated to her daughter. You Can't Hurry Love was a huge success for The Supremes in 1966 and Phil Collins repeated their success in 1983 making the song immortal. This exciting medley ends with Olivia Newton-John's hit-song Xanadu, from her 1980 musical of the same name. Duration: 9.15
Estimated dispatch 7-14 working days
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£202.99The Spiked Wheel (Concert Band - Score and Parts) - De Haes, Tom
The legends surrounding Saint Catherine of Alexandria, also known as the Great Martyr Saint Catherine, were the source of inspiration for this work. It depicts events surrounding her life in five musical episodes. The first episode presents the Emperor's procession and theme. All is well until a heathen sacrificial ritual is heard in the second movement. After the sacrifice, Catherine and her lyrical, reflective theme make an appearance. A dispute breaks out between Catherine and the Emperor, which can be heard in the heated exchange between their respective themes. Catherine is sentenced to die by the breaking wheel. The voices of angels can be heard in the finale, as Catherine ascends to heaven.Duration: 16.00
Estimated dispatch 7-14 working days
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£64.99Taylor Swift in Concert (Concert Band - Score and Parts) - Brown, Michael
Contemporary singer and songwriter Taylor Swift is rapidly making her mark on both pop and country music charts. Including the hits Picture to Burn, White Horse and Love Story, this medley provides a good sampling of her fresh-sounding music. Duration: 5:15
Estimated dispatch 7-14 working days
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£53.95Scheherazade Selections (Concert Band - Score and Parts) - Rimsky-Korsakov, Nikolai - Harnsberger, L. C.
Scheherazade is Rimsky-Korsakov's amazing musical interpretation of the tales of the Arabian Nights as told to the sultan by his wife who is destined to be executed. Her stories over 1,001 nights so engage the sultan he eventually spares her life. This skilful arrangement transforms some of the most memorable themes of the original piece into a real audience pleaser perfect for younger performers. The mysterious mood of the opening from The Sea and Sinbad's Ship sets the tone for the magical music to come. Woodwinds soar with the lyrical melodies of The Young Prince and Princess, and the full band shines in the exciting selection from The Story of the Kalendar Prince. Scheherazade Selections will make a successful addition to any concert.Duration: 3.00
Estimated dispatch 7-14 working days
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£53.95Then I Saw the Lucent Sky (Concert Band - Score and Parts) - Stalter, Todd
This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvellously embodying all the meaning I had heard before.Duration: 3.45
Estimated dispatch 7-14 working days
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£36.95Through the fair (Vocal Solo with Concert Band - Score and Parts) - Wiffin, Rob
The traditional Irish folk song set for voice and band. This haunting melody tells the sad story of two Irish lovers. The boy fell in love when he saw her as she 'moved through the fair'. Despite their differing social standing they received parental permission to marry but the girl did not return. In the closing verse of the song he dreams of her moving through the fair but realises that she has, in fact, died. This arrangement is for voice and band and featured on the RAF Massed Bands Tour 2000 and was recorded on Festival of Music 2000 Polyphonic QPRM 136D.Duration: 3.29
Estimated dispatch 7-14 working days
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