Results
-
£76.99O My Beloved Father - Giacomo Puccini
This splendid solo, the aria "O, Mio Babbino Caro" from Puccini's opera "Gianni Schicchi", was arranged by Georges Moreau for Ben Haemhouts, who for many years has been the principal euphonium with the Belgian band "Brassband Midden Brabant". This solo is quite simple and is a real enrichment of the euphonium repertoire. Also for saxophone solos or horn solos.
Estimated dispatch 7-14 working days
-
£289.99Divertimento - Oliver Waespi
This grand work contains four contrasting movements. The first movement, Prelude, takes the form of an overture: it raises the curtains and marks the beginning of the piece. The brilliant motifs of the opening are contrasted by a calmer and more lyrical central section, after which the triumphant opening returns for the movement's end. The second movement, Meditation, explores the intimate sounds of the oboe, as well as those of the flute and French horn, backed by a rich orchestral accompaniment. The third movement presents a more upbeat Procession, but not a Procession of the Nobles, as written by Rimsky-Korsakov. Quite the opposite, Procession resembles a "second line"procession from New Orleans, whose up-beat rhythms invite everyone to dance in the streets rather than the measured pacing of a march. Divertimento ends with a Hoedown, the tradition American folk dance idiom, when the band has the opportunity for both vivacity and virtuosity and may play as fast as it can. It is important to play all four movements with precision, clarity and, most importantly, enthusiasm.
Estimated dispatch 7-14 working days
-
£104.99Voyage to the End of the Earth - Benjamin Yeo
This miniature tone poem for concert band is a sequel of Benjamin Yeo's earlier work Flight. Voyage to the End of the Earth depicts a voyage by ship across the sea. The music expresses the calm of the sea before the ship sets sail towards the horizon. The ringing of the ship's bell and the blowing of the ship's horn signal the start of the journey. Now we hear the lyrical song of the sea, with lovely views of the ocean accompanied by whale song and seagull calls. Let yourself succumb to Mother Nature's beauty through this music! The piano part in this composition is optional.
Estimated dispatch 7-14 working days
-
£184.99
Il Cantico - Oliver Waespi
Commissioned by the Stadtharmonie Zurich Oerlikon-Seebach for the 2005 WASBE Conference in Singapore"Il Cantico" was inspired by the poem "Cantico di Frate Sole" (Canticle of Brother Sun) by St. Francis of Assisi. In this famous mystic poem, St. Francis expresses his gratitude to God for the creation of nature, the sun, the earth and the living beings."Il Cantico" is based on specific parts of St. Francis's poem. A slow, dreamlike song in the flute leads gradually to the appearance of the sun, the light energy of which is expressed by radiant, powerful music in the brass instruments. The next, slower part of the work is dedicated to the moon (sora luna), a sort of mirror of thesun, and to the stars (le stelle). The music becomes more thoughtful, leads to a calm sound field in the woodwinds and later to a mystic horn solo. Still during the slow part, several chord fragments flash up, thereby announcing the fast ultimate part of the work. This part is about the fire (frate focu) illuminating the night, some sort of representative of the sun on earth. Towards the end of the work, the sun theme is combined with the fire theme.Besides these images, a purely musical structure guides the development of Il Cantico. Almost the entire piece evolves from a basic four-tone cell which appears in the horns and flute at the beginning. Consequently, the work is mainly monothematic and structured in the form of a metamorphosis. The basic cell gradually leads to a rich melodic and harmonic development. This basic material is later completed by a new chord series belonging to the fire theme. In the conclusion both approaches are combined.
Estimated dispatch 7-14 working days
-
£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
-
£140.50Molly On The Shore - Percy Aldridge Grainger
No. 23 offerainger's British Folk Music settings, Molly on the Shore is a rollicking treatment of a popular Irish Reel. It scampers and bounces its way through a succession of sonorous climaxes, accumulating an amazing collection of memorable counter themes as it goes along, before subsiding in a delicately scored coda that ends with a characteristic Grainger bang. An acclaimed classic, we are proud to offer this engraved and corrected edition of Molly on the Shore with a complete full score. Duration: 4' Key: Ab Ranges: Solo Cornet - C, Cornet - G, Horn - Ab, Trombone - Ab
Estimated dispatch 7-14 working days
-
£106.95
Fantasia for A King - Robert Thurston
Brilliantly scored and cleverly constructed, this treatment of the familiar Christmas Carol Good King Wenceslas is symphonic in scope and breadth. As usual with Thurston, the harmonies re sophisticated and rhythmic interest is maintained with shifting meters and accents. Every player seems to get a variant of the tune to play and the scoring a is expert and witty throughout. Duration: 4'20 Keys: Eb, Ab Range: Trumpet - A, Horn - F, Trombone - G
Estimated dispatch 7-14 working days
-
£64.99Black Granite - James L. Hosay
Black Granite is dedicated to the men and women who gave their lives in Vietnam, and whose names are forever engraved on the solemn black granite stone wall at the Vietnam Memorial in Washington DC. This heroic march is a tribute to the fallen. A lyrical and inspiring woodwind chorale follows a driving and energetic horn line. A tremendous concert or contest opener!
Estimated dispatch 7-14 working days
-
£179.99Spartacus - Jan van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
-
£169.99Olympica - Jan van der Roost
This "Grand Overture" was commissioned by the "Nagano Community Band" - Japan- on occasion of its jubilee in 1992 and is dedicated to the band's conductor, Ikuo Inagaki.The work is based upon three main themes, each symbolising a certain theme. The first part is characterized by its bright themes played mainly by the brass, accompanied by the woodwinds and festive percussion. This part symbolizes the jubilee which is the origin of the composition. This is followed by a bouncing allegro, in which each register of the band displays brilliant techniques. Especially the woodwinds come to the fore! This movement depicts the industriousness and enthousiasm shown by the members of the"Nagano Community Band" in the carrying out of their hobby. A third, main theme, is choral-like in character and is displayed both in the (soft) brass as well as in the warm medium register of the reeds. Here, nature's beaty in and around the city of Nagano is musically celebrated. Following a "chamber-music episode" (featuring the flute, oboe, clarinet, alto-saxophone and horn) the initial allegro re-occurs, weaving its way towards a grandiose finale, in which the two previous themes are once again apparent. Due to its very colourful scoring and the enormous diversity of musical thoughts and ideas, this composition is a fascinating and memorable piece, worthy a jubilee overture!
Estimated dispatch 7-14 working days
View Music