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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£148.99Symphony No. 1 - The Borgias - 2. Nepotism - Otto M. Schwarz
A sinister legend hangs over the Borgia family, a legend of corruption, abuse of power, orgies, sex and murder. These rumours proliferated especially during the papacy of Alexander VI, a descendant of the family, who was even called the Antichrist. On his death, contemporary witnesses reported that the devil himself prowled around the death chamber and a black dog run along the corridors of the Vatican as his emissary. One might say that this Borgia pope, who ruled together with his family with the greatest brutality, became demonised. Unscrupulousness, poison-toting, incest and other malice are to this day the hallmarks of this pontiff.2. NEPOTISMRodrigo Borgia was elected Pope on 11 August 1492. From the very start, the new pope was prepared to use any means to eliminate his opponents, either through the infamous 'Borgia poison' or by excommunication and execution. His son Cesare, who wanted little to do with the church, was appointed cardinal against his will. Alessandro Farnese, broth of Giulia Farnese, the Pope's mistress, also became a cardinal. Numerous Spaniards were brought into the country and were appointed to ecclesiastical posts. This infuriated the opponents of Alexander VI. The Dominican Girolamo Savonarola from Florence demanded the removal of the Pope. He was tortured and banned. Giuliano della Rovere wanted to convene councils to depose the Pope, which Alexander managed to prevent through artful political manoeuvrings. Through great brutality, brilliant political skill and power games, this pope was able to achieve his goal of leaving for his children a great legacy. Alexander VI constantly changed his allies and always acted unscrupulously to improve his financial situation and expand his sphere of influence. At the centre of the second movement of this work is the medieval hymn Dies Irae (Day of Wrath), which acts as a warning in the background condemning the Pope's actions.
Estimated dispatch 7-14 working days
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£87.99Vosgian Pictures - Jacob de Haan
This three-movement work describes the picturesque Vosges, a range of low mountains in the north-east of France. The beauty of this region is expressed in slow passages, energetic parts, compelling musical depictions, serene fragments and lyrical descriptions. In the third movement we hear a beautiful hymn that leads to a glorious ending.
Estimated dispatch 7-14 working days
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£110.00Rapture - Brian Balmages
Make a powerful statement with this intense yet introspective work. The opening exclamation by percussion becomes a fixture throughout, supported by epic brass lines and energetic woodwind flourishes. Inspired by the hymn "Lo! He Comes with Clouds Descending", the music contrasts themes of pure joy and euphoria with intense reflection and peace. Covering the gamut of emotions, Rapture, by Brian Balmages, is as intense in its lyrical moments as in the height of its rapturous glory.
Estimated dispatch 7-14 working days
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£64.99I Vow To Thee, My Country - Gustav Holst
This populat British patriotic hymn features a poem by Sir Cecil Spring Rice set to the familiar chorale melody from Jupiter by Gustav Holst. It is associated with Remembrance Day services throughout the United Kingdom, and has long been a favorite of the British royal family. This stately setting for band includes an optional part for unison voices.
Estimated dispatch 7-14 working days
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£60.99Faith Eternal
Based on the well-known hymn I know That My Redeemer Lives, here is a carefully crafted setting for young players. Whether used to teach important concepts of lyric style playing, or as an emotional connection for your students, the pacing and dramatic peak in Carol's arrangement ensure a rewarding experience. Dur: ca. 3:00
Estimated dispatch 7-14 working days
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£94.99Majesty - Thierry Deleruyelle
Majesty is a powerful and spectacular overture. Right from the start, the brass open the work brilliantly before making way for a majestic hymn mostly played by the woodwind. The end of the piece repeats the opening fanfare as a monumental finale in the style of an American symphonic march. This work was commissioned by the Bourbourg Wind Orchestra (France), conducted by Claude Deconinck, on the occasion of its 230th anniversary. This piece was premiered by the commissioning orchestra on 19 November 2022, just two months after the death of Queen Elizabeth II. Naturally, this work is dedicated to her.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£90.00Bright Dawn Overture, Op. 59 - Franco Cesarini
Bright Dawn Overture was commissioned to Franco Cesarini by the Swiss Band Association as part of a project for the renewal and expansion of the artistic repertoire. "There was never a night or a problem that could defeat sunrise or hope.". This sentence by the English philosopher Bernard Williams inspired Franco Cesarini in composing this overture. In fact, even the darkest night is always followed by the sunrise and metaphorically, in every moment of difficulty, man clings to the hope of a better future. Bright Dawn Overture is written in the classic form of an Italian overture (fast-slow-fast). It is intended as a hymn of hope of recovery after a period of great difficulty. A single theme characterizes the composition, passing through the various registers and presents itself in new forms, while constantly being transformed. In the central part the theme takes on an almost mystical character, while in the finale it presents itself in a heroic guise and the composition concludes with a gesture of decisive optimism.A piece accessible to most concert bands, perfect as an opening work!
Estimated dispatch 7-14 working days
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£96.00Long Road - Eriks Esenvalds
Long Road has the simple sincerity of a hymn yet is is both beautiful and lush. At the midway point a gentle susurration of bell-sounds, descant recorders and tin whistles appear over sustained brass. There is a brief downwards shift of a third, followed by an elated return to the home key before the evanescent tinkling ushers the piece to its close. Phillip Littlemore has here created a vivid new version for concert band. Band Grade: 4
Estimated dispatch 7-14 working days
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