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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£76.99Tribute to Whitney Houston
As the world mourns the loss of Whitney Houston, we also celebrate her legacy of marvelous music. Here is a well-paced and effective medley of hits that includes: How Will I Know, Saving All My Love for You, I Wanna Dance WithSomebody, and I Will Always Love You.
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
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£13.95
Breaking the Century
1Breaking the CenturyNigel ClarkeCentral Band of the Royal Air Force6.392Hemming WayJohn DankworthCentral Band of the Royal Air Force13.583-5Tuba ConcertoJoseph Horovitz orch. James GourlayJames Gourlay (Tuba) with Central Band of the Royal Air Force I. Movement 1 6.05 II. Movement 2 7.03 III. Movement 3 6.366Music for ArosaPhilip SparkeCentral Band of the Royal Air Force11.017-10EvocationsMartin EllerbyCentral Band of the Royal Air Force I. Harlequin's Carnival 3.05 II. The Death of Don Quixote 5.48 III. Sue?o 2.11 IV. The Royal Hunt of the Sun 3.34
Estimated dispatch 7-14 working days
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£13.95
Doubles
1-3A Malvern SuitePhilip Sparke arr. John HollandRoyal Northern College of Music Wind Orchestra I. Worcester Cathedral 2.24 II. The Wye at Hereford 4.15 III. Gloucester Market 3.394Musing on a PhraseDarrol BarryRoyal Northern College of Music Wind Orchestra17.035-10Heritage SuiteNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Bric-a-Brac Market 4.05 II. Prayers and Plagues 4.13 III. Cornucopia 1.13 IV. Hop Picker's Round 1.48 V. Warm Beer and Cricket 4.39 VI. Wyatt's Rebellion and Hope 3.2411DoublesGary CarpenterPaul Goodey (Oboe) and Linda Merrick (Clarinet) with Royal Northern College of Music Wind Orchestra13.4812Malcolm Arnold VariationsMartin EllerbyRoyal Northern College of Music Wind Orchestra15.28
Estimated dispatch 7-14 working days
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£13.95
From the Depths of Time
1Terra AustralisMartin EllerbyRoyal Northern College of Music Wind Orchestra12.542Pabiaga's HeartNicola RenshawRoyal Northern College of Music Wind Orchestra4.563Scarlet and GoldRob WiffinRoyal Northern College of Music Wind Orchestra5.244-6From the Depths of TimeDuncan StubbsRoyal Northern College of Music Wind Orchestra I. Igneous: 'Born of Fire' 3.39 II. Sedimentary: 'Laid to Rest' 4.39 III. Metamorphic: 'Born Anew' 5.557Acrid LinesTom HarroldRoyal Northern College of Music Wind Orchestra6.098In Flanders FieldsRob WiffinHelen Maxwell (Vocal) with Royal Northern College of Music Wind Orchestra3.469-13Mass of St. Thomas AquinasMartin EllerbyLeonie Maxwell (Vocal) with Royal Northern College of Music Wind Orchestra I. Kyrie 2.44 II. Gloria 2.14 III. Sanctus 2.54 IV. Benedictus 2.05 V. Agnus Dei 3.31
Estimated dispatch 7-14 working days
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£39.95
Hammond - Score and Parts - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£7.95
Hammond - Score only - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£79.95
Lakeside Drawings - Score and Parts - Richard Phillips
Program NotesOnce a year, my wife and I like to visit the beautiful Lake District in the northwestern sector of England in the county of Cumbria. It has been a place of much inspiration for many composers over the years and when amidst the rolling countryside, the lofty mountain peaks, it is no wonder. Lakeside Drawings was started when I visited the Lakes and seeks to reflect the contours of the many mountain peaks through the sometimes soaring melodic lines of the composition. It is a piece based on tunes reflecting the aspect and also of the mindset of the many walkers who have scaled the mountains to achieve an ambition of reaching a summit. Once reached, a glorious view is a prize worth every hour of tiring ascent.-Richard Phillips
Estimated dispatch 7-14 working days
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£15.95
Lakeside Drawings - Score only - Richard Phillips
Program NotesOnce a year, my wife and I like to visit the beautiful Lake District in the northwestern sector of England in the county of Cumbria. It has been a place of much inspiration for many composers over the years and when amidst the rolling countryside, the lofty mountain peaks, it is no wonder. Lakeside Drawings was started when I visited the Lakes and seeks to reflect the contours of the many mountain peaks through the sometimes soaring melodic lines of the composition. It is a piece based on tunes reflecting the aspect and also of the mindset of the many walkers who have scaled the mountains to achieve an ambition of reaching a summit. Once reached, a glorious view is a prize worth every hour of tiring ascent.-Richard Phillips
Estimated dispatch 7-14 working days
