Results
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£45.00March of the Penguins (Concert Band - Score and Parts) - Phillips, Todd
There's no better way to start a concert than with a march, and there's no better way to get first-year band students engaged and excited about music than with something fun! "March of the Penguins" is just what you have been looking for! This fun, light-hearted march will amuse and excite your young learners and audiences of all ages. Great fun! Duration: 1.50
Estimated dispatch 7-14 working days
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£37.62Addison Way (Concert Band - Score and Parts) - Sousa, John Philip
A classic Sousa march arranged for young bands by David Shaffer. Carefully scored to retain the flavor of the original while allowing it to be performed by younger players, this exceptional arrangement is perfect for concert or contest use and an excellent way to expose your young players to the "magic" of John Philip Sousa! Very Nice!
Estimated dispatch 7-14 working days
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£49.50
March Of The Penguins - Phillips
There's no better way to start a concert than with a march, and there's no better way to get first-year band students engaged and excited about music than with something fun! "March of the Penguins" is just what you have been looking for! This fun, light-hearted march will amuse and excite your young learners and audiences of all ages. Great fun!
Estimated dispatch 7-14 working days
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£154.99The Power of the Megatsunami Wind Band Set (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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£79.99Home on the Range
This thoughtful and creative arrangement of the classic song of the American West is a rich and sonorous treatment infused with exquisite and unexpected harmonies. You've never heard it like this before! Bryan Kidd has managed to bring a true musical adventure to the developing band in his own unmistakably personal way.This is a wonderful chance for your musicians to show that they can be truly expressive. This piece is the perfect tool for a cross-curricular unit with U.S. history. Surprising!
Estimated dispatch 7-14 working days
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£154.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 7-14 working days
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£29.95
God So Loved the World - Score and Parts - Sir John Stainer
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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£5.95
God So Loved the World - Score only - Sir John Stainer
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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£78.00Handel in the Strand (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Rohrer, Thomas P.
This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's "four-some" edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the "room music" quality of the original shines through in this skilful transcription while depicting the spirit of the piece in a way that Grainger might have chosen.Duration: 3:35
Estimated dispatch 7-14 working days
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£29.95God So Loved the World (Concert Band - Score and Parts) - Stainer, John - Horner, Kevin
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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