Results
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£53.50May It Be (from The Lord of the Rings) - Eithne Ni Bhraonain
From the blockbuster movie The Lord of the Rings: The Fellowship of the Ring comes this hauntingly beautiful ballad sung by Enya. This easy concert band setting by master arranger John Moss begins with a Flute solo or sectionfeature then gradually builds intensity through the skillful handling of the instrumentation. Very effective!
Estimated dispatch 7-14 working days
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£82.80
Rock it!
Estimated dispatch 7-14 working days
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£65.80
Speed It Up
Estimated dispatch 7-14 working days
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£93.90Jazzin' It Up - Harry Richards
Estimated dispatch 7-14 working days
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£53.50Shake it Off - Max Martin
This recent hit by pop superstar Taylor Swift features a catchy melody that adapts nicely for very young players. Here is a solid arrangement that your students and audience are sure to enjoy.
Estimated dispatch 7-14 working days
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£73.50 -
£42.50The Winner Takes It All - Benny Andersson
Originally recorded by ABBA and featured in the movie and stage productions of Mamma Mia!, here is an easy and solidly written arrangement that is sure to appeal to all audiences. Dur: 2:00
Estimated dispatch 7-14 working days
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£68.00It Happened Long Ago - Jan Pfeiffer
Estimated dispatch 7-14 working days
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£71.50Angels Digging It - Gary P. Gilroy
Here is a wonderful traditional carol thats been given a fresh, modern, catchy accompaniment that will liven up holiday concerts. Like visiting an old friend in a new suit of clothes, players and audiences will enjoy this fresh new setting of the classic holiday selection.
Estimated dispatch 7-14 working days
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£391.20Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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