Results
-
£60.99Spirit Of Adventure - Daniel Jones
The spirit of adventure is accurately portrayed in this grade 3 tour de force. It has all the elements players and conductors love: excitement, bold sounds, and interesting harmonies; yet, it avoids the pitfalls that so often lead to failure: rapidly changing and asymmetric rhythms, phrases too long for the students to navigate, and intricate articulations.
Estimated dispatch 7-14 working days
-
£53.50Glendower March for Band - Sandra Lentner
GLENDOWER is a delightful march in 6/8 meter. It has a few dynamic twists to keep your players on their toes and the audience fully invested in the performance. It is a wonderful addition to the repertoire.
Estimated dispatch 7-14 working days
-
£64.99The Band of Bands, 2nd edition - Ted Mesang
Originally published in 1961, THE BAND OF BANDS was composed for the Wisconsin Band Masters. It is unique in style, with terrific melodies and interesting harmonic changes. It makes a wonderful change from the standard marches.
Estimated dispatch 7-14 working days
-
£89.99Bolero For Band - Maurice Ravel
Initially commissioned by Ida Rubenstein as a ballet work initially, Maurice Ravel's BOLERO has become his most popular and often-performed orchestra composition, which was a surprise to the composer who described it as seventeen minutes of orchestra without any music. With a structure that is simplicity itself, BOLERO uses two alternating melodies in what Ravel described as a crescendo on commonplace melod[ies]. Mark Rogers' transcription of BOLERO is an entirely complete wind band version of the piece; omitting not a single note or exotic instrument, thereby transferring the brilliance of Ravel_x001A_s orchestral score to the symphonic wind band with as much fidelity to the original as possible. Ravel calls for a very large orchestra (triple woodwinds, saxophones, large brass section, harp, celesta and percussion). Consequently, this transcription of BOLERO contains a large amount of divisi writing. It goes without saying that this transcription will be most successfully performed by large symphonic wind band.
Estimated dispatch 7-14 working days
-
£76.99Forevermore - Thomas Doss
The work Forevermore was commissioned for a wedding; it describes the themes of friendship, partnership, and loyalty. One of the most beautiful things in life is going through it together and maintaining the bond of love forever. This solemn work opens with warm woodwind sounds and a soft percussion accompaniment, followed by a build-up to a colourful tutti passage. After a gentle middle section, a grand tutti sound develops again, but the work finally ends in an almost intimate atmosphere.
Estimated dispatch 7-14 working days
-
£104.99Arioso Cantabile - Jan Van der Roost
This composition exudes serenity and tranquillity, but also intensity and expressiveness - giving it similar qualities to earlier works by Van der Roost, like Canterbury Chorale and Adagio for Winds. Long melodic lines characterize the main themes that arise in different registers and develop through varying keys. The band rather sounds like an organ: the varying timbres and broad musical phrases fully justify the comparison with this majestic instrument. There is no bombast, and the work contains no exaggerated technical or rhythmic tours de force. On the contrary, from a lush richness it moves towards a softening final passage that culminates in a slowly fading final chord: following the many warm harmonies and grand melodies, this work concludes in a contemplative mood.
Estimated dispatch 7-14 working days
-
£79.99Hope Arises - James Barnes
Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano.
Estimated dispatch 7-14 working days
-
£183.20Danser fra "Kosakkene" - Catharius Elling
The Opera "The Cossacs" by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba."The Cossacs" was premiered in 1897 at Eldorado in Kristiania (the old name on Norway's capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in it's entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in it's archives, but no complete performance is known to date.The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD "Norwegian Opera Overtures".This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band.This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music.
Estimated dispatch 7-14 working days
-
£127.30Ballade fra Fantasistykker for Piano op. 36 - Agathe Backer-Grøndahl
Agathe Backer Grndahl's 'Ballade' can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grndahl's production, several of these are grouped under the term 'fantasy pieces'. There are six collections with a total of 48 fantasy pieces on her opus list and 'Ballade' is from the first of these (Op. 36), published in 1895. 'Ballade' is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material.The arrangement is close to Backer Grndahl's original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands.
Estimated dispatch 7-14 working days
-
£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
View Music