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£154.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 7-14 working days
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£60.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
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£174.99Two Symphonic Interludes - Harrie Janssen
Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.
Estimated dispatch 7-14 working days
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£72.99Prairie Winds Festival - James Barnes
Prairie Winds Festival is a fast, happy-go-lucky concert opener. It is very carefully scored and cross-cued, so that almost any size band can perform it. The Piccolo, 2nd Oboe, 2nd Bassoon, Contra-Alto Clarinet, 3rd Trombone and Double Bass parts are all optional, but if you have these instruments, it will sound more full.
Estimated dispatch 7-14 working days
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£109.99
Lpez Odero - Ferrer Ferran
Lpez Odero is a fantasy written for concert band that incorporates the folk music of the Andalusia people. It features some beautiful songs from the Cadiz province, with their fascinating Flamenco-rhythms. The person who commissioned the work requested it be dedicating it to his father, Lpez Odero, a talented clarinet player, after whom the piece is named.
Estimated dispatch 7-14 working days
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£74.95Celebration Of A New Day - Amy Webb
Here's an upbeat piece that evokes a sense of positivity and hope. It is a bit majestic and joyful all at the same time. It is an easy piece, and it is a great composition to introduce dotted rhythms. Only the 1st clarinet crosses the break, and the 1st trumpet's highest note is D.
Estimated dispatch 7-14 working days
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£106.95Beyond The Lighted Tower - Roger Cichy
The Michigan City Lighthouse is an important landmark, and the only lighthouse in Indiana. It is a beacon of light for the city and represents the vibrant people of the town. The first trumpet's highest note is A (the last note of the song). It is has many time and key changes making it a very interesting composition for the listener and as well as your audience.
Estimated dispatch 7-14 working days
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£91.20San Patrizio - Lorenzo Pusceddu
Since 1166, the only sanctuary in Italy dedicated to the memory of Saint Patrick has sat in Colzate. Numerous people visit this sacred place every year, also to admire the extraordinary view from its portico and the luxurious nature that surrounds it. The sanctuary seems to be shaped by nature itself, as its walls blend with the rock on which it rests. The building of this sacred place is associated with the trade relations that the inhabitants of the Seriana Valley shared with merchants from Ireland. It took centuries for the sanctuary to become what we see today: the construction of its nucleus began in the 12th century and ended with the erection of the current portico. This composition depicts in music the veneration that the people of Colzate and neighboring villages have for Saint Patrick. The ternary form recalls the symbol of the clover (in Gaelic Shamrock), with which Saint Patrick explained the Trinity to the people of Ireland.
Estimated dispatch 7-14 working days
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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£82.50Bravo - Robert E. Foster
This exciting excursion for winds and percussion is a flashy, fun display of technique and virtuosity, but it is not nearly as hard as it sounds. Written to be playable and accessible for most bands, it is a happy work that will be an entertaining and impressive addition to any concert (2 minutes 25 seconds)
Estimated dispatch 7-14 working days
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