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  • £94.99

    Beat it (Concert Band - Score and Parts) - Jackson, Michael - Amano, Masamicz

    Beat It, is one of Michael Jackson's most popular songs, awarded two Grammys for its commercial success. Seen by many as a rock song, Beat It was ranked by Rolling Stone magazine as one of the "100 Greatest Guitar Songs of All Time." Since its release, the song has been covered and famously reinterpreted by artists such as Fall Out Boy, Fergie and most recently Masamicz Amano, who has made this wonderful arrangement for concert band!Duration: 4:15

    Estimated dispatch 7-14 working days

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  • £295.00

    Enduring City (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul

    Enduring City was composed to celebrate the 300th anniversary of the founding of New Bern, the first permanent seat of the colonial government of the state of North Carolina. It was first settled in 1710 by Swiss and German immigrants under the leadership of Christoph von Graffenried and and John Lawson. The 2010 composition was commissioned by the New Bern 300th Anniversary Committee and the City of New Bern, to portray the city in terms of its history, its present and its optimism for the future; the North Carolina Symphony gave its first performances, in venues throughout the state. Its one continuous movement is in well-defined sections. Most of the musical themes derive from names of people and places connected with New Bern, using letters that are also note-names, omitting those which are not. For example, the opening trumpets spell out E-B-E-D for New Bern ('R' standing for Re, which is D in fixed-doh sol-fa notation) and B-C-G for Baron Christoph von Graffenried. They are answered by the orchestra's "John Lawson, Gent.", the name on the cover of the co-founder's A New Voyage to Carolina. Lawson's questing and adventurous character is then suggested, accompanied by a "Carolina" note-name theme; and, after the Graffenried theme on solo horn, the music of both men combines for their voyage, culminating (on trumpets and trombones) in the founding of New Bern. The story of Tryon Palace, central to the city's history, is represented by echoes of the various kinds of music heard at the Governor's residence - fife and drum bands, minuets and the slaves' "Jonkonnu" festivals from Africa, celebratory fanfares and fireworks; the section reaches a climactic ending when all are combined. After a peremptory interruption by the snare drum, the perky fife theme is transformed to portray the conflicts that visited New Bern over the centuries, alternating with a new "grief" theme, which - when sounded by strings alone - leads to music of reconciliation and then of the natural beauty of the city's surroundings. A steady, lively rhythm underpins the final section, confidence - in the present and for the future. Echoes of previous themes are heard, but the closing peroration is reserved for a majestic and joyous statement of the name of New Bern itself.

    Estimated dispatch 7-14 working days

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  • £59.40

    Sheep May Safely Graze - Bach, Johann Sebastian

    Probably Bach's most pastoral composition. Despite its original appearance as part of a virile hunting cantata, this gentle aria remains one of the composer's most beloved and most frequently performed works.

    Estimated dispatch 7-14 working days

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  • £115.60

    Romjulsdrm - Thoralf Borg

    The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -

    Estimated dispatch 7-14 working days

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  • £164.50

    Pacific Heights - Gorham

    Pacific Heights draws its title from the famous historic San Francisco neighborhood of the same name. Established in the late 1800's this area of the city embodies Hollywood's vision of San Francisco with its views of the Bay and the Golden Gate Bridge. While the music is not intended to be programmatic, it captures some of the great sites of the city: the majestic Golden Gate Bridge, the rocky island which is home to our country's most infamous prison, as well as the many moods of this city known for its diversity, flower-power, steep rolling hills, earthquakes, and chilly winds off the ocean.

    Estimated dispatch 7-14 working days

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  • £242.50

    Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker

    Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.

    Estimated dispatch 7-14 working days

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  • £148.50

    Pacific Heights

    Pacific Heights draws its title from the famous historic San Francisco neighborhood of the same name. Established in the late 1800's this area of the city embodies Hollywood's vision of San Francisco with its views of the Bay and the Golden Gate Bridge. While the music is not intended to be programmatic, it captures some of the great sites of the city: the majestic Golden Gate Bridge, the rocky island which is home to our country's most infamous prison, as well as the many moods of this city known for its diversity, flower-power, steep rolling hills, earthquakes, and chilly winds off the ocean.

    Estimated dispatch 7-14 working days

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  • £356.00

    Symphony No. 5 in B-flat Major, Op. 100 - Sergei Prokofiev

    Written in a single summer month while World War II was still raging in 1944, Prokofiev's Symphony No. 5 would become not only one of the composer's most celebrated and performed works, it would stand among the giants in all of 20th Century classical compositions. Cast in four movements, Prokofiev once gave a statement that he intended it as a hymn to free and happy Man, to his mighty powers, his pure and noble spirit. He added, I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul. Deliberate or not, his statement likely helped placate the Communist Soviet Party, who under Stalin ruthlessly, and often fatally, censored the art and music of the time. This Southern Music publication represents the first complete band transcription of Prokofiev's monumental work by one of the world's most respected wind band editors, Dr. R. Mark Rogers. The edition provides a rare opportunity in the symphonic wind band repertoire for ensembles to perform an orchestral masterpiece in its entirety.

    Estimated dispatch 7-14 working days
  • £75.00

    Lo! He Comes with Clouds Descending (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

    Lo! He Comes with Clouds Descending is a hymn with a text by John Cennick (1718-1755) and Charles Wesley (1707-1788). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment. Considered one of the Great Four Anglican Hymns in the 19th century, it is most commonly sung to the tune Helmsley, first published in 1763. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £87.99

    Commonwealth - Robert Sheldon

    Located in the Commonwealth of Virginia, Fairfax County has quite an interesting story to tell, from the times of the Revolutionary War to the Civil War, to its prominent position as one of the premiere suburbs of our nation's capital, and most populous jurisdiction in Virginia. This piece serves to acknowledge the history of this region while representing its vibrancy and character. The opening patriotic soundscape offers a backdrop to the energetic piece that follows. A juxtaposition of those themes brings the piece to a close.

    Estimated dispatch 7-14 working days