Results
-
£119.99Hermitage - Jan de Haan
Jan de Haan drew inspiration for this work from five paintings exhibited in The Hermitage in Saint Petersburg, one of the largest and most versatile museums in the world. He used the melodious Andante cantabile from the String Quartet Op. 11 by the Russian composer Pyotr Ilyich Tchaikovsky as its starting point. Thus, he created his own musical painting, which is just as varied as the underlying canvases - from Cheerful Company by Dirck Hals to Dance II by Henri Matisse. A true work of art!
Estimated dispatch 7-14 working days
-
£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
-
£134.99Cleopatra - Thierry Deleruyelle
Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary.
Estimated dispatch 7-14 working days
-
£84.99Magic Feeling - Marc Jeanbourquin
To mark its centenary, the "Musikgesellschaft Hinterkappelen-Wohlen" decided to commission a light-hearted work comprising different styles brought together in one setting. With this in mind, Marc Jeanbourquin composed a piece with a theme based on a short 5-note ascending motif. He developed this theme in various styles - funk, ballad, Celtic and, finally, rock. Everything comes together at the end of the piece with this "magical" ascending motif. Will the musicians conjure and retain a magical spirit full of energy and vitality through playing Magic Feeling? - most certainly!
Estimated dispatch 7-14 working days
-
£209.99Osakan Jubilee - Jan Van der Roost
In 2014, Philharmonic Winds OSAKAN (Japan) celebrated its fifteenth anniversary for which this work was composed. From the very beginning, Yoshihoro Kimura has been the artistic leader of the ensemble. Jan Van der Roost became the band's first guest conductor in 2013. In this spectacular work the composer looks back at one of his most famous earlier works 'Apollo', and to Adolphe Sax, the Belgian inventor of the saxophone.
Estimated dispatch 7-14 working days
-
£116.60Polska from Four Watercolours - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
-
£116.60Idyll - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
-
£116.60Humoresque - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
-
£53.70Oh Beautiful
The melody known as "A Ya Zain" (also "Aya Zein" or "Ayazein,") is most often credited as an Egyptian folk song. The tune is easily recognizable as having Arabic origins by its use of the double harmonic minor scale (containing two augmented 2nd intervals). This arrangement gives us a good opportunity to expose young players to non-western tonalities. The use of short melodic sequences and repetition in the melody make it especially appropriate for young instrumentalists
Estimated dispatch 7-14 working days
-
£122.50Suite - Istvan Bogar
Istvn Bogr's series of movements intended for youngsters is colourfully instrumented, evocative music, rich in melodic invention: in character it is most closely akin to Tchaikovsky's Nutcracker ballet music. In the opening movement (Little march), little boys wearing paper shakos on their heads and carrying wooden swords play at soldiers. The following movement, Humming, is the only movement in the suite that is calm and in odd-numbered rhythm: in it the children gather flowers in their little baskets, and meanwhile hum pleasant tunes. The third movement is a funny game, with its tempo sometimes speeding up, sometimes slowing down, but by the end really going wild.The titleof the finale is Game of tag. The tiny formal sections and interludes in this lively, cheerful music are linked together by a recurring rondo theme, and the chase ends with a brief coda.
Estimated dispatch 7-14 working days
View Music