Results
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£57.50Sweet Georgia Brown (Flexible Ensemble - Score and Parts) - Murtha, Paul
This early jazz standard became the theme song for the famed Harlem Globetrotters, and has remained popular through the years. Paul's clever version for flexible instrumentation passes the melody between upper and lower parts and even includes a stop-time section that features the percussion. Duration: 2.15
Estimated dispatch 7-14 working days
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£60.99Bossa de Brasil (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
In late 1950s Brazil, a new music style influenced by jazz arose out of the samba: the bossa nova. This composition by Peter Kleine Schaars sounds just like a bossa nova should sound: catchy, warm, relaxed and with a touch of sensuality. Starting with a small group of players with only one soloist and minimal accompaniment, this bossa nova leads to a style-conscious grand orchestration for the whole ensemble, in which all voices participate equally. In addition to the rhythmic cells 2 and 4 of the Brazilian 2-4 clave, the cells 7 and 10 in particular are featured.Duration: 2.45
Estimated dispatch 7-14 working days
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£58.50I Got Rhythm (Flexible Ensemble - Score and Parts) - Gershwin & Gershwin - Story, Michael
This version of I Got Rhythm arranged by Michael Story is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This timeless George and Ira Gershwin jazz classic has been covered by dozens of popular artists. The song remains one of the most recognizable melodies from the 20th century. In a charismatic contemporary arrangement, I Got Rhythm is accessible to first-year students and will be an upbeat addition to any program. Duration: 1.45
Estimated dispatch 7-14 working days
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£407.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated dispatch 7-14 working days
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£51.50Those Lazy-Hazy-Crazy Days of Summer (Flexible Ensemble - Score and Parts) - Bradtke & Carste - Sunde, Inge
Nat King Cole was an American singer and jazz pianist. He recorded over 100 songs that became hits, and this is one of his latest, recorded in 1963 and still a summer hit on the radio. A perfect choice for the outdoor concerts!Flexible instrumentation (Flex 5 ShowBlow) makes it playable for small as well as larger ensembles.Duration: 3.00
Estimated dispatch 7-14 working days
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£85.00Mozart's Sandbox (Concert Band - Score and Parts) - McKenzie, J. Scott
What kind of music would Mozart write if he were alive today and had been exposed to jazz, rock 'n' roll, and polytonality? This piece supposes that he would start with what he knew and then figure it out on the fly! Mozart's Sandbox is a piece rich with depth and humour, but thoughtfully scored for young bands.
Estimated dispatch 7-14 working days
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£91.00The End of a Love Affair (Flexible Instrument Solo with Concert Band - Score and Parts) - Grottum, Kare - Kjaernes, Bjorn Morten
Kare Grottum is known to most as a pianist and producer by NRK. He was involved in numerous TV productions, both as producer, musician, composer, and arranger. This tune is taken from a CD released in 1992, Fra en musikers dagbok where he brings with him several Norwegian soloists of international class. It is Erling Wicklund who does a brilliant solo on Flugabone which has also used as a starting point for the written improvisation. The arrangement should be played in a slightly swinging way, but not as much as a jazz waltz. Play with the straight eighths and then let it flow, with a faint two against three feeling, which clearly shows up in some places. If you do not have bassoon and oboe, let alto sax and tenor sax make up the duet from 9. Enjoy! Solo Options: C BC Instruments; Bb TC Instruments; Eb TC Instruments. Duration: 4.15
Estimated dispatch 7-14 working days
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£89.99A Touch of Klez! (Flute or Alto Saxophone Solo with Concert Band - Score and Parts) - De Haan, Jan
A Touch of Klez! was written for flute or alto saxophone solo and concert band. The work is based on three klezmer melodies: Ani Purim, Shlof Mayn Kind and Freilachs Fun L.A.. Klezmer is a form of traditional Yiddish music that originated in Eastern Europe during the Late Middle Ages and was originally intended as music for weddings. In the 20th century, klezmer melodies in Europe were influenced by other music styles; in America, jazz had a notable influence on this compelling music. Duration: 5.00
Estimated dispatch 7-14 working days
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£64.99Rhapsody in Blue (Flexible Ensemble - Score and Parts) - Gershwin, George - Murtha, Paul
Gershwin's landmark work brought elements of jazz to the symphonic stage. Featuring the main themes from this masterpiece here is a well-paced and effective setting for flexible instrumentation.
Estimated dispatch 7-14 working days
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£61.95Up on the Housetop - Down in New Orleans (Concert Band - Score and Parts) - Hanby, Benjamin - Kamuf, Michael
Watch out! The Big Guy is hungry, and he wants Jambalaya! This reworking of the famous holiday carol incorporates jazz harmonies and a New Orleans inspired Second Line feel combining to create a fun and memorable holiday selection that your students and audiences will love! Let the good times roll! Duration: 2:45
Estimated dispatch 7-14 working days
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