Results
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£84.99The Second Waltz (Concert Band - Score and Parts) - Shostakovich, Dmitri - Waignein, Andre
from Jazz Suite No.2. Duration: 3.45
Estimated dispatch 7-14 working days
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£74.95Bill Bailey (Concert Band - Score and Parts) - Cannon, Hughie - Geldard, Bill
Bill Bailey is an old song made popular in the British Music Halls of the Victorian and Edwardian eras. As a top trombone player and bog band arranger Geldard, Bill has used familiar idioms from the circus march to the jazz waltz to provide a contemporary and entertaining score which will be ideal for any concert.
Estimated dispatch 7-14 working days
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£14.95
Bill Bailey (Concert Band - Score Only) - Cannon, Hughie - Geldard, Bill
Bill Bailey is an old song made popular in the British Music Halls of the Victorian and Edwardian eras. As a top trombone player and bog band arranger Geldard, Bill has used familiar idioms from the circus march to the jazz waltz to provide a contemporary and entertaining score which will be ideal for any concert.
Estimated dispatch 7-14 working days
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£49.95Blues On The Slide (Trombone Solo) (Concert Band - Score and Parts) - Johnson, Stuart
Shades of New Orleans Jazz here! Johnson, Stuart's slow, regular stomp provides an ideal background against which your trombonist can shine.
Estimated dispatch 7-14 working days
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£9.95
Blues On The Slide (Trombone Solo) (Concert Band - Score Only) - Johnson, Stuart
Shades of New Orleans Jazz here! Johnson, Stuart's slow, regular stomp provides an ideal background against which your trombonist can shine.
Estimated dispatch 7-14 working days
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£74.95Jazzamatazz (Concert Band - Score and Parts) - Kneale, Peter
A short jazz inspired piece by British composer Peter Kneale
Estimated dispatch 7-14 working days
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£14.95
Jazzamatazz (Concert Band - Score Only) - Kneale, Peter
A short jazz inspired piece by British composer Peter Kneale
Estimated dispatch 7-14 working days
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£74.95The Berlin Rag (Concert Band - Score and Parts) - Blinko, Timothy
The Berlin Rag evokes the rich harmonic sound-world of 1920s Berlin and contemporary jazz, fused with the technique of American Ragtime. The scoring is highly colouristic in nature, and has avoided any weighty doublings. There are also many solo opportunities for all the principal players, either chamber-like combinations, duets or solo lines. The magical crunchy effect of the tutti band is reserved until the end where it is finally released in a blaze of brass writing, spiked with timpani and percussion.
Estimated dispatch 7-14 working days
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£14.95
The Berlin Rag (Concert Band - Score Only) - Blinko, Timothy
The Berlin Rag evokes the rich harmonic sound-world of 1920s Berlin and contemporary jazz, fused with the technique of American Ragtime. The scoring is highly colouristic in nature, and has avoided any weighty doublings. There are also many solo opportunities for all the principal players, either chamber-like combinations, duets or solo lines. The magical crunchy effect of the tutti band is reserved until the end where it is finally released in a blaze of brass writing, spiked with timpani and percussion.
Estimated dispatch 7-14 working days
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£148.00Trois Rag - Caprices (Concert Band - Score and Parts) - Milhaud, Darius - De Meij, Johan
The French composer Darius Milhaud (1892-1974) was a member of the Groupe des Six. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Stravinsky. Milhaud's most popular work is undoubtedly the ballet La Creation du Monde, one of the most striking examples of jazz influences in classical music. The premiere at the Theatre des Champs Elysees in October 1923 caused a real scandal with the Paris public. The Trois Rag-Caprices for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for La Creation du Monde. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The Trois Rag-Caprices were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to Saudades do Brasil (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet Le Boeuf sur le Toit. Johan de Meij's orchestration of Trois Rag-Caprices for symphonic band is a most welcome addition next to the original band works of Milhaud, such as Suite Francaise (1945) and West Point Suite (1951).Duration: 8.00
Estimated dispatch 7-14 working days
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