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£169.95CATS TALES (Concert Band) - Graham, Peter
Cats Tales pays tribute to four wonderful musicians who shared a love of jazz and New York City. Film composer Elmer Bernstein is remembered in 1) Catalonia before a musical gear change that references the work of his contemporary colleague, "Bernstein East", aka Leonard Bernstein. The presence of West Side Story looms large here. Henry Mancini's most famous composition (which concerned a cat of the pink variety) provides the inspiration for the 2nd movement, 2) Catwalk before saxophone legend Sonny Rollins's jazz standard Airegin is given a contrafact treatment in 3) Scat! allowing a number of instrumental soloists to shine. NB: The suite can be extended by including the trombone solo Catnap (see above) and the Toccata (see below), available separately
Estimated dispatch 7-14 working days
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£148.00Trois Rag - Caprices (Concert Band - Score and Parts) - Milhaud, Darius - De Meij, Johan
The French composer Darius Milhaud (1892-1974) was a member of the Groupe des Six. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Stravinsky. Milhaud's most popular work is undoubtedly the ballet La Creation du Monde, one of the most striking examples of jazz influences in classical music. The premiere at the Theatre des Champs Elysees in October 1923 caused a real scandal with the Paris public. The Trois Rag-Caprices for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for La Creation du Monde. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The Trois Rag-Caprices were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to Saudades do Brasil (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet Le Boeuf sur le Toit. Johan de Meij's orchestration of Trois Rag-Caprices for symphonic band is a most welcome addition next to the original band works of Milhaud, such as Suite Francaise (1945) and West Point Suite (1951).Duration: 8.00
Estimated dispatch 7-14 working days
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£149.99
Trois Rag-Caprices - Darius Milhaud
The French composer Darius Milhaud (1892-1974) was a member of the 'Groupe des Six'. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Strawinsky. Milhaud's most popular work is undoubtedly the ballet 'La Cration du Monde', one of the most striking examples of jazz influences in classical music. The premire at the 'Th?tre des Champs Elyses' in October 1923 caused a real scandal with the Paris public.The 'Trois Rag-Caprices' for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for 'La Cration du monde'. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The 'Trois Rag-Caprices' were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to 'Saudades do Brasil' (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet 'Le Boeuf sur le Toit'. Johan de Meij's orchestration of 'Trois Rag-Caprices' for symphonic band is a most welcome addition next to the original band works of Milhaud, such as 'Suite Fran?aise' (1945) and 'West Point Suite' (1951).
Estimated dispatch 7-14 working days
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£61.00Short Cuts for Beginning Band - Volume 5 (Concert Band - Score and Parts) - Story, Michael
A sure fit for your beginners using just the basics, this suite features Bruno Mars' "Treasure," "Eye of the Tiger" from Rocky III, Camila Cabello's "Havana," and closes with "And All That Jazz" from Chicago. Each theme is focused toward a specific instructional objective and is extremely performable. The tunes can be programmed all at once or throughout your school year.Duration: 3.45
Estimated dispatch 7-14 working days
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£99.00Swing (from American Dances) (Concert Band - Score and Parts) - Smith, Robert W.
American Dances is a three movement suite originally composed for the Boston Pops Brass. Each movement features an American popular music genre. "Swing" was composed based upon the American jazz and big band tradition that was popular in the 1930s and 1940s. This will have your audience tapping their toes and clapping their hands as you band sizzles throughout. Duration: 2.30
Estimated dispatch 7-14 working days
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£42.50Escapades (from Catch Me if You Can) (Concert Band - Score only) - Williams, John - Bulla, Stephen
Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on alto saxophone, vibraphone and string bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Duration: 14.00
Estimated dispatch 7-14 working days
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£309.99
Escapades (from Catch Me if You Can) (Alto Saxophone Solo with Concert Band - Score and Parts) - Williams, John - Bulla, Stephen
Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on alto saxophone, vibraphone and string bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Duration: 14.00
Estimated dispatch 7-14 working days
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£129.99Ratatouille Satirique - Traditional
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.
Estimated dispatch 7-14 working days
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£87.00
Hoe Down -from Rodeo - Aaron Copland
Aaron Copland (1900-1990) has been called the Dean of American Composers. He was one of the first composers to use American folk idioms in his music. Hoe Down is taken from the ballad Rodeo, composed in 1942. From the ballet,Copland extracted Four Dance Episodes to form an orchestral suite for the concert hall: Buckaroo Holiday, Coral Nocturne, Saturday Night Waltz, and Hoe Down. Hoe Down uses the square-dance tunes of Bonaparte and McLeod's Reel.Polyrhtyhms are derived from the jazz idiom - thus, making the work light, humorous, and full of zest. (3:00)
Estimated dispatch 7-14 working days
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£309.99Escapades (from Catch Me If You Can) - John Williams
Steven Spielberg's 2002 film 'Catch Me If You Can' was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on Alto Saxophone, Vibraphone and String Bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Dur: 13:00.
Estimated dispatch 7-14 working days
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