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£39.95
Hammond - Score and Parts - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£7.95
Hammond - Score only - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£9.99
Sinfonietta
1Those Magnificent Men in their Flying MachinesRon GoodwinThe Central Band of the Royal Air Force2.012HammondKenneth Downie trans. Kevin HornerThe Central Band of the Royal Air Force4.043-5SinfoniettaRob WiffinThe Central Band of the Royal Air Force I. Dance with the Devil 4.53 II. A Glimpse of Paradise 5.20 III. Fiesta: Reyes Magos 3.526A Hymn of Endless LightPaul MealorThe Central Band of the Royal Air Force5.147The Galloping MajorGeirge Bastow arr. Gordon Jacon trans. Ray Steadman-AllenThe Central Band of the Royal Air Force2.368Keep the FaithDuncan StubbsThe Central Band of the Royal Air Force5.079Toccata, Oh the Blessed LordWilfred Heaton trans. Alastair WheelerThe Central Band of the Royal Air Force6.5310SouthdownRay Steadman-Allen trans. Richard PhillipsThe Central Band of the Royal Air Force2.3911A Child is BornThad Jones arr. Stephen BullaLewis Musson (Euphonium) with The Central Band of the Royal Air Force4.2312MalaguenaErnesto Lecuona arr. Sammy NesticoThe Central Band of the Royal Air Force3.2813Lakeside DrawingsRichard PhillipsThe Central Band of the Royal Air Force11.3014The Flag of FreedomBramwell Coles trans. Kevin HornerThe Central Band of the Royal Air Force3.13
Estimated dispatch 7-14 working days
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£13.95
Wind Borne
1Heroic MarchPercy Fletcher arr. Philip SparkeRoyal Northern College of Music Wind Orchestra5.402-7The Cries of LondonMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Dawn Watch 1.48 II. Westminster Chimes 2.29 III. A Dream or Two (A Song for London) 3.46 IV. Catch that Catch Can Kenneth Boyd (Tenor)2.24 V. Evening Watch 1.39 VI. Hymn 4.268Diversions (Epitaph for a Dreamer)Darrol BarryRoyal Northern College of Music Wind Orchestra10.489-11Leading EdgeRob WiffinRoyal Northern College of Music Wind Orchestra I. Prelude 3.43 II. Sicilana 3.34 III. Finale 4.3412Wind BorneAvner HananiRoyal Northern College of Music Wind Orchestra7.1013Dragon DanceDuncan StubbsRoyal Northern College of Music Wind Orchestra5.0314-16Fanfares and CelebrationsNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Intrada 5.54 II. Processional 5.40 III. Jubilate 4.41
Estimated dispatch 7-14 working days
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£125.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!
In stock: Estimated delivery 1-3 days
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£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
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£75.00
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£75.00
Vranjanka - Kenneth Hesketh
Vranjanka (pronounced VRAHN-yahn-kah) means "From Vranje," a town in southern Serbia. It is loosely based on the traditional folksong ano Duo. The melody is extant in two versions, one in 7/8 and one in 3/4. The musical form of the piece starts with a fairly slow introductory section, a faster second section cast in a set of variations on the folksong. Vranjanka was commissioned by Timothy and Hilary Reynish in memory of their son William.
In stock: Estimated delivery 1-3 days
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£55.00
Whirlegigg - Kenneth Hesketh
Whirlegigg is the middle English word for a contraption that continuously spins. A great fascination with many inventors of the medieval period was to develop a perpetual motion machine constantly turning and giving off energy. This idea is particularly apt for this piece. A simple ternary structure gives ample opportunity for both boisterous and reflective material with gyrating accompanimental figures never far away. The machine almost stops near the end, but finally musters one last burst of excitement and energy to bring the work to its close.
In stock: Estimated delivery 1-3 days
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£125.00
Diaghilev Dances - Kenneth Hesketh
As a young musician, Hesketh was spellbound by the sounds and colours of the ballet music commissioned for the Ballets Russes company by Serge Diaghilev-- the great ballets by Stravinsky, Debussy, Ravel and Prokofiev. Diaghilev Dances is Hesketh's homage to this great legacy, which he describes as 'a miniature ballet consisting of an introduction, three dances and three entr'actes'.
In stock: Estimated delivery 1-3 days
