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  • £150.00

    Two Irish Folk Melodies

    Two charming components of the Carnaval project, scored by Donald Hunsberger for trumpet soloist Wynton Marsalis and the Eastman Wind Ensemble are combined in this freshly engraved setting. The accompaniment is accessible to high school ensembles, including "'Tis the Last Rose of Summer" and "Believe Me, If All Those Endearing Young Charms," this work will provide an opportunity to feature your trumpet soloist with these lush Irish folk tunes. (5:00)

    Estimated dispatch 3-5 working days

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  • £45.95

    The Burning of the Royal Fortune - Ryan Meeboer

    The Royal Fortune was the name Bartholomew Roberts, otherwise know as Black Bart, gave to all the flagships of his fleet. He was considered to be the most successful plunderer of the Caribbean. This spirited pirate tune is a sequel to the best-selling "The Last Voyage of the Queen Anne's Revenge."

    Estimated dispatch 3-5 working days

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  • £82.95

    Cycle of the Werewolf - Jeremy S. Martin

    A surrealistic tour-de-force for concert band, this work sizzles from the first note to the last. Inspired by the Stephen King story of the same name, the work shows the contemporary concert band at its best. Dark, foreboding, and yet triumphant, this is a can't miss selection for any concert.

    Estimated dispatch 3-5 working days
  • £73.50

    Three Chorale Preludes, Op. 122 - Johannes Brahms / arr. John Boyd, Frederick Fennell

    Taken from the last group of Brahms compositions before his death, Eleven Chorale Preludes, Opus 122, for organ, these retrospective works lend themselves wonderfully to the wind band medium.

    Estimated dispatch 3-5 working days
  • £82.95

    Ascent - Naoya Wada

    In May 2019, a new era of Japan Reiwa began. was composed to celebrate a new era as the last composition of previous Heisei era. The work opens with a bold fanfare with the main theme in the saxophones and horns. This theme is repeated throughout the piece in several forms. After a slow middle section, the piece progresses to a powerful ending with a solo gong, which hails the beginning of new era.

    Estimated dispatch 3-5 working days

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  • £51.50

    Advance of the Roman Legions - Michael Story

    Musically presenting all the majesty and grandeur of ancient Rome, this original is a bold contest opener or closer that will permit your ensemble to sound confident. Introducing just a few accidentals and reviewing how long they last, this regal and distinguished original work will fill the stage! (2:15)

    Estimated dispatch 3-5 working days

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  • £56.50

    Zeeland - Rob Grice

    "Zeeland" was written as a celebration of the community and the students who make music come to life. It is a reflection of those special moments experienced by young musicians and teachers when the performance of music brings people closer together and creates memories that will last a lifetime. (3:45)

    Estimated dispatch 3-5 working days

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  • £51.50

    The Lost Lady Found

    A 19th-century British folk song found throughout England as well as Canada and the United States, the melody is most known as the basis of the last movement of Percy Grainger's masterwork, . In three-four time, there are a few accidentals carefully listed for the conductor that may need reviewing. Attention to the articulations, phrasing, and breath marks will make this work simply sparkle! (1:45)

    Estimated dispatch 3-5 working days

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  • £170.00

    Second Symphony - Alfred Reed

    Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.

    Estimated dispatch 3-5 working days
  • £75.00

    Der Aufstand - Gavin Higgins

    Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare.Wind Band Grade: 6 (Professional and elite student and 'national' bands)Duration: 10 minutes

    In stock: Estimated delivery 1-3 days