Results
-
£64.50El Capitan (Concert Band - Score and Parts) - Sousa, John Philip - Bullock, Jack
When one thinks of "marches," one almost automatically thinks of John Philip Sousa. Perhaps the greatest march writer of all time, he composed literally hundreds of these works. El Capitan ranks high in his list of classics. The first several strains are written in six-eight, and the last strains in two-four, giving a unique change of character. This scoring has reduced the technical difficulties while keeping the integrity of this well-known work. Duration: 2.20
Estimated dispatch 7-14 working days
-
£53.95Annabel Lee (Concert Band - Score and Parts) - Wagner, Douglas E.
Based on the exquisitely beautiful poem of the same name, by Edgar Allan Poe, Annabel Lee by composer Douglas Wagner is a charismatic work, with the main thematic material reoccurring as a dialogue between the two lovers in counterpoint in both the first and last section. The middle segment paints a musical picture of a cold, desolate, windswept shoreline . . . a place where this portrait might have been discovered. Wonderfully flowing lines with fascinating harmonic colouration. Duration: 4.30
Estimated dispatch 7-14 working days
-
£72.99Hollywood Milestones (Concert Band - Score and Parts) - Higgins, John
A blockbuster medley that includes some of the best musical icons from the last twenty-five years of film history. Includes: Theme from Jaws; Where Do I Begin (Love Story Theme); Star Trek - The Motion Picture; Raiders March; Chariots of Fire; Back to the Future; Theme from E.T.; Beauty and the Beast; Theme from Jurassic Park; Forrest Gump - Main Title; Main Title - Apollo 13.
Estimated dispatch 7-14 working days
-
£139.99Aroldo (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from "the genius of Busseto." Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, which told a story of adultery and which was censored for its "indecent" content. Verdi found the censorship of Stiffelio unacceptable, and with a performance in Verona approaching at the start of 1851, he wrote to his editor, Ricordi: "If my libretto is censored, it will not be possible to obtain the effect I desire, so I would rather wait until I can rewrite the last scene." But the modifications to Stiffelio did not stop there. The setting, the historical period and the finale were also completely changed. In the process of converting Stiffelio to Aroldo, Verdi no doubt succeeded in strengthening certain moments. However, the fame of the three operas he had written in the meantime - Rigoletto, Il Trovatore and La Traviata - did not allow Aroldo to receive the recognition it deserved. The opera's symphony is indeed a superb work and contains moments of outstanding lyricism. The trumpet solo in the introduction is the longest written by Verdi for this instrument.Duration: 8:45
Estimated dispatch 7-14 working days
-
£59.95Freedoms Sword (Concert Band - Score and Parts) - Fraser, Bruce
This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based onTraditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.
Estimated dispatch 7-14 working days
-
£11.95
Freedoms Sword (Concert Band - Score Only) - Fraser, Bruce
This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based onTraditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.
Estimated dispatch 7-14 working days
-
£57.50Hey, Hey We're the Monkees (Concert Band - Score and Parts) - Sweeney, Michael
Those madcap characters from TV's past have made a whole new audience, thanks to the Nickelodeon cable channel. Four of their biggest hits are combined in a fun-loving medley for developing bands. Includes: Daydream Believer, Last Train To Clarksville, I'm A Believer, and Hey, Hey We're The Monkees.
Estimated dispatch 7-14 working days
-
£104.99Nocturne (Clarinet Solo with Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Van der Beek, Wil
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but lyric scenes. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.Duration: 3:30
Estimated dispatch 7-14 working days
-
£53.95Engines of Resistance (Concert Band - Score and Parts) - Clark, Larry
Take notice! Seldom, if ever, have we heard a more musically exciting venture for beginning band. Composer Larry Clark, in a highly creative period, has developed this stunning new work. Two opposing themes resist one another. A constant motor element in the winds fights the lyrical melodic material. Each new angular theme is more forceful than the last. Percussion is a separate color opposing the winds. Unique and tightly written, with fantastic program potential! Duration: 2.30
Estimated dispatch 7-14 working days
-
£179.99Reminiscencia Gitana (Concert Band - Score and Parts) - Waignein, Andre
Reminiscencia Gitana was originally a piano piece. Andre Waignein wrote the piece for the Spanish pianist Blanca Quevedo, a student of his at the Royal Conservatoire of Brussels. This work has all the elements that make a composition interesting: melody, virtuosity and most importantly the Gitana (gypsy) character. Each section follows on without interruption making a contrasting whole that will captivate both players and audience until the last note.Duration: 14.00
Estimated dispatch 7-14 working days
View Music