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£199.95Tunes and Toasts for all Times (Wind Band Value Set) - Barsotti, Roger
Wind Band set includes:Concert Flute & Piccolo x2Eb Clarinet x1Oboe x11st Bb Clarinet x22nd Bb Clarinet x13rd Bb Clarinet x1Bassoon x11st Eb Alto Saxophone x12nd Eb Alto Saxophone x1Bb Tenor Saxophone x1Eb Baritone Saxophone x11st Bb Cornet/Trumpet x22nd Bb Cornet/Trumpet x13rd Bb Cornet/Trumpet x11st & 2nd Horns in F x13rd & 4th Horns in F x11st Trombone x12nd Trombone x1Bass Trombone x1Euphonium (BC) x1Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)
Estimated dispatch 7-14 working days
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£66.95Polka: From Schwanda the Bagpiper - Douglas E. Wagner
A true classic of the concert band repertoire, the upper-end transcription of this excerpt from Czech composer Jaromr Weinberger's folk opera Schwanda the Bagpiper has appeared on countless concert programs and contest lists for the past nine decades. At long last, this cheerful work is available in a solid scoring for younger players, expanding its appeal to many more ensembles and audiences. Arranged from the original orchestral score, all parameters of this level have been observed for ease of preparation. (2:00)
Estimated dispatch 7-14 working days
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£73.50Behemoth - Adrian B. Sims
This ominous soundtrack underscores an adventurer's search and eventual battle with a large, monstrous creature. From the opening distant lines to moments of pure adrenaline and raw power, Behemoth constantly embraces danger before a heroic last stand results in victory. An amazing and intense work by Adrian B. Sims! (3:00)
Estimated dispatch 7-14 working days
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£244.00Anemoia - Gauthier Dupertuis
Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.
Estimated dispatch 7-14 working days
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£179.99The Stone Flower - Serge Prokofieff
Sergei Prokofiev's The Stone Flower (opus 118) is his eighth and last ballet, composed between 1948 and 1950. His most famous ballets are Romeo and Juliet, Cinderella and Le Pas d'Acier.The Stone Flower is based on a Russian folk tale from the Ural Mountains. The premiere of the work took place in 1954, one year- after the dead of the composer. The ballet's storyline, rich with myth and legend, is set against the backdrop of the mystical Ural Mountains and centers on themes of love, artistry, and the conflict between material wealth and spiritual fulfillment.In 1951, Prokofiev arranged five movements from the ballet which were later published as the Wedding Suite (opus 126). The movements are:I. Amorous DanceII. Dance of the fiance's girlfriendsIII. Maiden's DanceIV. Ceremonial DanceV. Wedding Dance
Estimated dispatch 7-14 working days
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£106.00Plasma - Gauthier Dupertuis
When asked by the city of Biberist (Switzerland), to compose a piece for its 150th anniversary, Gauthier Dupertuis thought of a frenetic work, possessed with energy and a constant pulsation from the first to the last note. In this sense the composer was inspired by "plasma", the fourth state of matter (after the solid, liquid, and gaseous states) which makes up, for example, lightning or the sun. Like a plasma ball, whose colors and shapes constantly vary, the musical material of the work is gradually transformed, both in the rhythmic signatures and harmonies and in its atmospheres: it is the same material, but always under a different shape. Sometimes rhythmic and dancing, sometimes solemn and majestic, or soft and lyrical, the work finds its unity in the omnipresence of an ostinato and similar rhythmic and melodic structure. Plasma was premiered in September 2024.
Estimated dispatch 7-14 working days
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£99.00Postcards from Tomorrow - Gauthier Dupertuis
During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.
Estimated dispatch 7-14 working days
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£87.50An Ancient World - Adrian B. Sims
An Ancient World, by Adrian B. Sims, imagines the ruins of a past civilization. The work explores the mysterious and fascinating landscapes that were once so beautiful. Reawakened in a new light, the world reignites with energy. After a final mourning of that which was lost and can never be restored, (measures 95--130), the work lives out the essence of ancient royalty with one last celebratory musical statement.
Estimated dispatch 7-14 working days
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£119.20Sinfonisches Prludium - Anton Bruckner
The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner.Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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