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  • £127.00

    Ray of Light - Kevin Houben

    Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

    Estimated dispatch 7-14 working days

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  • £84.99

    Rosanna - David Paich

    In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard.

    Estimated dispatch 7-14 working days

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  • £57.10

    Purple Lips - Bjørn Magne Nyhagen

    Purple Lips is a nice summer ballad, inspired by the sun, summer, swimming and beach life. The title reflects the color the children get on their lips after bathing a little too long without taking breaks on land to warm up. The parts are written in a way so that also the youngest and least-experienced musicians can play this piece well.

    Estimated dispatch 7-14 working days

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  • £109.99

    Tom Jones in Concert

    Having scored many hits over a long career, especially in the sixties and seventies, Tom Jones remains a world star. Gilbert Tinner has now created a fantastic and easily playable arrangement with songs from this period. This medley includes She's a Lady, It's Not Unusual, Delilah and Help Yourself.

    Estimated dispatch 7-14 working days

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  • £344.30

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £72.99

    To All Things Left Behind - Richard L. Saucedo

    This poignant and lyrical work by Richard Saucedo utilizes sections of transparent beauty, with only a few instruments playing, contrasted with sections of dramatic emotional content performed by the entire ensemble. Featuring long phrases and sustained intensity, this is a challenging yet rewarding work for mature bands. Dur: 6:00

    Estimated dispatch 7-14 working days
  • £152.99

    The Legend Of Spirit Island - Philip Sparke

    The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn't long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.

    Estimated dispatch 7-14 working days

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  • £104.99

    Red Hot Chili Peppers

    The iconic American rock band 'Red Hot Chili Peppers' were founded in the early 80's, and are to this day one of a few bands with such a long and impressive record of musical achievement. Richard Johnsen made a perfectly playable arrangement, withoutcutting out any stylistic qualities of the originals. The medley consists of the songs Californication, Under the Bridge and Snow (Hey Oh). Rock your audience!

    Estimated dispatch 7-14 working days

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  • £159.99

    The Wall - Otto M. Schwarz

    The walls of Babylon, the Great Wall of China, the limes of the Roman Empire and the Berlin Wall are just a few examples of the walls mankind has built over past centuries. Today, building walls remains an issue, often under the pretext of 'protection' against intruders.This idea inspired Otto M. Schwarz to write a piece about the Roman limes between Germania and Rhaetia. From around 150 to 260 AD the wall faced numerous attacks. This programmatic work describes the events as they happened a long time ago, and addresses hope that these events belong to the past forever. The Wall is a work full of action in all-instrumental groups.This is an impressive piece with strong musical images, perfect for a contest or as an apotheosis in your concert.

    Estimated dispatch 7-14 working days

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  • £61.95

    Land Of Pharaohs - Gene Milford

    The mystery and romance surrounding Egypt's Nile river, expansive deserts, mighty pyramids, Valley of the Kings, and legacy of art and culture has inspired generations of men and women around the globe. In ancient Egypt, the word "Pharaoh" meant "Great House," referring first to the royal palace itself and later to the ruler in power as an official title of leadership. Land of the Pharaohs is a short, musical depiction of the power that the ancient Pharaohs once held and the drama that has captivated mankind since the end of their long reign.

    Estimated dispatch 7-14 working days