Results
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£46.95Sunridge March - Steve Hodges
is a spirited concert march that provides an energetic opening to any concert or festival. Each section of the band participates in the upbeat melodies and countermelodies with the percussion section, providing a solid rhythmic foundation. An effective modulation from A-flat to B-flat sets the piece up for a dynamic and exciting conclusion.
Estimated dispatch 3-5 working days
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£61.95Variations on L.B.I.F.D. (London Bridge is Falling Down) (Concert Band - Score and Parts) - Reed & Wagner
Alfred Reed needs no introduction for those who admire his distinguished concert band works. This arrangement for concert band draws from five movements of his original 28 composed for brass quintet based on "London Bridge Is Falling Down." Included are: "Statement," "Waltz," "March Fo(u)rth!," "A Little Funeral Music, Please (Eine Kleine Trauermusik)," and "Finale." A demonstration of compositional techniques practiced during the past three centuries, the work is filled with captivating and highly musical moments. Even though players will encounter a few changes in tonal centers, meters, and tempo throughout, there is not much that would get in the way of having a fun experience learning and performing. Duration: 2:45
Estimated dispatch 7-14 working days
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£37.95Bach March and Musette (Concert Band - Score and Parts) - Bach, Johann Sebastian - Williams, Mark
These two pieces from the Notebook for Anna Magdalena Bach have been a favourite of keyboard players for centuries. This skillful arrangement finally brings these great classics well within the reach of the developing young band. This two-movement work can serve as a vehicle for introducing your band to an important period of music history. Duration: 3.45
Estimated dispatch 7-14 working days
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£44.95Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days
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£18.95HEROIC MARCH (from Epic Symphony) (Prestige Concert Band Extra Score) - Fletcher, Percy - Sparke, Philip
Extra Score. Last movement of the 1923 classic brass band contest piece, which adapts perfectly for concert band! Performance time 5'20" Recorded on QPRM153D WIND BORNE (Great British Music for Wind Band Vol.14)
Estimated dispatch 7-14 working days
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£94.95
HEROIC MARCH (from Epic Symphony) (Prestige Concert Band Set) - Fletcher, Percy - Sparke, Philip
Score and Parts. Last movement of the 1923 classic brass band contest piece, which adapts perfectly for concert band! Performance time 5'20" Recorded on QPRM153D WIND BORNE (Great British Music for Wind Band Vol.14)
Estimated dispatch 7-14 working days
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£44.00Trumpet Voluntary (Concert Band - Score and Parts) - Clarke, Jeremiah - Phillips, Todd
This famous melody from the Baroque period has been skillfully arranged for young band by Todd Phillips. Known also as "The Prince of Denmark's March" and composed by Jeremiah Clarke, it is the most celebrated of the Trumpet Voluntary's and is now accessible for your beginning band. A must have for your music library!
Estimated dispatch 7-14 working days
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£62.95Funeral March - Edvard Grieg / arr. Jan Erickson, Fennell Frederick
Written in 1866 the day he heard his good friend and Norwegian nationalist Rikard Nordraak died, the original monument to the memory of his dear friend was composed by Edvard Grieg for piano. One year later, Grieg arranged the work for military band, transposing it to g minor, and he so treasured this music that he carried it with him on all journeys, and the orchestra setting was played at his interment. This transcription for the contemporary wind ensemble was made, appropriately, by the Norwegian band enthusiast and authority Jan Ericksen and edited by famed band master Frederick Fennell.
Estimated dispatch 3-5 working days
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£64.95March from the Opera
This transcription for concert band captures all of the excitement and super-charged emotion of the original version. Its driving rhythms and repeating melodic motifs provide interesting parts for all members of the band. For an electrifying performance, your band will need to play crisply and pay close attention to the wide range of dynamics. Easy percussion parts and practical scoring make this work easy to rehearse. (Grade 3---Medium) A Federation Festivals 2020-2024 selection.
Estimated dispatch 3-5 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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